Men
Arabian Nights Eau de Parfum
Acordes principales
Descripción
Arabian Nights Eau de Parfum by Jesús Del Pozo is an oriental woody fragrance for men. Launched in 2010, this composition features rose and thyme in the top notes; saffron, sandalwood, guaiac wood, patchouli, vetiver, and Virginia cedar in the heart; and oud wood, amber, musk, and French labdanum in the base.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Arabian Nights Eau de Parfum y elige según envío, precio o disponibilidad.
Amazon
Envío rápidoEntrega rápida y política de devoluciones conocida.
Ideal si priorizas velocidad y disponibilidad.
Ver en Amazon
eBay
Más opcionesMás opciones de precio, formatos y vendedores.
Útil para comparar alternativas antes de decidir.
Ver en eBay
Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
Para dejar una reseña necesitas iniciar sesión.
20 reseñas
Mostrando las más recientes primero.
Category:
Someone smelled it and was so impressed that I want to get it.
Does anyone know where to buy this perfume in Paris? I’m dying to try it and add it to my collection.
What a shame that the Spanish designer puts obstacles in the way of buying it in his own country.
This is Oud at the highest level in designer perfumes. Oud, rose, and guaiac wood. It leaves a lot of incense, I suppose due to the mix of guaiac with sandalwood and thyme. Intense, long-lasting, and very noticeable. It’s probably the one I’ve worn the longest (over 24 hours). I wouldn’t recommend it without trying it several times because the opening isn’t easy, especially if you’re not used to Oud. The first few times it reminded me of olives with Arab dressings, market spices, incense… until I reached its true scent. Those who try it should do so. The pity is that it’s not easy to find because Jesús del Pozo distributes it for the Emirates, but that makes it more coveted.
This perfume became famous on Spanish-language fragrance forums thanks to my review right when it was just hitting the shelves. It smells very Arab and dry, just like the M7 by YSL. A Moroccan girl told me her father used something similar, so it must have quality if it’s trying to represent that concept. It’s a shower of compliments with this one.
I bought a 2 mL sample and I must say I didn’t like it. It smells very Arab; that is, it’s clear that when you buy a perfume called Arabian Nights it’s going to smell Arab, but I expected something more. A combination a bit more floral that would give a touch of sober elegance when mixing with the oud and base woods. To be clear: its scent reminds me too much of the Moroccans one can cross in the street here in Spain.
Arabian Nights is an excellent masculine proposal from the Spanish designer, and I say Spanish because you can feel that ethnic mix of the south where East and West converge. Excellent taste for a product with an Arab character and very refined. The opening is floral and spicy; the rose is dominant but nothing heavy or soapy. Soon the woods appear, here the Oud takes charge, highlighted, with a slight dirty and medicinal touch but natural and shameless. It’s true that the rest of the woods mix well, they are felt, contributing something dry, floral, with a balsamic point, without being dense. Perhaps the most beautiful part of the development. I would have liked more power, it would have been excellent. The dry-down moves away from the Arab and goes towards musky, clean, and more European, an Oud with a Spanish flavour that I loved, for me one of the best Ouds tried. Rating: 7.5
Arabian Nights seems to me an excellent, very masculine proposal from the Spanish designer, and I say Spanish because that ethnic mix of southern Spain is perfectly detectable, where the best of East and West converge. Excellent taste for a product with a marked Arab character and at the same time very refined. The opening feels floral and spicy; the rose maintains a dominant note, nothing heavy and controlled, never falling into feminine or soapy territory. Soon the woody notes appear, where the Oud controls the situation, highlighted, with a slight dirty touch, also medicinal, but very natural and nothing embarrassing. It’s true that the rest of the woods mix very well, they are felt, contributing a dry, floral touch with a balsamic point, without being dense. Perhaps, the most beautiful part of the fragrance’s development. I would have liked the fragrance to have a bit more power; it could have been excellent. The dry-down moves away from this Arab point and heads towards the musky, clean, more European side of a Spanish-tasting oud that I have loved; for me, one of the best Ouds I’ve tested. Rating: 7.5
Finally I got it. I agree with whoever says it mixes East and West flavours. Well achieved structurally, the Oud is clearly perceived and it is persistent. I find a point similar to Zara’s Ambre Noble, is it possible?
