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Alaïa Eau de Parfum Blanche
Acordes principales
Descripción
Alaïa Eau de Parfum Blanche by Alaïa Paris is a woody floral musk fragrance for women. Alaïa Eau de Parfum Blanche was launched in 2016. The nose behind this fragrance is Marie Salamagne. The top note is almond; the heart note is heliotrope; the base note is vanilla absolute.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
almond
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Corazón
heliotrope
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Base
vanilla absolute
Comunidad
1,153 votos
- Positivo 80%
- Negativo 13%
- Neutral 6.9%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
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Uso recomendado
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Dónde comprar
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Características
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Longevidad
Escasa
Débil
Moderada
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Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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20 reseñas
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It was everything I expected from this fragrance. It is sweet, yet soft and at the same time intense, with excellent longevity on my skin. It has a moderate trail but is noticeable all the time. It is powdery and luminous; I see it as perfect for day and night. The opening is quite intense; two sprays are sufficient. I wouldn’t use it for everyday wear or in very enclosed spaces.
It was everything I expected from this fragrance. It is sweet, yet soft and at the same time intense, with excellent longevity, at least on my skin. The trail is moderate but noticeable all the time. It is powdery and luminous; I see it as perfect for day and night. The opening is quite intense; two sprays are enough for me. I wouldn’t use it for everyday wear or in very enclosed spaces.
Alaïa Blanche is like a Western princess who has moved to the East… she is so innocently sensual that I fell in love with it instantly. Its soft, velvety musk opening blends with very fresh almonds, while the white flowers give it luminosity. Gradually, that caressing sweetness of vanilla arrives. The powdery notes and heliotrope give it that sculptural touch that enhances its beauty. It has great personality but nothing cloying, perfect for spring and summer with moderation. Alaïa perfumes deceive: they seem to have no longevity, but with the original I’ve run out of perfume several times. Its skin fixation is extraordinary. I find no similarity with Hypnotic Poison, save perhaps a nod after 10 hours, proof of its longevity. Everyone perceives it differently, but I do see it more similar to the first Alaïa, with a sweeter and dustier tone. It’s not gourmand; above all, it has a beautiful musky character, softened with creamy notes.
What an elegant, mature and sober perfume. Clean, simple and very personal… so versatile! It’s like a perfumed powder of vanilla and almonds. It reminds me of luxury cosmetics, perhaps a high-end body lotion. It works well day and night, for any season, though I’d set it aside for summer. I imagine a woman of strong personality, who captures attention without seeking it and isn’t swayed by trends. Cate Blanchett comes to mind; she would suit this scent far better than ‘Sympathy for Lady Vengeance’.
A courtesy sample from Casablanca 77. At first glance, ALAÏA EAU DE PARFUME BLANCHE smells of jasmine: sweet, floral and sensual, with no animal notes. I’m glad it avoids those heavy indolic nuances; here the jasmine, though not listed on the cards, shines with discretion. The fragrance evolves into a powder note without losing its floral appeal. Heliotrope adds that almond and vanilla creaminess, reminiscent of marzipan or vanilla sugar dessert. The musk isn’t aggressive but appears elegantly in the dry down, giving that solar brightness I adore. As I love sweetness, it’s delicious and edible. It’s a feminine fragrance that everyone will love, a perfect example of a sweet, modern scent without falling into the cloying candy-shop trap of other brands.
I really liked this perfume. I bought it blind because I found it at a good price and had read good reviews. It is sweet, powdery and vanilla-scented. It has a certain touch of elegance without falling into overly formal situations, but it’s not informal either. Its longevity is good and the projection is moderate; it is sweet without being cloying in the slightest, delicate and very feminine. I recommend it wholeheartedly.
I really liked it; I bought it blindly at a good price with positive reviews. It’s sweet, powdery, and vanilla-scented. It possesses elegance without being too formal or too casual. It lasts well and projects moderately. Sweet without being cloying, delicate, and very feminine. I recommend it wholeheartedly.
