Men
Bvlgari Pour Homme
Acordes principales
Descripción
Bvlgari Pour Homme by Bvlgari is a woody musky floral fragrance for men. Bvlgari Pour Homme was launched in 1996. The nose behind this fragrance is Jacques Cavallier Belletrud. The top notes are tea, aldehydes, bergamot, lavender, mandarin, nutmeg flower and orange blossom; the heart notes are pepper, guaiac wood, iris, Brazilian rosewood, coriander, cyclamen (Persian violet), cardamom, carnation and geranium; the base notes are musk, vetiver, cedar, oakmoss, amber and tonka bean.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
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Propiedad
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Uso recomendado
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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29 reseñas
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It starts clearly with bergamot and tea, giving the impression of a soft Earl Grey version – a clean, very elegant scent, always soft yet perceptible. It even reminded me of a fine soap. From the middle notes, I didn’t notice much florals due to the softness, and a touch of pepper. At the base, the musk, cedar and other woods are more apparent, with a bit of vetiver and finishing on the long-lasting musk. I loved it for the bergamot and tea, despite the moderate to soft trail. Its longevity on my skin exceeded 12 hours, even as a skin scent. It’s one of those clean-smelling, luminous, subtle and soberly elegant fragrances. I see it as ideal for men over 30, for working in enclosed environments like offices, as it’s not intrusive – more for summer and spring, and for personal enjoyment or wearing close to someone you care about. If you want to turn heads, go dancing or sweat it out, this isn’t for you.
It starts clearly with bergamot and tea, giving the impression of a soft Earl Grey version – a clean, very elegant scent, always soft yet perceptible. It even reminded me of the impression of a fine soap. From the middle notes, I didn’t perceive much florals due to the softness and a bit of pepper. At the base, the musk, cedar and other woods are better appreciated, with some vetiver and finishing on the long-lasting musk. I liked this fragrance immensely for the bergamot and tea, despite its moderate to soft trail. Its longevity on me equally exceeded 12 hours, even as a skin scent. It’s one of those clean-smelling, luminous, subtle and soberly elegant fragrances. I see it as ideal for men over 30, for working in enclosed environments like offices, as it’s not intrusive – more for summer and spring, and for personal enjoyment or wearing close to your body. If you want to turn heads, go dancing or sweat it out, this isn’t your fragrance.
First thing I’ll say is that I really loved this fragrance. It’s very distinguished and elegant; I love the way it blends the tea note with cedar, vetiver and musk. I sense it in the style of Cartier Declaration, but less citrusy and spiced. If you like soft tea-based fragrances, I highly recommend it. Additionally, I think it can be very versatile, with more options for daytime than evening. Its trail goes from medium to low but has very high longevity – on my skin it lasted over 12 hours even as a skin scent. As an additional note, I also tried Bvlgari Man Extreme, which is more recent but its longevity was much shorter. I think for me this is one of the best fragrances from this house, even better than Blv. Its creator Jacques Cavalier was very inspired in the 90s, as I believe two other great fragrances of that decade were YSL Opium Homme and Cartier Pasha.
To start, I was absolutely blown away by this fragrance. It’s super distinguished and elegant; I love how it blends tea with cedar, vetiver and musk. It reminds me of Cartier Declaration but without that citrus acidity or so much spice. If you like soft tea-based perfumes, this is a resounding yes. I think it’s very versatile, especially for daytime wear. The trail is medium-low but the longevity is brutal – on my skin it lasted over 12 hours even as a skin scent. By the way, I also tried the newer Bvlgari Man Extreme, but its longevity was much shorter. For me, this is one of the best from the house, even better than Blv. Its creator, Jacques Cavalier, was incredibly inspired in the 90s, as I believe two other greats of the decade were YSL Opium Homme and Cartier Pasha.
