Men
Unutamam
Acordes principales
Descripción
Unutamam by Nishane is an oriental fougère fragrance for men and women. Launched in 2019, this composition features the olfactory signature of Miguel Matos. The top notes unfold with rosemary, mint, juniper, and lavender; the heart reveals oregano, patchouli, amber, jasmine, and carnation; while the base notes complete the structure with castoreum, oakmoss, labdanum, and caramel.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Unutamam y elige según envío, precio o disponibilidad.
Amazon
Envío rápidoEntrega rápida y política de devoluciones conocida.
Ideal si priorizas velocidad y disponibilidad.
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eBay
Más opcionesMás opciones de precio, formatos y vendedores.
Útil para comparar alternativas antes de decidir.
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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16 reseñas
Mostrando las más recientes primero.
Category:
First impression: green, woodsy, damp, smoky and burnt with a sweet touch. The opening recalls a blend between Polo Green and Fille en Anguilles, quite dense. At four hours, a sweet smokiness stands out, perhaps due to the caramel; I detect a dense, dark tobacco not listed in the notes, like smoking a pipe in a dark, misty forest. At seven hours, a faint sweetness remains with oakmoss and flowers, I suppose carnation and jasmine. Conclusion: it’s not as dense as claimed, a serious and elegant scent, ideal over 30 and in cold weather. Wear it at night. Projection and trail are heavy; just two sprays or you’ll look like a puddle of mud. Highly recommended.
Greetings. It is a 30 ml extract. Unutamam means ‘I cannot forget’. To my nose, castoreum, moss and caramel stand out, giving a serious and dark impression, totally wearable. I don’t feel it is a projection bomb, perhaps due to my skin; it requires character. You won’t receive compliments, nor should you seek acceptance from others if you wear it.
Greetings, I highlight that it is a perfume extract in a 30 ml presentation. Unutamam, from Turkey, means ‘I cannot forget’. In my nose, castoreum, moss and caramel stand out, giving a serious and dark sensation. It’s completely wearable, I don’t feel it as a projection bomb (I think it’s due to my skin). It requires certain character to wear; I don’t think you’ll receive compliments, but if you use it, I don’t think you’re looking for others’ acceptance.
First impression: green, woody, wet, smoky, burnt and a slight sweetness. The opening reminded me of a mix of Ralph Lauren’s Polo Green and Serge Lutens’ Fille en Anguilles, quite dense. Evolution: at four hours a sweet smokiness stands out, perhaps due to the caramel. I sense an unmentioned tobacco note: a sweet, dense and dark tobacco, like smoking a pipe in a dark forest with mist. At seven hours it leaves a faint sweetness, with oakmoss and a floral note I suppose is clove and jasmine. Conclusion: it wasn’t as dense as speculated, it’s a serious, dense and elegant scent. Ideal over thirty and only in cold seasons. Use it at night, it will suit you better. Longevity and trail: heavy. No more than two sprays, or they’ll tell you you fell in a puddle with mud and mould. Pleasant scent, highly recommended.
Greetings, this is a personality perfume. You won’t wear it for a date or in warm weather. It’s a wet, woody scent and sometimes with a bit of tobacco (not declared). Super powerful and confusing opening, but evolves quickly, like walking through a forest after rain. It’s a dark juice that can stain clothes: I suggest applying it directly to skin and maximum two sprays.
An antiperspirant. At some point, I’d keep it solely to remember the pretentious squabbles of indie or niche perfumery. Opening heavy, bitter, smoky and aromatic oregano, with a feeling of aged leather from the castoreum and something camphoraceous that others identified as mint. Slow development: the oregano yields to mint and a plastic jasmine, not entirely disappearing. The initial power seems to hide a lack of nuances, losing the ‘beast mode’ character near the fifth hour, settling into a heavy green aura with the oregano mark and some labdanum, with no projection or trail. I never sensed caramel, patchouli or carnation; the castoreum is stronger at the start. It doesn’t seem to have standout quality in ingredients or composition. If it’s conceptual, it’s noisy, like an orchestra where everyone shouts. I don’t believe it has uses outside spaces between enthusiasts wanting the strangest things. It has more of a Chypre than a Fougère, without reaching the grace of Antaeus or Nishane’s Afrika Olifant, and is far below Interlude in its use of oregano.
An anti-perfume. Someday I want it in the collection just to keep a memory of the presumptuous disagreements of indie or niche perfumery. The opening is a bitter, smoky and aromatic load of oregano, with a feeling of old leather from the castoreum and something camphoraceous that seemed like moss, but those close by said it was mint. The development is slow; the oregano gives way to mint and a plastic jasmine, without disappearing entirely. The initial power seems to want to hide the lack of nuances, losing its ‘beast mode’ reputation near the fifth hour, when it remains in a heavy green aura with the mark of oregano and some labdanum, but it no longer projects or leaves a trail. I didn’t feel the caramel, patchouli or clove, and the castoreum seems more present in the opening than when drying. I don’t think it has outstanding quality, neither in ingredients nor composition. If it seems conceptual or artistic, in my opinion it’s noisy, as if in an orchestra everyone played shrilly. I don’t think it has use other than those spaces between fans who want to wear the strangest things. It has more of Cyprus than Fougère, without reaching the grace of Antaeus or Nishane’s Afrika Olifant, and is far below Interlude in the use of oregano.
