Men
Je Reviens Eau de Toilette
Acordes principales
Descripción
Je Reviens Eau de Toilette by Worth is an aldehydic floral fragrance for women. Launched in 1932, the nose behind this composition is Maurice Blanchet. The top notes include aldehydes, ylang-ylang, jasmine, bergamot, orange blossom and lemon (sour lime); the heart notes are formed by narcissus, hyacinth, lilac, ylang-ylang, iris root, cloves and rose; while the base notes reveal oakmoss, violet, incense, sandalwood, musk, vetiver, tonka bean and amber.
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Comunidad
914 votos
- Positivo 75%
- Negativo 22%
- Neutral 3.4%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
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Uso recomendado
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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5 reseñas
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A wonderful perfume with an ancient profile from centuries past. Smells of soap, talcum powder, and incense. One of my great favourites; I was told it’s discontinued. Worth buying a reserve for future decades—it’s very special and elegant.
Review of JE REVIENS by WORTH: EDT. Smells like old-school Chanel No. 5 and Youth Dew, with aldehydes, florals, spices, and hard woods—strong and almost masculine. It’s fascinating how perfumes define eras; these fragrances from the 40s and 50s, created at any moment, embodied post-war women: hardened, fighting to survive, working, and tremendously feminist without knowing it. Today, the woman who believes she has conquered equality is besieged by extra-sweet, nauseating, hyper-sugared fruit choulis trying to turn her into a docile doll so she forgets to realise herself and returns to the arms of Dad or the honey-husband. If you’re obsessed with size 36, vertigo-inducing heels, Californian highlights, and prosthetics, not only are you not liberated enough to understand JE REVIENS, but today, whoever wears it is expected to be called a nanna, a granny, or a musty old thing. The aldehydic opening is a statement of principle: nothing soft or powdery, everything resolute. If there are florals, they seem like bursts of fury; if there are citrus notes, they are sour, wild, sharp, and unripe. There are cloves as in YSL’s Opium, intense musk without compromise, moss and woody vetiver. It’s a marked chypre fougère with a base of sandalwood and gum resins. Sillage and longevity above average. Only for women like Joan Crawford, Ava Gardner, and Bette Davis: they thought, acted, and were feminists. When they said JE REVIENS (NOW I RETURN), you could consider yourself abandoned.
Another jewel of great beauty and splendour that takes me back to childhood, as my mother used to bathe in it, enveloping the whole environment with that divine trail of a perfume with the class, beauty, and elegance of bygone days, which were only announced and presented, making people ask ‘what is your perfume called’. I still keep a bottle that she cared for like a holy relic, which I occasionally smell to transport myself back to times of a happy past.
I’m back with the vintage EDP version, a proposal with magical attraction for me, a creation with a soul that impresses me every time I smell it. It’s a perfume that is far too grand, surely different enough to find its place on a modern woman’s skin. Smelling it conjures images of ladies who knew how to unleash their femininity and incite male jealousy, driving gentlemen to madness and earning gifts in exchange for a smile and silent promises of passionate attention. Fairies like those of the Moulin Rouge, with uninhibited sexuality and languid coquetry, masters of the desires of cultured and powerful gentlemen, surrounded by a halo of total uninhibition. That uninhibition wasn’t vulgarity or baseness: a graceful face, a swan neck, dreamy eyes, and an elegant indulgence gave certain ladies a taste of purity that made them more sinful and desirable to suitors hoping to lose themselves in courtship rituals where modesty and malice intertwined vibrant dialogues with uncertain and passionate endings. It’s easy to fall into temptation when aldehydes, bergamot, and jasmine caress your senses, and you perceive a soft, elegant aura of lilac, rose, and oakmoss, with the power to move you by imagining someone deep, seductive yet vulnerable, and nostalgic. Its green note is soft, illuminated from within like light through a jadeite screen. A pinch of clove keeps the fragrance alive, while neroli infuses it with a sinful, youthful innocence, surprisingly so given the launch date. It’s an aroma that I’m passionately in love with, highlighted by a floral, aromatic, and woody bouquet that adds a sensual, calming, and warm sensation, with smoky and sweet touches, almost like a delicate incense accompanying its development to create a natural, warm, and deep essence. Closing my eyes, I imagine reclining on a red velvet chaise longue with that dream woman beside me, soaked in that seductive atmosphere and hypnotised by her beauty while we drink champagne, overwhelmed by her skin that smells of Je reviens, feeling it dangerously mine, like the desire to leave together the next day to start a new life. And then? After sharing sighs with that voluptuous lady who frames the exuberance of the senses and the pleasure of sin, I return to my time and space, to give rigor to the loss, bring order to the whirlwind of emotions, and realise once again that perhaps I was born in the wrong era.
This perfume caught me completely by surprise. About five years ago, I bought the bottle and felt overwhelmed, as if the scent was weighing me down rather than enhancing me; I felt old and eventually gave it away. This autumn, I finally dared to buy it again. It’s a new reformulation, much softer and ‘watery’, yet it wears with far greater ease and charm. I adore its aldehydic side, the hyacinth, and the violet. Despite being lighter, the trail and longevity are excellent. It feels comparable to E. Arden’s ‘Blue Grass’—they are very similar, though I detect more lavender in the Arden version. I think it’s a brilliant idea to give it another chance this autumn and winter.