I tried it on blotter paper and it did not convince me until I applied it to my skin. It was a pleasant surprise how it evolves. It starts strong with bergamot and tea, but an hour later the musk and florals emerge with a resinous and faint woody touch. It is a stately and serious perfume that inspires confidence. Ideal for the office, it is not a bomb; it goes for the subtle. If I were attending an interview in a suit, I would wear this Bvlgari. It does not have that intoxicating sillage; it feels more close to the skin, but it lasted about 10 hours in good condition.
I tested it on paper strips and it never convinced me until I decided to try it on my skin. It was a pleasant surprise how it develops. The opening is strong with bergamot and tea, but after an hour the musk notes begin to emerge along with florals and a subtle, resinous woody touch I can’t quite specify. It’s one of those dignified, serious fragrances that inspire confidence. Perfect for the office as it’s not overpowering; it leans towards the subtle. If I had to attend a job interview in a suit and tie, this Bvlgari would be one I’d wear. It lacks that intoxicating trail and feels more skin-close, yet it has lasted me around 10 hours on good skin.
It makes me feel comfortable. I relax every time I wear it. It reminds me of a cotton garment fresh from the dryer. You can detect the tea, the flowers (I am surprised there is no rose) and the white musk. The spice touch gives it masculinity, but the flowers balance it. It is within the line of Prada’s Infusion D’Homme for that idea of cleanliness. Definitely sober, elegant and neat. It is not for attracting attention; it stays close to the skin, but it lasts a very long time.
Hello; I am not much of a fan of soft perfumes, but I have loved this one. The tea scent is delicious; I have never noticed it so well, and that is why I bought it. Despite its softness, it has good longevity, more than 8 hours with heat. The sillage is appropriate to the style but sufficient to receive compliments. Summary: good purchase, perhaps I will repeat it.
At first it smells of bergamot or lemonised tangerine, and seconds later, it is brutal. It is not my favourite note, but I picked it up for the price. It smells very clean, fresh and green, less woody than others, more herbal and soft, with a certain longevity that makes it special. Then lavender, pepper, a touch of floral and the woody cedar appear at the base. It is a fragrance that starts strong and citrus-herbal and ends floral and woody, very original in its evolution. I see it for spring and summer, but not for being out in the open for long as it evaporates quickly; in the office it lasts 3 or 4 hours with good sillage. It reminds me of meditation. I have attended Buddhist retreats in gardens and this fragrance brings me that connection with nature, the freshness, the breeze and the dew. It captivates and relaxes; its tea notes calm the mind. I use it for meditation and it is fascinating.
At first, clear citrus and rosewood notes, then some wood, followed by freshness and flowers… I love it, it is my perfume.
To me, this Bvlgari seems to exude good taste. It is transparent, clean, elegant and politically correct. But the scent feels very small, almost non-existent. It seems lifeless despite having interesting notes. To me, it smells of faded tea, citrus, musky and watery. It is barely noticeable beyond that. It is the most boring and languid thing I have worn. It fails to evoke any emotion or memory. It is like an aroma with horchata in its veins in a handsome bottle. Perhaps I will find something better in the flankers. I only recommend it to those who do not want to be perfumed. Sorry. 4/10.
Bvlgari Pour Homme is balanced, elegant and discreet, like the gentlemen of old. It is moderate in everything, even in longevity and sillage. It begins with citrus notes of tangerine and bergamot; I do not detect the aldehydes they claim are there, so I doubt they are present. Then it blooms with lavender and orange blossom, warm and tasteful flowers. Violet, rose and carnation appear, all very restrained. The good thing is there is no ambroxan or synthetics to cloy the flowers. The musk is subtle and calm, without that annoying shrillness. I have read others smell tea, but it does not happen to me. Instead, I notice a strange and pleasant blend of tobacco, iris and cardamom, which gives it personality. It is an original scent that always surprises me. A perfume is like a book telling you new stories.
Definitely not for me. It smells bad; yes, it is masculine, but unpleasant. I will never use it again in my life.