I hoped I’d like this Alaïa. The same thing happens with the original: the acidulated leather opening with a stupefying, humid air drives me mad, but once the peony (a heady flower I simply cannot stand) enters, it ruins it. It was similar with Blanche: I’m interested in the opening but detest the dry-down. It feels more banal than its predecessor. It opens with clean, young jasmine, without any faecal undertones, like a freshly opened bud with artificial cleanliness. Then the jasmine turns soapy, making your nose itch; I suppose an unlisted neroli gives it that brightness. Up to this point, it’s fine – a delicate, sporty jasmine soap or caramel. But suddenly, warm notes emerge and ruin it. It’s no longer clean soap; it’s like a breakfast cup you left to wash later, with milk residue, sugar, and crumbs that make my stomach churn. I simply cannot stand anything warm or sugary. It has more finesse than a gourmand, but the sediment of homemade cake and warm hand cream remains. It reminds me of Petits et Mamans by Bvlgari – torrefied and warm, smelling of limescale or a fermented cup, though this is less woolly. It shares vanilla and make-up notes with the Eau de Parfum. The bottle is gorgeous, featuring African engravings on clear glass with a handmade gold cap, blending tribal and urban vibes, making me think of woody or cold water. The complete opposite of its interior. For lovers of warm fragrances.
I wanted to like this Alaïa. I have the same experience with the original fragrance: that sour leather opening with humid, stupefying wind tunnel vibes drives me crazy, but once the peony enters (a headstrong floral note I can’t stand), it ruins everything. With Eau de Parfum Blanche, something similar happened; I like the opening but detest the dry down. It is also true that as a whole, it is a more banal perfume than its predecessor. It opens with a very clean, young jasmine, nothing like white flowers with fecal undertones; it’s a freshly opened bud with a touch of artificial cleanliness. Soon the jasmine takes on a soap-like consistency that makes my nose itch; I suppose that sparkling tone comes from a neroli not listed on the card. Up to here, all good, a delicate, tender jasmine soap or candy, also sporty. But oh friend, suddenly a hot note appears that ruins everything. Alaïa Parfum Blanche is no longer a clean soap; it becomes a breakfast cup you left to wash later, whose milk and sugar residue makes my stomach churn. I can’t stand hot or sugary notes, and this lasts a while. Okay, with more finesse than any gourmand perfume, but the residue of homemade cake and warm hand cream doesn’t disappear. Besides, it reminds me a lot of one of the perfumes I hate most, Petits et Mamans by Bvlgari, a roasting fragrance that smells of limescale to me, although this is less bristly. It shares two obvious notes with Eau de Parfum Blanche: vanilla and makeup. The bottle looks fantastic, with African engravings on clear glass facing the gold cap, something artisanal between tribal and urban that makes me think of a woody or violet water. The complete opposite of what’s inside. For lovers of hot perfumes.
A truly obscure fragrance, known only to true connoisseurs. I detected a luminous, distinct note unlike anything my nose recognises before – solar notes. Simply wonderful; what a shame the designer passed away and it was discontinued. I’ll be sure to secure a bottle if I can find one.
A super unknown perfume; only those of us who live this trade know it. It gave me a luminous and distinct note compared to everything I know, solar notes, what could it be? Wonderful. What a pity the designer has passed away and it is being discontinued; I will definitely pick one up.
At first, it smells odd: a thick, medicinal syrup mixed with white flowers, then plasticine with something sweet, like almond or vanilla custard. It’s the scent of a nursery after snack time, with plasticine and syrup floating in the air, all perfumed by an overpowering white flower air freshener. Gradually, a blast of sand and dust invades everything, and I find myself on a Mad Max set: ruins buried by dunes, the smell of twisted iron in the sun, oil stains in the desert. A mutant vine of white flowers entangles itself among the ruins, and that insidious plasticine with vanilla and almond… It’s so hot I think I’m going to faint. After a while, it softens. Thank goodness. It leaves a sweet, powdery trail, with artificial white flowers, plasticine, and cough syrup vibes. When it dries, it reminds me of dry-cleaning at a laundrette. It’s a unsettling perfume that, on my scale, leans towards unpleasant. I have a sample and have tried it a couple of times looking for the charm, but there’s no way. For those who dislike musk, talcum powder, or baby wipes, and plasticine or syrup, beware of this perfume.
