First by Van Cleef & Arpels
Women 1976
Main accords
Description
First by Van Cleef & Arpels is an aldehydic floral fragrance for women. Launched in 1976, this composition was created by nose Jean-Claude Ellena. Upon release, aldehydes, bergamot, blackcurrant, peach, mandarin and raspberry provide a vibrant, fruity opening. The heart reveals a complex floral bouquet with narcissus, hyacinth, jasmine, lily of the valley, carnation, ylang-ylang, lily root, neroli, Turkish rose…
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
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In the collection
Leading answer I own it
8,501 votes
What do you think?
Leading answer Like it
3,506 votes
Season
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2,515 votes
Time of day
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1,557 votes
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Fragrance profile
About First
First by Van Cleef & Arpels is an aldehydic floral fragrance for women. Launched in 1976, this composition was created by nose Jean-Claude Ellena. Upon release, aldehydes, bergamot, blackcurrant, peach, mandarin and raspberry provide a vibrant, fruity opening. The heart reveals a complex floral bouquet with narcissus, hyacinth, jasmine, lily of the valley, carnation, ylang-ylang, lily root, neroli, Turkish rose and orchid. The base settles on algalia, oakmoss, honey, amber, musk, sandalwood, vetiver, tonka bean and vanilla, closing the structure with a warm, woody sweetness.
Fruits, vegetables and nuts Flowers White flowers Woods and mosses Sweet and gourmand Musk, amber and animalic Spices
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More from Van Cleef & Arpels
Related editions
More from Jean-Claude Ellena
How it wears
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Longevity
Leading answer Long-lasting
1,025 votes
Sillage
Leading answer Moderate
1,217 votes
Character
Leading answer Traditionally feminine
494 votes
Value perception
Leading answer Fair price
429 votes
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Community reviews
39 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
I own the Eau de Parfum and it is supremely elegant, perfect for high-society ladies. One truly needs to have class from a young age to appreciate it fully.
Eau de Toilette review: First is a sophisticated, elegant, and polished beauty. It opens with a huge bouquet of white flowers, jasmine, and tender lilies, with the stem and sun highlighting the scent. The aldehydes are well-crafted and give it an airy feel; as it dries down, it becomes clean, musky, and slightly green. It smells like a real perfume, like a vase of flowers in a shaded corner. I would wear it on sunny days, especially in spring and autumn with sunshine. It doesn’t smell like anything similar, not like No. 5 or Arpège; it is unmatched. It has good projection, lasts long on clothes, and the first day I wore it, I received many compliments. Longevity: over 11/12 hours… unfortunately, it was discontinued two weeks ago, but it can still be found.
This smells very similar to Y by Yves Saint Laurent and the recent version of Givenchy III. It is green, aldehydic, and fresh; what predominates is oakmoss, vetiver, and sandalwood. The civet in the new version is well-balanced, not invasive, and wearable. Longevity is 4 hours with a soft trail. If you own Y by YSL, Givenchy III, or Miss Dior, you don’t need this, but if you liked them and can’t find them anymore, you can opt for this. It has elegance; it is not a beast, it is a calm EDT that softens down, becoming green, timeless, and different. Additionally, it has a good price, so if it is more accessible, you can buy it. It is a good perfume, not artificial, it smells natural and doesn’t feel synthetic. Its dry-down on clothes is very pleasant; on the skin, it doesn’t last long, but I have the EDT of the new version, I don’t know if the EDP lasts longer.
What a beautiful perfume and full of memories… Upon smelling it, the mental image is black velvet elegance with perfect cuts that frame the female figure. It is polished and undoubtedly a lady’s perfume, but not by gender, rather by a woman with sophistication in her DNA, a Hollywood diva of the past. It is clear it comes from the past; it was very popular in the 90s when my mother owned it and I, at 14 years old, sometimes wore it because I always liked clean, powdery florals. It is a scent that calms and makes one sigh. The aldehydes are well-present alongside several flowers and animalic amber (unfortunately), very much in the style of Chanel No. 5. Something I remember is that it wasn’t very long-lasting on me, but it made me want to have it again or at least smell its aroma, close my eyes, and travel back in time to my childhood…
It is no surprise that Lady Diana wore it daily. It has an air of ‘Chanel No. 5’, ‘White Diamonds’, and the ‘Sicily’ by D&G. It is an intense scent where the aldehydes are the protagonists. I don’t detect the peach, but I do smell the jasmine, lilies, and that carnation from the ‘Boudoir’ by VW. It is clean, elegant, classy, generates compliments and well-being, it is long-lasting, addictive, and has an iconic bottle that cannot go unnoticed. A classic that evokes confidence, familiarity, warmth, and fidelity. 🕯️ 10/10.🔥
Since childhood, fragrances, their trails, and their intensities have caught my attention. My family could not afford to buy perfume, so I satisfied my interest by collecting empty perfume bottles that were given to me. I don’t recall how this First came into my hands, but it was my favourite. The bottle was beautiful, I loved the cap, but above all, I loved the fragrance. I attributed a personality to every bottle in my collection, and First was a mature, sophisticated, and elegant woman. Does anyone know if First can still be obtained? I would love to smell this scent again.
