Men
Armani Eau Pour Homme
Acordes principales
Descripción
Armani Eau Pour Homme by Giorgio Armani is an aromatic citrus fragrance for men. Launched in 1984, this composition was created by perfumer Roger Pellegrino. The top notes unfold a vibrant freshness with lemon, bergamot, mandarin, green orange, and basil. The heart reveals a floral and spicy harmony featuring lavender, nutmeg, carnation, jasmine, lily of the valley, rose, and cinnamon. Finally, the base notes settle into a woody and earthy accord composed of oakmoss, vetiver, cedar, sandalwood, musk, and patchouli.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
Estación y momento del día con más votos.
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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31 reseñas
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A classic already. It is citrusy, of course, but sweet enough not to be a typical hesperide. What I notice most is the orange, although it is more of a cocktail of citrus fruits. In my country, it was (or is) very popular among the Italo-Venezuelan community and the national business elite, which gave it an air of refinement that perhaps others don’t have. Nevertheless, it is easy to find and very economical. It is the fragrance that saves you from a bind: if you have nothing for a special event and by chance you ran out of your favourite, grab your old Armani bottle and you’ll ‘save the night’.
Definitely one of my favourites: the citrus notes settle softly until reaching a heart that fascinates me and earns me many compliments, plus it lasts up to six hours.
Exquisite, citrusy, and luminous.
A beautiful perfume with a classic appearance, evoking a clean, carefree Sunday stroll. A radiant citrus opening that gradually adopts a tonal of oakmoss and vetiver, soapy and very natural. It adapts well to the skin and, due to its simplicity, is extremely wearable. If you don’t want complications or don’t know what to wear, this fresh and elegant choice is your ace in the hole. Very discreet, it follows you shyly like an excellent skin scent. The longevity isn’t enough for more than a morning. In the same vein as Chanel Pour Monsieur, Eau Sauvage, or Eau de Rochas Homme. Unpretentious, very fine and masculine in its morning and sunny aspect. I haven’t tried the modern version, but from what I’ve read, it seems still worth it. In this style, it is undoubtedly one of the best.
I wore it for years; it’s perfect for work. I spotted it at Selfridges, the bottle changed slightly, and it now smells different. Even if it retained the original scent, I wouldn’t repurchase it; there seem to be better options at similar price points.
Very elegant and characterful, this proposition. A classic that never goes out of style; it remains simply inimitable with its seal of freshness and glamour. The 80s gifted us unforgettable fragrances, and Armani Eau Pour Homme enters that elite, despite a justifiable longevity that is compensated by an extremely masculine, fresh, and seductive aroma. It’s a great way to look back and rediscover a timeless yet modern scent. If the reformulation is half as good as the original, I know where to go for Christmas.
What a colossus of citrus perfumery! I had it in the late 90s at 17, when I was only in tracksuits… an age and outfit truly strange for Armani, but I went mad for it. I eventually gifted it to an eight-year-old kid from the neighbourhood because he loved it too. That way, we ended up having the most sophisticated child in the city roaming the streets: mischievous, freckled, and always with a Nocilla-smeared nose. If I perceived the tangerine note, I certainly wouldn’t like Armani, because that and orange are two notes I can’t stand. It’s one of my favourite almonded scents.
What a beast of a citrus fragrance! I picked it up in the late 90s at 17, when I was only in tracksuit bottoms… an age and outfit truly strange for Armani, but I went mad for it. I even gifted a bottle to an eight-year-old kid from the neighbourhood because it suited him just as well. That way, we had the most sophisticated child in town roaming the streets: mischievous, freckled, and with a Nocilla-smeared nose. If it smells of tangerine, it’s definitely not for me, because tangerine and orange are notes I hate. It’s one of my favourite almonded scents.
A citrus dew with very soft touches of vetiver and a faint lavender excellently orchestrated in gradation and texture. The green orange can be appreciated, especially moments after the lemon begins to yield a bit of its presence. There’s a timid nutmeg very well attached to the sandalwood; together they play with a small flash of basil. Cinnamon is not a component that stands out much but contributes its part; oakmoss is very present. The florals only shine late in the fragrance. Excellent citrus perfume. A tribute to past colognes, with a distinct touch. Endowed with extreme elegance, a very versatile perfume, suitable for very hot days. It’s aromatic but not too intense. Armani Eau Pour Homme is a man with class without a doubt…
When I spray four sprays of this gem… I laugh at Rio de Janeiro. Compared to what there is today, I confuse people with my scent; from a perfume that was a real perfume. And blessed confusion… because the closest thing is an old Egoiste. I don’t know about notes… I know about feelings… memories… and heartbeats… Things that smell like truth… not cheap sweet. Of an aroma that, within a verdant and citrus balance, is poetically balanced and projects hours and hours… even in its time above other perfumes of inferior qualities in terms of component quality… I’m not speaking from technical knowledge… I’m speaking from the ignorance of someone who knows nothing and still perceives that the 30% left in a vintage bottle is liquid gold. How do I feel with this aroma? I feel fresh, exclusive, elegant, and I can go perfectly without a tie… I don’t need anything…. The others receive a generational bonus for having the luck of smelling me…. That simple. Dressing like that truly clothes you… when what abounds today is posturing… without more…
For a long time this was my fragrance and I still don’t know why it’s not anymore. I suppose it’s because of buying things and having to spend them. For me, it’s the best fragrance in the world, a citrus that takes you to the clouds; it leaves me a memory of the talcum powder there was at home and I perceive the nutmeg; my girlfriend can’t distinguish the rest of the nuances, nor is it needed. Just remembering those times when, after not sleeping all night studying, I went to an exam and a few sprays served to revitalise me. My god, the same; without her I wouldn’t have finished my degree, now that I think about it.
