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Detchema
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Descripción
Detchema by Revillon is a floral fragrance for women. Launched in 1953, this composition unfolds with top notes of aldehydes, hyacinth, peach, bergamot and neroli. The heart reveals a bouquet of carnation, rose, jasmine, ylang-ylang and valley lily, while the base settles on a foundation of lily root, sandalwood, leather, musk, amber, vetiver and tonka bean.
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Comunidad
404 votos
- Positivo 87%
- Negativo 10%
- Neutral 3.0%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
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Longevidad
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Estela
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Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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3 reseñas
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I do not care whether it is Detchema, Joya Myrurgia or Blue Grass; any aldehydic floral lotion from the seventies makes me happy. It smells of wonderful oldness on whoever wears it, a mist of ylang-ylang, jasmine and carnations that hypnotises me. Revillon’s Detchema is a talc-floral with carnation spice notes, the classic combo of ylang-ylang and aldehydes, perhaps a little spicier. It is a useless critique that merely confirms my love for these pleasant fragrances on older women. Over time, as their wearers pass on, they will cease to smell like the last of the extinct grouse. At present, I enjoy when a group of pensioners emerges from the chotis with a swarm of powdery, faded scents; they make me feel well, as if they possessed healing powers. By the way, Rosemary wears it in The Devil’s Seed, proving that it was once modern; often, ideas of gender and age in perfumes are merely what we learn through repetition.
I do not care whether it is Detchema, Joya Myrurgia or Blue Grass; any aldehydic and powdery floral lotion from the seventies makes me happy. It smells of wonderful oldness on a woman wearing Detchema, hypnotising me in a mist of ylang-ylang, jasmine and carnations. I own one from Revillon, a famous house, which in my memory is a talc-floral with spiced carnation nuances, that classic combo of ylang-ylang and aldehydes, perhaps with a slightly spicier dry-down than its peers. In reality, this adds nothing new, merely confirming how much I enjoy sniffing these pleasant and typical fragrances on older women. I suppose that with the passage of time, as their wearers die, they will cease to feel on the street like the last of the extinct grouse. I enjoy watching a group of pensioners dancing the chotis and a swarm of powdery, faded Detchemas, Joyas or Chanel No. 5 emerging; they make me feel well, as if these scents possessed healing powers. PS: This is the perfume worn by Rosemary in The Devil’s Seed, proving that it was once modern and youthful; in most cases, the perceptions of gender and age we attribute to fragrances are merely ideas learned through repetition.
Detchema is probably the most famous perfume from Revillon Fourrier: a clean, aldehydic floral akin to No. 5 but lighter, super-floral (hyacinth, jasmine, ylang-ylang, rose), soapy and exquisitely refined. In Polanski’s Rosemary’s Baby, Mia Farrow kindly mentions it to a spectator who asks her in the pharmacy, demonstrating its immense weight in the collective imagination. The pyramid is dizzying, yet it is a child of its time: dusty, aldehydic and floral. It fits the film perfectly, with its solid furniture, large floors and period-typical wardrobes. It begins florid, like a bouquet of lilies, jasmine, narcissus and citrus notes of lemon, then quickly shifts to aldehydes as a dusty, mature rose takes control. It is beautifully interpreted: the honey-soaked ylang-ylang blends with bitter roots, smoky green and lily, briefly reviving the leather of the base. Basically, at first it is very aldehydic but over time it becomes soft, floral and delicate. Another fragment of past lives destined to be lost in the fog of time.