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Aoud Cuir d’Arabie
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Características
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Reseñas
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17 reseñas
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Extreme perfume, strictly for those who love raw, unadulterated leather. The opening is alarming; it’s not a normal fragrance—it’s explosive, dirty, carnal, and animalistic. I read something amusing on Fragrantica in English: ‘old, smelly socks inside your grandfather’s barn leather boots’. Yes, it has that, but after half an hour it settles and reveals the truth: it’s hyper-realistic Arab leather. Imagine smelling a wallet or bag brought back from Morocco or Tunisia; the first thing that surprises you is the scent. Aoud Cuir d’Arabie smells exactly like that. The best part is how it integrates with your skin, as if it symbiotically merges with you, making you feel like you’re wearing a ‘leather skin’ that envelops you entirely. In this illusion, you detect tobacco and wood. Projection and longevity last a full day. Extraordinary, but not for everyone. Rating: 10/10.
I fully agree with Botifa; this is a fragrance not suitable for everyone. Strong, pure leather, explosive, the type that can give you a headache. But I know that in this perfume world there is something for everyone, so I recommend you try it before buying. It arrived in a 2ml sample, I sprayed it on blotter paper, and I didn’t dare put it on my skin. It smells exactly like that Arab leather Botifa mentions.
Ugh. It’s been a long time since a perfume impacted me so much, bringing so many conflicting sensations. This is an extraordinary fragrance but, perhaps for many, hardly digestible. After a high-impact opening, a leather scent begins to emerge, but not that velvety or traditionally masculine one, but a very raw leather, tremendously faecal, direct and real. At times, I feel organic bursts of raw meat drying in a stable, but at the same time, another side of the fragrance conveys elegance. It’s very realistic, and some of its notes show an elegant, glossy sheen, of something totally different and very well made, but very dramatic, dirty, and whose bearing becomes somewhat difficult. Its opening reminded me, at times, of one of the first Annick Goutal perfumes I tried, but I can’t remember which one. Maybe it smelled very different, but as soon as I smelled Aoud Cuir d’Arabie, that fragrance came to mind instantly. Here, you smell a cave man who hasn’t bathed in many, many, many days; the one who, due to the terrible cold of the ice age, put on a megatherium hide cut with rudimentary tools… and then exposed to the soft winter sun for several weeks. This is one of those scents that definitely must be tested before purchasing, and, as the preceding reviews state, it’s certainly not for everyone.
The potency of its opening isn’t as intrusive as other Montale creations. However, its scent does suffer from being intrusive and annoying. I’m sorry to say, but it’s a scent that gives me nausea; it’s a bizarre leather mixed with dirty oud. It’s not the dirtiest I’ve ever smelled, but it is quite annoying and stinky. I don’t know who can walk around smelling like this; I suppose if you work in a stable or a slaughterhouse, you might blend into the environment and feel at home, otherwise 🤷♀️ animal leather + dirty oud and nothing more! I should have tested it on blotter paper; I wore it on my arm and I swear by God that I never wanted to get home and scrub myself with a scouring pad until the last molecule of this fragrance left my skin.
The potency of the opening isn’t as intrusive as other Montales. However, the scent itself is indeed intrusive and annoying. It gives me nausea; it’s a bizarre leather mixed with dirty oud. It’s not the dirtiest I’ve heard, but quite unpleasant and stinky. I don’t know who could walk around smelling like this; I suppose if you work at a stable or slaughterhouse, you blend in with the surroundings. Otherwise: animal leather + dirty oud and nothing else. I should have tried it on blotter paper; I wore it on my arm and I swear I never wanted to get home and shower so badly until the last molecule of this fragrance had evaporated.
Strictly for advanced users or lovers of wet, animalic oud. The opening is faecal and intensely animal, but within ten minutes it transforms on my skin into one of the most fascinating and unique fragrances in my collection. People never ask what I’m wearing, yet many who try it fail to survive the brutal opening—a real shame. I would never recommend buying this blindly; I did so thanks to a sample at the Montale boutique in Milan. Tip: its best allies are Attar, Black Aoud, Night Aoud, White Aoud, and Moon Aoud. Rose works brilliantly with the skin, castoreum, and faecal oud; it’s luxury, power, and distinction. The faecal note lasts ten minutes, and what follows is MARVELOUS.
Only for people at an advanced level in the olfactory world or those who like animal scents and deep, wet ouds. It’s true that its opening is faecal at an oud level and quite animalic on the skin, but in 10 minutes it transforms on my skin into one of the most fascinating, elegant, and unique fragrances in my collection. No one asks me what I’m wearing, but in a very good way, now some try it and don’t get past the brutal opening, a pity but that’s how it is. I would never, for anything, recommend anyone buying something like this blindly; in fact, I took the step because I could test it at the Montale boutique in Milan and bought it there with the same sample. Trick!!! Its best allies in a combo are, for my personal experience: Attar, Black Aoud normal or Intense, Night Aoud, White Aoud, Moon Aoud. Rose works very well with the skin, castoreum, and faecal oud; its aroma is pure luxury, power, and distinction. Remember that the faecal note is only in the opening, lasting no more than 10 minutes, but what follows is MARVELLOUS!