I’ve worn this fragrance for years and can’t fathom why I’ve stopped using it. Perhaps it’s just the need to spend money. To me, it’s the best in the world: a citrus scent that lifts you to the clouds, evoking memories of home talcum powder and hints of nutmeg. My girlfriend can’t smell anything else on me, and that’s fine. I only think of those days when, after pulling all-nighters studying, I’d head to an exam and a few sprays would revitalise me. Without it, I’m not sure I would have finished my degree; now that I think about it, it was essential.
Woody citrus that opens with orange, lemon, and bergamot. It has similarities with Eau Sauvage in the first movements. A few minutes in, it starts to turn towards the woods; at first, it reminds me of orange wood. I find it less floral than the Dior one; in fact, I don’t identify the jasmine, rose, carnation, etc. There’s nutmeg, clove, and some lavender, though they’re not the protagonists. At this point, the notes that will soon stand out are the woods; at first not very defined, and later with an identifiable vetiver, prominent but not too earthy. I’d say that by half an hour, blessed be, the oakmoss stands out. Classic, elegant, and good quality fragrance. Versatile, suitable for the office, for a Sunday morning, afternoon, whether raining or sunny. Vetiver has always worked well for me with rain. The bottle is from 2003. It has a curious metallic plastic base with the legend Giorgio Armani P. engraved, something similar to the base of the Kouros bottle. The designer is the same, Alain de Mourgues.
It’s a woody citrus opening with orange, lemon and bergamot. At first, it bears similarities to Eau Sauvage. A few minutes in, it turns towards the woods, initially reminding me of orange wood. I find it less floral than the Dior version; I can’t detect jasmine, rose or carnation. There’s nutmeg, clove and a touch of lavender, though none are dominant. Soon, the woods take centre stage, starting somewhat indistinct before an identifiable vetiver emerges, marked but not overly earthy. I’d say by half an hour, thank goodness, the oakmoss really stands out. A classic, elegant fragrance of good quality. It’s versatile, suitable for the office, a Sunday morning or afternoon, rain or shine. Vetiver has always worked well for me in the rain. The bottle is from 2003. It has a curious metallic plastic base with Giorgio Armani P. engraved on it, similar to Kouros. The designer is the same, Alain de Mourgues.
Elegant and exquisite. What an aroma.
Nothing more to add, it’s a proper fragrance that should be in your collection. What a pleasure that fragrances of this class still exist!
Without a doubt, the best elegant citrus fragrance that exists. After an explosion of citrus, with bergamot, lemon, and orange notes, the soapy notes begin to emerge, making this perfume one of the best and most elegant citrus scents. As for longevity, it’s quite good, so it’s a great option for spring-summer and especially for daytime wear.
Without a doubt, the best citrus-elegant option that exists. After an explosion of citrus with bergamot, lemon, and orange notes, the soapy notes begin to emerge, making this perfume one of the best and most elegant in its category. The longevity is quite good, so it’s a great option for spring-summer and especially for daytime wear.
A citrus fragrance with lemon and spices, floral but with a very masculine cut. Very gentlemanly and distinguished, from the 80s. It probably had the best oakmoss ever heard in men’s fragrances (speaking of the dark bottle version). Modernity and reformulations have caused its namesake, Armani Eau Pour Homme (silver bottle), to lose the strength and character it once had. Just as a tango song says in its lyrics ‘old times are not coming back’, nothing could be more appropriate for this case of a great fragrance that knew its heyday.
I owned it four times, twice at school and twice at university; it smells delicious and is all-rounder for all seasons. I’ve got it again now, the 2007 formula, excellent. Fresh, elegant, and with strong longevity. You’re always well with this fragrance; six sprays and you have six or seven hours of very clean performance; you’ll smell clean, fresh, and very elegant, relaxed, very Italian-style relax.