At first, a strange impression: a syrupy, medicinal scent mixed with white florals, then playdough with something sweet, almond or vanilla custard. It could be a nursery after tea, with playdough and syrup floating in the air. A select nursery, perfumed with white floral air freshener. Gradually it invades the sand and dust; I feel like I’m on a Mad Max set with buried ruins, red-hot iron, petroleum and a mutant vine of white flowers. That playdough with vanilla and almonds… it’s so hot I feel like I’m fainting. After a while it softens. It remains sweet and talcky, with vanilla and almond, artificial flowers and cough syrup notes. When dry, it reminds me of dry cleaning. A disturbing perfume that I disliked. I have a sample and find no charm. Beware if you dislike musk, talc, baby wipes, playdough or syrup.
Delicious! Elegant, delicate, exquisite. Discreet, perfect for summer. On me, the white flowers and powder stand out. I bought it blind and it was a hit; I feel very sophisticated wearing it. I recommend it 100%.
Delicious, elegant, delicate and exquisite. Discreet and perfect for summer. On me, the white florals and talc stand out. I bought it blind and it was a triumph; I feel very sophisticated. I recommend it 100%.
Alaïa Blanche is refined, sweet, and powdery. The powderiness is soft, nothing like Chanel No. 5 or Shalimar; it’s more dusty and quite tolerable. I recommend it for cold weather; in summer it would be overwhelming due to the sweet, warm vanilla. It feels sweet and warm, as if you were boiling a vanilla, sugar, and water syrup. It’s creamy and almond-like. I also detect anise and delicate violets. It’s not gourmand but leans sweet. Apply 2 or 3 sprays, and if it lasts, more. I don’t think everyone will like it; I bought it blindly and loved it for winter. On me it doesn’t last long nor project much, and the powderiness is pleasant and soft. It’s not youthful, more for those over 25, and from 30 onwards it really shines. It’s refined and elegant, suitable for semi-formal or formal occasions, but not for luxury black-tie events.
It doesn’t smell bad, but it’s not my purchase. I bought a decant out of curiosity and at first it was fascinating: powerful, classic white flowers. However, as it dried down, I detected a familiar powdery scent (not baby powder, thank goodness). I gave it some thought and realised: it smells like oatmeal. Literally, like when I blend oats for pancakes. To sum up: oatmeal with white flowers. Does it smell good? Yes. Did it blow my mind? No, but I’ll finish the decant to use it at work; it seems appropriate.
I bought this blindly, wary of the powdery notes since I’m not a huge fan, but thanks to previous reviews, fortunately it doesn’t smell like baby powder or aldehydic. My nose detects it as violets bathed in elegant, sweet, and warm vanilla with a hint of cinnamon. If Guerlain Insolence and Dior Addict had a child, this Alaïa Blanche would be it.
What a beautiful, ethereal and airy fragrance. It evokes the feeling of warm, healthy, silky skin beneath the sun. It’s powdered vanilla with interwoven petals, with tiaré taking centre stage. Over time it becomes warmer, featuring milky vanilla and a clean musk that blends with the heliotrope. It has sweetness but isn’t gourmand; it has a powdery, milky texture that’s clean without being soapy. Very feminine, delicate and versatile. It lasts six to eight hours with a moderate trail.
Greetings to all readers here; I hope you’re enjoying your fragrances. I tried Alaïa Blanche and was initially taken aback by the liquid being deep red rather than what I’d seen in the photos, but checking the box confirmed it was the correct version. The scent, however, stole my heart: a powdery, soft, feminine blend of almond, vanilla and heliotrope. It’s supremely elegant and sophisticated; it doesn’t project much, but those who draw near notice and praise it. It’s fascinating to see that dark hue; it makes me think the vanilla oxidised at first, yet that lends it a lasting sweetness. Absolutely worth adding to a collection. Perfumes and more…Nahuell.