I’m reminded to compare this profile to ‘free jazz’, an ultra-vanguard style where even the interpreters try to understand and enjoy it… it’s dissonant and unclear. It smells like some kind of massage oil. Anyway, the scent isn’t THAT unpleasant. Although I also didn’t find its sillage very potent; I feel it lacks body.
I’m tempted to compare this fragrance’s profile to free jazz: a style where those who listen (and even the performers) try to understand and enjoy it… Dissonant and unclear. It smells similar to some kind of massage oil. Anyway, the scent itself isn’t THAT unpleasant. Although it also didn’t seem very potent on my sillage; I feel it lacks body.
Opening is very, very strong. Very animalistic. DIRTY. Not for making friends. It reminds me of the smell of skinning large game. The drydown becomes more pleasant and settles into a rugged leather.
Very, very strong opening. Very animalistic. DIRTY!!! Not for making friends… It reminds me of the smell of skinning large game. The dry-down becomes more pleasant and ends with a wild leather scent.
A family-friendly version of FM’s The Night… If you’ve already tried Bortnikoff ouds or The Night, this will seem unchallenging to you. Still, for me, they aren’t comparable because The Night has a lead rose that this one lacks. So, at best, the only comparable element is the stinky oud, but in this perfume, it’s very diluted. Given the price, I think it’s a good option for those starting out with these types of scents.
Only for noses with a challenging palate. Thanks, Pierre Montale 🫡
This is a charming ‘stinky’ one: leather and oud that deliver a rude, virile slap. It transports you to an open landscape, with bare skin, a jacket, and boots soaked in sweat and baked by the sun. It’s as if Mad Max met Yellowstone. Don’t be fooled by this vibe; it’s more bearable and courteous than you’d expect from Montale. I’d love to smell this on my wife. The bite of the opening softens in minutes with a creamy tobacco note. Imagine a freshly rolled habano cigar in a tannery or stable (though it doesn’t smell like a pen). Think of un-tanned leathers. The funk of the oud is attenuated, more medicinal than faecal, balanced by a birch tar accord. There’s not much more; it settles and vibrates for hours without being cloying. No piercing woods or unpleasant chemicals: quality in a simple yet bold composition. Ideal for this season.
This is a delightful ‘stinky’ one: a leather and oud blend that hits you hard and leaves an image of roughness and virility. It transports you to an open landscape, with skin, jacket, and boots soaked in sweat and baked by the sun. It’s as if Mad Max met Yellowstone. But don’t be fooled by this vibe, because in reality, it’s quite wearable and more polite than you’d expect from Montale (it’s the only one I have from the house). In fact, I’d love to smell this on my wife one day. The strong opening softens after a few minutes with a creamy tobacco leaf note. Imagine a freshly rolled habano in a tobacconist… or in a stable (though it really doesn’t smell like a pen). Think of raw hides. The funk of the oud is there but attenuated, more medicinal than faecal, with a very balanced birch tar accord. There isn’t much more; it settles and keeps vibrating for hours without becoming cloying. No pricking woods or annoying aromatics, just quality materials in a simple but bold composition. Ideal for this time of year.
Aoud Cuir d’Arabie is that perfume that scares you at first: a wet, almost unbearable oud paired with raw black leather. It’s not for everyone. I hated it the first time, even though I was already familiar with the world of oud and leather, but every time I went to the perfumerie to smell it again, I started to love it until I finally bought it. I wore it yesterday and I’m grateful it’s intimate and doesn’t project wildly, because otherwise, people would end up hating you. It doesn’t evolve much; it comes out just as it goes in, though perhaps over time a dry, greenish tobacco note emerges; the oud fades but the leather remains king, very dirty, with that oud giving it more character to the filth. Obviously, it smells like perfume and not a bad hygiene odour, but in my collection it’s one of the dirtiest, and it’s not for compliments—it’s 100% personal pleasure. The longevity is extreme.
Aoud Cuir d’Arabie is the kind of perfume that requires caution; it’s very challenging, with a nearly faecal wet oud and a black, raw leather, not for everyone. I agree—if it’s challenging, the first time I heard it I didn’t like it, although I was already familiar with ouds and leathers. Every time I went to the perfumerie, I gave it another chance, and it started to enchant me until I bought it. I used it yesterday to go out and I’m grateful it’s intimate and doesn’t project wildly, because otherwise people would end up hating you. It doesn’t evolve much; it comes out as it goes in, though perhaps after a few minutes a dry, greenish tobacco emerges, the oud fades, and the leather remains the protagonist—very dirty, but the oud adds more punch to that dirtiness. Obviously, it smells like perfume and not a hygiene issue, so don’t be alarmed. In my collection, it’s one of the dirtiest; it’s not for compliments, it’s 100% personal pleasure. Longevity is extreme.