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Embrujo de Sevilla
Acordes principales
Descripción
Myrurgia's Embrujo de Sevilla is a woody-spicy fragrance for women. Launched in 1933, this composition features aldehydes, lemon and neroli in its top notes. The heart unfolds peach, rose, carnation, iris, lily of the valley and rosewood, while the base notes rest on labdanum, benzoin, sandalwood, tonka bean and vanilla.
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Cuándo llevarla (votos)
Notas clave
Comunidad
33 votos
- Positivo 97%
- Neutral 3.0%
- Negativo 0.0%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
Estación y momento del día con más votos.
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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6 reseñas
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It’s a bit fuzzy in my memory; my father gave it to my mother when I was a child. I don’t know exactly what it smells like, but I know it smelled like something striking, and my mother’s aunts and friends said it was a total hit.
Seville’s Bewitchment: I want to applaud Myrurgia’s creativity with the names and concept; it’s tempting. Just as clove is the star in Maja and sandalwood in Bois d’Orient, here I see patchouli and tobacco as part of the identity. The opening is very aldehydic, sweet/fruity, then triggers something more earthy and ‘dirty’ with patchouli, animalic notes, vetiver, tobacco, and avoirdupois leather. The floral side is also noticeable: carnation, lilac, heliotrope, and some iris. But the base takes all the attention. For a cologne, it’s quite potent and faithful to its grand name. Another success from Myrurgia.
Reviewing a 1933 bottle. The opening is aldehydic with citrus, short-lived, and quickly moves to the peach, which I believe is the heart. It’s spicy and woody, not floral, though there’s a hint of rose. The nectarine lingers in the middle with resins like benzoin and sandalwood at the base. There’s a powdery touch of iris and carnation that give it roundness and complexity; everything is very old-school. It finishes with an avoirdupois and resinous tone. I see it as complex, with three well-differentiated phases, and I think it faithfully evokes its name: mysterious, deep, and sensual. A classic from Myrurgia, now gone. The bottle and box are design marvels, reminiscent of the Torre del Oro in Seville; the black box imitates bull hide. I wonder why so many Myrurgia perfumes are missing from Fragrantica; Lavanda, for instance, shouldn’t envy Caron’s Pour Un Homme. Someone in the English version also speaks of this delight. Best regards.
I’m reviewing a 1933 bottle. It starts with aldehydes and citrus that don’t last long and launch straight into the peach, the heart. It’s spicy and woody, not floral, though a bit of rose is noticeable. The nectarine stays with resins like benzoin and sandalwood. There’s a powdery touch of iris and carnation that give it roundness and complexity; everything is very old-school. At the end, there’s an avoirdupois and resinous note. I see it as complex, with three well-marked phases that evoke its name: mysterious, deep, and sensual. A classic from the now-defunct Myrurgia. The bottle and box are a design marvel; it recalls the Torre del Oro, and the box is black, imitating bull hide. I wonder why so many Myrurgia perfumes are missing from Fragrantica; Lavanda shouldn’t envy Caron’s Pour Un Homme. Someone in the English version also speaks of this delight. Best regards.
The bottle I treasure must be over 35 years old and still smells well. Could there really be a spell upon it?
The bottle I keep has been over 35 years old and still smells wonderful. Could it really be bewitched?