Finally, I got it. I agree with those who say it blends Eastern and Western flavours. Well-structured, the oud is clearly perceptible and persistent. I find a point similar to Zara’s Ambre Noble, is that possible?
A Jesús del Pozo fragrance that has nothing to envy from Rasasi or Al Haramain in Dubai, experts in producing oriental perfumes with oud notes. I haven’t been able to try the oud from ROJA, BY KILIAN, HIND AL OUD, or any other niche brand due to their exorbitant prices. Clearly, all the ouds I can try are synthetic, as agarwood resin is so prohibitively expensive and likely controlled by IFRA, accessible only to Arab sheikhs. Nevertheless, I acknowledge that familiarity that reminds me of a stall of heavily spiced black olives mixed with an absolutely cloying rose, saffron, pepper, incense, and a touch of various aged woods. These are scents one must get used to gradually, as they have nothing to do with any other perfume sold in Western shops today, but if you find the right spot, they transport you to Andalusian paladaces adorned with Persian carpets, incense burners, trays with rose petals, natural silk curtains, and intricate ceilings in gold, jet, indigo, emerald, and purple; with the background sound of fountain water, ponds, and birdsong. Sherezade softly whispers her thousand and one nights. AROMA: 9 Sillage: 8 Longevity: 9 Performance: 9
Literally a Spanish ‘Rose Oud’, executed with mastery and of very good quality. Olfactorily, it’s very similar to Armani’s Oud Royal, By Kilian’s Incense Oud, or even Moresque’s Oroluna; they all share a rose and oud soul, differing in supporting nuances but generally unified by their rose and oud conjunction. From the start, the rose and spices are felt, a very balanced rose, nothing feminine, adorned with spices and a tiny sweet note that I adore. Soon the oud appears, rounding off the initial scent with its slight dirty and medicinal nuances, of extraordinary beauty. This is the fundamental pillar; from here, this rose and oud accord evolves with myriad nuances acquired from patchouli, musk, amber, and labdanum, making the scent sometimes dry and warm, other times resinous, warm, and clean. A perfume that perfectly evokes the thousand and one stories coming from the East. Performance is good, though not exaggerated, around 7 hours on skin, with moderate-to-high projection initially, then decaying to moderate dry-down, which is not bad. Considering the price, the performance-to-cost ratio is notable. I’ve tried the EDT; I suppose users who’ve tried the EDP version have obtained greater longevity, but for the EDT, this is what we have. A fragrance for cold or temperate climates and of a nocturnal character, though it wouldn’t be out of place on a crisp winter morning. Highly recommended for those starting to explore this world of Arab, not Oriental, scents, offering moderate pricing, good quality, and a Spanish seal.
Literally a ‘Rose Oud’ Spanish one, made with mastery and good quality. Olfactorily it is very similar to Armani’s Oud Royal, Kilian’s Incense Oud, or Moresque’s Oroluna; they all share the soul of rose and Oud, they differ by nuances but in general lines they are unified. From the start you feel the rose and the spices, a very balanced rose, nothing feminine, adorned with spices and a little sweet point that I love. Soon the Oud is noticed, finishing rounding off the opening with its slight dirty and medicinal nuances, of extraordinary beauty. This is the pillar; from here on the mix of rose and Oud evolves with patchouli, musk, amber, and labdanum, making the scent sometimes dry and warm, other times resinous, warm, and clean. A perfume that prints the thousand and one stories of the East. The performance is good, not exaggerated, about 7 hours on skin, high projection at the start which drops to moderate afterwards, which is not bad either, and if we look at the price, the performance/cost is notable. I tried the EDT, I suppose those who tried the EDP had more performance, but for the EDT that’s what there is. A fragrance for cold or mild climates and for night, although it wouldn’t clash on a winter morning. Highly recommended to start with Arab aromas, not Oriental, moderate price, good quality, and Spanish seal.