Just grabbed one of these gems; it was one of the first to mark me because it was my brother’s signature when I was young (19 years apart). Yes, it resembles Eau Sauvage, but frankly, I think it surpasses it; it’s a proper gentleman’s fragrance. In this era of sweet flankers like One Million or Invictus, it’s a great differentiator and suits people over 35 better. Given its notes, it’s for spring-summer, but you can wear it anytime and you’ll smell like a godfather.
A classic. A fougère of the old school. You might remind someone of an older relative who wore it, creating a mental anchor of a scent associated with an older person; therefore, I don’t think it’s suitable for men who are too young, more for the wearer than the perfume itself. An elegant, clean, absolutely delightful scent and very versatile climatically. Olfactorily, it’s a jewel and will clothe whoever wears it in a halo of neat elegance. If I had to describe all the notes, I’d be working as a truffle hunter, but you do notice those refreshing citrus top notes brightening the lavender, responsible for that soapy touch, which becomes more stately with the vetiver and base woods. If you are a man over 40 and want to please most women of your age, this perfume will serve you. If you are simply a man, of any age, who knows how to appreciate a quality aroma, it will also serve you.
It’s a delight, definitely a true treasure; very few like this perfume exist today. A totally current and original aroma that escapes the mass production of similar perfumes, one after another, which is in fashion now.
A gentleman’s perfume. A classic of classics. For romantic occasions or very formal and elegant events. I personally dislike the rose note, but it’s a chullo; people love it and always receive compliments. Even some people feel intimidated because it projects so much class and elegance.
The best designer perfume ever created, that’s simply how it is. This is class, elegance, sophistication, masculinity… all packed into a bottle. A true jewel of perfumery for all time, and I had the luck to wear it as my signature for several years. Pity that its successor isn’t even the shadow of what it was; a genuine shame.
Armani Eau Pour Homme by Giorgio Armani. What a marvel. The quintessential citrus fragrance, created with all possible citrus notes and a slight kick of ginger. Masculine, potent, and perennial, it tastes just as good now as it did 40 years ago. It has such a powerful opening that the heart notes seem to appear much later. I used to find that four hours later, it still felt freshly applied. Brutal. Generally, citrus doesn’t last, but I know two exceptions: the Chrome line by Azzaro and this beautiful Armani fragrance. I would love to find a bottle from the start of the century, because as I’ve read, the reformulation killed it. If you can get one, don’t hesitate. Rating: 9/10.
I’ve worn it at various stages since I was 17 (1994). Back then, it was already distinct from the trends, and now, 40 years later, it remains unique against all masculine trends. Totally timeless and fresh, yet incredibly original. Versatile: daily, formal, informal, day or night. It’s a work of art. I regret the reformulation, but at least we still have it. It has nothing to do with the rest of the Armani men’s fragrances; currently, there isn’t another from this house I’m interested in using.
I wore it in the late 90s alongside AdG, which had launched shortly before. It felt more elegant, refined, and soapy; the AdG of the time was more fruity, and mind you, with great projection. The Armani was more elegant, but the AdG was the one you wore and projected… those who saw it and those who didn’t. I wonder what they’ve done with it today; if it remains as elegant as before, but if it was warmer in performance back then, I’m worried.
A tribute to my father: Armani Eau Pour Homme is not just a perfume, it’s an encapsulated memory. Every time I smell it, I’m transported to his image. He was the archetype of the classic gentleman: neat, elegant, serene, with a firm and secure presence that commanded without effort. He spoke from calmness, listened with attention, and conveyed discipline and respect. This fragrance was always his signature. I keep a bottle from ’95 that still retains all its essence and olfactory dignity. For me, it’s not about standing out or receiving compliments, but an act of tribute and intimate connection. It smells undeniably vintage: a clean, bright citrus opening, yet not aquatic, but mossy and deep, mixed with dark greens that evoke seriousness without being dirty. It’s a dry green, sophisticated, like a freshly shaved man in an immaculate suit. Although it doesn’t list vetiver, it has that sober, timeless masculinity. Clear images come to mind: the Mediterranean, sunshine, salted skin, a freshly ironed white shirt, order and structure. It evokes craft, noble routine, and an admirable masculinity that is no longer common. Its performance is moderate, but it doesn’t need more; it doesn’t shout, it leaves a clean, masculine mark, very much of the 80s and 90s. It represents that Italian man of soul, with principles and firmness. It will accompany me always, just as he did.
This fragrance will be and is THE Legend; there’s nothing more to add. If you wore this Armani, you were the boss wherever you went. Every phase, from the opening to the dry-down, was wonderful; very masculine for a young adult man. I’ve never tried the reformulation, but these brands should release versions faithful to the original.
What nostalgia, please. One of the very best I’ve ever owned. An Italian citrus, earthy moss, and brutal longevity. I miss it dearly.