Alongside Chanel No. 5, this is one of my favourites: an intense scent, you can feel the aldehyde, the lily of the valley, jasmine, carnation, and narcissus. Very long-lasting on both skin and clothes.
Admirers of Jean-Claude Ellena usually divide between those who marvel at his current creations (aquatic, transparent, light) and those who believe his peak was in the 70s, when he composed more substantial, dirty, and prominent fragrances like Eau de Campagne for Sisley and First for Van Cleef & Arpels. Personally, I prefer his strong, fleshy creations, with a touch of dirt that adds sensuality and balance, rather than the newer, warmer proposals. The vintage version of First is simply amazing. You can smell the entire floral symphony with a 3D cinema effect. But that is not even the best. The dry-down is where it reveals its total beauty: soft, powdery sandalwood that appears after a long journey, aldehydes with a resplendent shine, overlaid with warm amber, earthy vetiver, and delicate musk, plus go-go civet. This fragrance looks elegant and classy, but it was not created solely for high-society ladies and is used on many occasions, even in all seasons. It is fresh and warm at the same time, floral and woody, innocent and mischievous, bright and dark. It always has the power to attract attention because not everyone dares to dress in such a vintage style. A word on the current version: it holds up quite well in trail and longevity (try it on the metro, train, or car with windows closed): the current version has lost the balance and the arrogant density of the old one. The aldehydes are translucent. As it dries, it improves, but the lack of real sandalwood and faded flowers are noticeable. It is not bad and seems ideal for women who want to approach a classic without fleeing, but I consider it a 2D image of a sculpture admired in live.
It is a fresh and calm aldehyde, without harshness. It has that classic fragrance touch of soap 🧼 that at the same time remains current due to the fine synthesis of so many ingredients. It is as if so many diverse notes of flowers, lily root, woods, and aldehydes had married and summarised their essence into a simpler scent, without being linear or homogeneous. Perhaps Ellena’s formulation explains it; the perfumer of ‘less is more’. Here he takes many ingredients and instead of designing a baroque scent, he creates one that is clean and minimalist, unexpected and precious.
I love it. I remember the old bottle that had a kind of interwoven gold/bronze casing, a marvel.
The aldehydes in this EDT relax and refresh me instantly. I bought it recently and it’s sublime, plus it’s fairly priced. Although its longevity is short (2-3 hours) and the projection fades quickly, it’s a 70s classic that today sounds like a fresh proposal. If you dare, it’s 100% recommended.
I loved it! I tried it in a perfumery and adored it. It smells like talc, super personal and exquisite. The average longevity is about 5 hours.
First by Van Cleef is a jewel we’re lucky to have available. It’s a discontinued scent from the house, what more could you ask for? Thanks to an alert, I searched desperately until I found it. On my skin, the opening is a gorgeous, bossy bergamot and a divine jasmine. The narcissus and hyacinth are very noticeable; it’s an exuberant compendium of majestic flowers and aldehydes. It reminds me of Jardins de Bagatelle but much more affordable. I don’t detect civet, which is great. It’s vital, full of energy and elegant. Perfect for spring or summer, though it might be short in winter. It suits elegant and composed dressing. Don’t buy it blindly because of the aldehydes, but if you like Chanel No. 5, you’ll love it. It’s more dynamic and less ‘creamy’.
My mother used to wear it and I loved it. The bottle is a jewel, like a pendant. It has great presence and personality; it’s elegant and sophisticated, not suitable for young people. I wouldn’t wear it in summer, but yes for a special event.