It’s an Interlude reduced or light version with an animal touch. Good longevity and medium projection.
A perfume bearing the seal of Miguel Matos, challenging and avant-garde. Very dark, green and earthy, with a hint almost of burnt truck oil; one interprets it as rubber or leather. It’s not usual to feel this aroma, especially the opening. In the dry down, from an hour onwards, notes of clove, oregano, amber and patchouli emerge, leaving a dark green sensation reminiscent of Memoir by Amouage, although Nishane is more intense due to its animal notes. In the end, it becomes sweeter and woody, faintly, with amber, lavender, mint and castoreum predominating. I bought it to complete the collection, but it created a great addiction. It has plenty of character, it’s unique, extravagant and pleasant. You won’t get compliments, but people will ask what you’re wearing. Timeless, to use wherever you want if you have the personality. Not for extreme heat. A mature fragrance, more masculine. For me, a great discovery. You love it or you hate it.
A perfume with Miguel Matos’ signature, challenging and avant-garde. Very dark, earthy green with a hint of burnt truck oil, which some interpret as rubber or leather. Unusual, especially in the opening. In the heart (from the first hour), notes of carnation, oregano, amber and patchouli emerge, leaving a dark green sensation reminiscent of Memoir by Amouage, though Nishane is more intense due to its animal notes. In the dry down, it becomes sweeter and woodier, with amber, lavender, mint and castoreum predominating. I bought it to complete my collection, but it created an addiction. It has plenty of character, unique and extravagant. You won’t get compliments, but people will ask what you’re wearing. Timeless, but requires personality. Not for extreme heat. A mature fragrance, more masculine. A great discovery. You’ll either love it or hate it. Scent 10/10, Trail 9/10, Projection 9/10, Longevity 8/10.
I own it and think it’s a wild card. I’ve used it four times because I have a wide variety, but I think I’ll keep using it for specific moments, to mark territory. It smells like ‘Wild West macho’: Clint Eastwood, John Ford, John Wayne.
What a piece of perfume. Upon smelling it, first gasoline, then wondering if it’s gasoline or varnish… I don’t know what to say, but it smells like a mechanic’s workshop. What I like is how dirty it is: it brings to mind a filthy puddle reflecting in the sun, just like the dried varnish of an old pot that smells disgusting, nothing like Leroy Merlin. What impressed me most is that it’s very wearable; I can’t believe it. An olfactory experience worth it, laugh at the brutality of Fahrenheit.
This is Jägermeister in spray. If it had a stag, were in a green crystal bottle and called Eau de Jagger, you’d believe it. It’s nuclear: one spray and you pray it distributes well without catching white clothes (it stains). Matos doesn’t disappoint, especially alongside Nishane. Uniqueness and longevity five stars, sillage four. Versatility low, presentation average, few compliments and poor value for money. Formality: office or night. Use: cold, night. Range: adult male. Unisex level: male. Ideal atomisation: medium. In short: ‘Jagger in spray’. Occasion: intimate. Alternative: The Black Knight by FB. Blind buy? Yes, absolutely.
This smells like Jägermeister in a spray. If it had the stag, in a green glass bottle (which it already is), and was called Eau de Jagger, you’d believe it. It’s nuclear: one spray and you pray your white clothes don’t get stained. Matos doesn’t disappoint, and if mixed with Nishane, even less so. Uniqueness and a ten-metre trail. Versatility and presentation, well, another matter. Value for money, well, let’s leave it at that. In short: ‘Jagger in a spray’. Occasion: intimate enjoyment. Alternative: The Black Knight by FB. Blind buy? Absolutely.
For me, an exquisite and unique scent. It’s aggressive, with dark herbal notes. At first, an overwhelming opening of tar and gasoline… delicious. It projects like a beast; people won’t tell you compliments, but everyone will know you’ve arrived. It’s like shouting: ‘Hello, I’m Batman and I’m here’. Perhaps one of the most difficult scents I’ve tried, on par with The Night by Frédéric Malle or Ajmal Mukhallat Shams.
For me, an exquisite and different scent. Challenging and aggressive with dark herbal tones. An overwhelming opening of tar and petrol… delicious. Projects like a beast. Nobody will give you compliments, but everyone will know you’ve arrived. ‘Hello, I’m Batman and I’m here’. Perhaps one of the most difficult, on par with The Night by Frederic Malle or Ajmal Mukhallat Shams.