My review is based on the EDT version, with the electric blue latticework, which looks very nice against the black bottle. This isn’t an Arab oriental, nor even unisex; rather, the oud with ammonia nuances transforms this fragrance into a sort of evolved fougère. Initially, there’s a masculine rose, rough as a scouring pad, balsamic and refreshing, with a slight herbal touch from thyme. As the fragrance evolves, the woods take over without losing the rose character: oud, patchouli, sandalwood, vetiver, and gaia with a marble-like nature, very cool, and an ammonia finish reminiscent of Prada Amber Intense or L’Homme Prada Intense. I didn’t like it because the fougère vibe isn’t for me, but it seemed like a very high-quality fragrance, a fusion between the Spain of the Cid and another Spain of legends with exotic and magical airs, something like The Manuscript Found in Saragossa. When wearing it, I thought of great Castilian furniture, garnet velvet curtains, Manises tiles, and a faint memory of a legendary East arriving in Spain via the Mediterranean. After showering and smelling my wrist again, I caught a beautiful sandalwood nuance, though it’s not perceptible in the fragrance’s evolution. I see this Arabian Nights in the same league as Prada Amber Intense or Prada L’Homme Intense: cold resins, a very virile rose, marble woods, and an expectorant tone, like modern evolutions of great men’s perfumes from the eighties, with a bit more mystery but without losing seriousness.
My review is for the EDT version, the one with the electric blue latticework, which looks very nice with the black bottle. This is not an Arab Oriental perfume, nor even unisex, rather the Oud with ammonia nuances turns it into a sort of digi-evolved fougère. At the start there is a masculine rose, rough as a scouring pad, balsamic and refreshing, with a minimum bird-like touch thanks to the thyme. When we change phase the woods take over without losing the rose aftertaste: Oud, patchouli, sandalwood, vetiver, and guaiac with a marble nature, very cold and an ammonia aftertaste in the style of Prada Amber Intense or L’Homme Prada Intense. I didn’t like it because the fougère vibe doesn’t suit me, but it seemed of very good quality, like a fusion between the Spain of the Cid and another Spain of legends with exotic and magical airs, something like The Manuscript Found in Zaragoza. When I was wearing it I thought of great Castilian furniture, garnet velvet curtains, Manises tiles, and some memory of a legendary East that reached Spain via the Mediterranean. When I showered and smelled my wrist again I caught a very nice sandalwood note, but it’s not perceptible in the evolution. I see this Arabian Nights in the same range as Prada Amber Intense or L’Homme Intense, cold resins, a very virile rose, marble woods, and an expectorant tone, like modern evolutions of great men’s perfumes from the eighties, with a bit more mystery but without losing seriousness.
I wore it today after a long time, and it’s one of the times I’ve received the most compliments on a perfume. Perfectly executed fragrance with a pleasant trail and immense longevity; I even washed my shirt and it still smells faintly from the collar. A 10 in every way. Not suitable for those who wear fragrances from the current era, as they all smell the same.
A beautiful pink-oud fragrance, very close to my nose to Rasasi Mubhatar with the silver cap. It used to be available at Málaga airport and at El Corte Inglés in Puerto Banús, Marbella; now it’s only in Marbella. Recommended.
Impressive! These are the perfumes that make you laugh and say: ‘Wow, phenomenal, my goodness!’ The opening is a creamy oud, accompanied immediately by a subtle smokiness reminiscent of Bulgari’s Wood Essence, with a fermented orange note. Digging deeper, it evokes a coniferous forest with wet earth, vetiver, and a more fermented, wild character. The rose touch is divine, similar to the red rose in Cartier’s Declaration d’un Soir. This is truly aimed at the Arab world… the quality J. Pozo invested to impress the sheikhs is staggering. It smells of wealth, power, and status.
Impressive! These are those perfumes that make you laugh and say ‘Wow, what phenomenal, my goodness!’ The opening is a creamy Oud, a soft smoky one accompanies it immediately with a fermented orange-type aroma like Wood Essence by Bulgari, then accompanies that scent when you dig into a conifer forest, the wet and earthy smell of a rainy forest and the vetiver, but here it is more fermented and rugged, and the rose is a divine touch like Cartier Declaration d’un Soir. This is really directed at the Arab world… it’s striking the quality J. Pozo played to impress the sheikhs… it smells like a millionaire, power, and status.
I picked this up in 2011 and it blew my mind. It’s a Jesús del Pozo oriental, featuring that classic pink-oud combo, yet it remains indispensable. I still keep it; the bottle is simply stunning.