First: the dirtiest of the soapy ones. Although it’s compared to No. 5, here the aldehydic talc is much ‘dirtier’ without losing its essence. It’s a 70s treasure: rich, humid, luxurious and evocative of the city and work. It’s a perfect blend of country and city for clean and professional women. It smells like the hustle of a Monday in a past city. It has a delicious woody-mossy background and a faecal tone from the civet and narcissus that blends perfectly with the aldehydes and flowers. It’s spot on and a masterpiece with a hallucinogenic narcotic touch.
First: the dirtiest of soaps. Comparisons with No. 5 are inevitable, but where Chanel is more abstract and luminous, First is much dirtier without losing its soapy essence. It’s a gem, a perfume from the seventies, rich, humid, luxurious, and full of noble notes evoking nature and aldehydes close to the city and work. It’s a perfect blend of country and city for tidy, professional women. It doesn’t smell of opera or gala, but of the hustle of a Monday in a city from the past. A woody and mossy background stands out, with a faecal tone thanks to the civet and narcissus. It’s so well mixed with aldehydes, carnation, ylang, jasmine, and orris that it doesn’t smell indolic. It’s so well made that neither the ethereal nor the faecal parts dominate alone. It’s nailed down to not define itself. The cleanest of the dirty or the dirtiest of the clean. It has a narcotic, disturbing drug point. A masterpiece.
A wonder of the 90s First, but now I bought a reformulated version (from 2010) and it disappointed me: not even remotely like the original. What a pity.
First has much charm and soapy floral elegance. On my skin, a hyacinth stands out, softened by a fresh, spring-like rose, like petals wet with dew. It never had great performance, with moderate fixation and trail, but it shines for the quality of its essences. It’s not for mature women; a young woman can wear it without problems. It’s daytime, ideal for workers with responsible roles, leaving a soft trail in offices. It has a very good memory effect. It’s not sensual or nocturnal, but morning and personal enjoyment. A great survivor. Abstain if you love sweet gourmands. Great work by J.C. Ellena.
It’s an interesting retro perfume. Among many notes, the aldehydes, civet, moss, woods and a floral touch predominate. It reminds me of Halston but softer and more balanced. It’s sober, elegant and formal. I like it for women over 35, although some might be bothered by setting an age; that’s my perception. They probably recognise it because their mother or grandmother used to wear it. It was a good perfume, but not for me at this stage of my life, as we all evolve and so does our olfactory taste.
First Van Cleef & Arpels exudes class, elegance, and glamour, very much in the style of Chanel No. 5, though I think it has a slightly more herbal touch. It smells like a beautiful bouquet of flowers touched by the sun, fragrant. If the powdery narcissus of the bouquet stands out, it has a slight fruity touch, and here the moss is very noticeable. In the background comes that delicious aroma of sandalwood, tonka bean, vanilla, amber, and musk; the civet isn’t distinct, so I can’t say if it’s a standout note as many opine, but it captivates me. I love fragrances with aldehydes for that soapy, clean touch, but First goes much further: it’s complex, opulent, and overwhelmingly elegant. Its longevity is about 8 hours, with moderate sillage. I met it via a decant and already have it on my wishlist. For those of us who love classic aromas, you can’t miss First.
First is a classic, mature and formal feminine creation. Olfactorily, it’s very aldehydic and floral. It can be overwhelming at first, but it gradually becomes domesticated. It’s like those intimidating-looking ladies who turn out to be amiable when speaking; it’s not for everyone, but for those who grew up with old fragrances. It’s a dense and penetrating aromatic potion, with a floral blend of rose, neroli and carnation, strengthened by tonka bean, amber, honey and musk. A touch of fierceness emerges from the animal notes, giving it a physiological background. Van Cleef always stamps quality. Abstain, young ladies. Fragrance: 8.5/10, Longevity: 9.5/10, Projection: 9/10, Versatility: 5/10.
First by Van Cleef & Arpels exudes class, elegance and glamour, very much in the style of Chanel No. 5 but with a more herbal touch. It smells like sun-kissed flowers, highlighting a talcated narcissus with a slight fruity note and lots of herbal moss. In the background, a delicious sandalwood, tonka bean, vanilla, amber and musk; I don’t notice the civet. It captivates me because I love aldehydes for that soapy and clean touch, but First goes much further: it’s complex, opulent and overwhelmingly elegant. Its longevity is about 8 hours with a moderate trail. I knew it through a decant and already want it. For lovers of classics, don’t miss it.
I went hunting for ‘retro’ perfumes because I wanted the one from my year, 1976—and they aren’t actually old, haha! I started with First and went blind, but I loved it so much. It smells of powder and dried flowers, with a strong sillage and good longevity; very autumnal and mature. It gives me good vibes, as if someone from my childhood used it, sounding familiar for some reason I can’t quite place.
First is one of my favourite perfumes. Very ‘Parisian’. I was gifted it about 20 years ago and fell in love at first sight. I have several bottles and always keep one in my wardrobe. I wear it in autumn and winter, at night and in the evening. On grey, cold days, I can wear it all day: it comforts me. I’m not an expert on ingredients, but I’d define it as: ‘consistent yet subtle, mysterious and elegant’. If it were a landscape, a paradise in the desert; if it were a colour, gold; if it were a dance, a waltz; if it were a star, the sun. It fixes beautifully and lasts a long time. Best wishes.
I wore this perfume during my adolescence and adored it. It’s an elegant fragrance with a little bit of a powdery touch.
I’ve read around that it’s rated as old-fashioned, for older women, smelling like a grandmother… Which goddess is the grandmother if it smells like First? It’s an extraordinary classic that must be respected without that meaning it’s out of fashion. If we compare it to what’s trendy today (synthetic sweet and fruity essences, all the same), it makes no sense; it only compares with the greats of perfumery that endure over time, whereas today’s trends will hardly last a few years, let alone decades like First. To wear it, you need personality, because it won’t go unnoticed. It can be compared to the Nº5 Eau de Parfum, but First is much more insolent and noticeable. I like both, but I wear First better, yes, despite being a man. Wearing a smart suit, it looks sumptuous, and more than one person has praised it and asked what I was wearing. Van Cleef has a few timeless pieces of jewellery, and this is one of them.
A lady enters the salon in a black silk dress with three-carat diamonds in each ear; the crowd falls silent before her majestic presence. She remains as beautiful at fifty as she was at twenty, when she was a debutante; the years have stylised her figure, casting a halo of mystery over the fragility of her adolescence. She crosses the salon, the lights dim, the piano begins to play under the virtuosity of her hands… the beauty of her art floats above the heads and floods everything. Once the diva is the centre of all attention… First, the first perfume by Van Cleef and an important one in Ellena’s career, is an impossible fragrance to ignore; it marks an era when perfumery was a luxury object and every detail was cared for like a work of art, from the juices to the bottles. The aldehyde notes mark its essence from start to finish, but unlike Rive Gauche, to whom it is very similar, or Chanel Nº5, these notes do not settle into an old, powdery touch as in Chanel, nor a slightly milky one as in YSL, but rather green and dry, slightly bitter and vegetal. Side note: aldehyde-floral perfumes always end up smelling like Nivea cream to me. In its heart notes, after an hour of application, the floral traits define themselves: narcissus and ylang-ylang, mainly, then a shy rose and a slightly sweet jasmine. At the end, when the diva closes the piano and the aldehydes expel their last effluvia, traces of green and earthy notes follow, oakmoss (probably synthetic, the version I’m reviewing is from 2010) and sandalwood. Like a great lady, First is a work of art, beautiful, magnificent and opulent. A powerful work of art misunderstood in the current era of synthetic fruity-ness and such fashion… could someone say: ‘La Traviata is the most horrible music I’ve heard’? Could someone say: ‘First is the most horrible perfume I’ve tried’? Without doubt yes, and liberties allow for that… however, the history, the ‘heritage’ as the French say, of First, is a luxury craftmanship that represents the best of an era. A strong, potent, indolic and deeply classic perfume that requires a woman with personality who knows she is beautiful, regardless of her age.
A fragrance luxury: jasmine, rose, the spice of blackcurrant… and a touch of vetiver that makes it wonderful. Despite its years, it’s a young perfume, with a soapy touch. We young people shouldn’t have prejudices when trying aged perfumes; we should be bolder and risk trying little-publicised perfumes for us. They tell us how to dress, what to eat, how to have fun… do they also have to tell us which perfume is suitable for twenty or for sixty? I like to change fragrance according to my mood or my volatile appetites. There are no premises or limits to the sense of smell. I can listen to Bach or Coldplay; I can smell Shalimar (from the 1920s) or the groundbreaking Juliette Has a Gun…
I was gifted this perfume many years ago. It’s not my style, but that doesn’t stop me from recognising it’s a good perfume for a lady who likes to make an impression.
I asked the saleswoman if it had aldehydes and jasmine as soon as I tried it. The similarity with Chanel Nº5 was evident. It’s a bit softer than Coco’s classic, but so is its longevity.