Definitely not for me; I find it unpleasant. It is masculine, yes, but unpleasant nonetheless. It is not a fragrance I would ever use again in my life.
It starts with tea, which I dislike, and the ambroxan comes out very quickly—a note not listed on the card that dominates everything. It reminds me of JHJ’s Not a Perfume. Ambroxan needs to be well-blended, and here it isn’t. Add to that the fact that it lasts nothing and projects nothing, and I confirm that Bvlgari Pour Homme is not going into my collection (except for the fabulous Black, a masterpiece by Annick Menardo).
I tested it with great enthusiasm as both BLV by Bvlgari and Bvlgari Black are my favourites, and I couldn’t be more disappointed. For the first hour, I’m not sure which note is present, but it cuts through my brain and even feels unpleasant. Once it settles, it becomes more bearable and pleasant, but generally, I don’t tolerate it.
I bought this with high hopes because I adore Bvlgari Black and BLV, but it has utterly disappointed me. At first, it overwhelms my head and makes me feel sick; later it becomes bearable, but in general, I just can’t stand it.
If there is a refined fragrance, this is it, with the just right touch of citrus and even a scent that conveys innocence, which I wouldn’t know which component is. Among the perfumes I use over time, which I buy again and which usually please the people who smell it, although I don’t base my choice on that to wear a perfume.
A pure 1990s jewel. What if classics still hold their value? This is a prime example. Let’s not get bogged down in the notes listed on the description; I detect the following clearly: aldehydes, moss, cedar, musk, and pepper. A unisex fragrance that, without any fuss, will look magnificent on whoever wears it. A clean, refined aroma; a very good perfume that, over 20 years later, remains worth keeping in a collection and using for the office or morning meetings—it comes highly recommended.
A pure nineties jewel. Do classics still hold value? This is a total example. Let’s not drown in the notes marked by its description; I distinctly feel the following: aldehydes, moss, cedar, musk, pepper. A unisex perfume that, without any discomfort, will look magnificent on whichever sex wears it. A clean and fine aroma, a very good perfume that, after more than 20 years, is still worth having in a collection and using it for offices or morning meetings comes phenomenally well.
I owned it many years ago when it was first released, and the one they make now is noticeably reformulated. I like it; it smells good, correct, clean and classy. The truth is it is a classic but effective aroma. I recommend it because I believe that in the world of perfumes there is no fashion, only taste or what is seen or not. This is a less clichéd option than Aqua di Giò, and although they don’t follow the same line, they are fresh perfumes and, to my taste, easy and classic.
A sober, classic, and very elegant perfume. At the same time, it is subtle and discreet. So it is perfect for using in the office or at the clinic, a scent that won’t saturate the people who smell it. It is a perfume for everyday use, not for special occasions because it is too discreet. I recommend applying it on the wrists for personal delight. If you apply it between the clothes and the skin, the scent will last all day.
I passed a perfumery where they had it incredibly; I thought it was discontinued. I asked the shop assistant to spray it on a blotter, and the reality was a total disappointment, as he sprayed it twice and I felt NOTHING. This situation drove me crazy (for the worse), as this had never happened to me before; I asked him to apply it on my skin and the same result. According to the assistant, it did smell, but the person next to me also felt nothing. I waited a few minutes and only then did something very soft and citrusy start to be felt, lasting no more than 30 minutes. I don’t know if it will be an isolated problem with the tester they had in the shop or if the new formulations have come out like this (coming from Bvlgari, I wouldn’t be surprised).
Fresh, spicy, woody, dry, and light. It seems to be the epitome of masculine euphemism in the form of a fragrance, with all the declared notes raising your expectations exponentially. But it has all the characteristics of a non-perfume. Like a very transparent trail on the skin that could easily be confused with the wearer’s own scent. There is absolutely nothing strident here; it is pure minimalism. In its somewhat spicy masculine charisma, it reminds me of Cartier’s Déclaration (EdT), but in an infinitely more subtle way. The most beautiful ingredients for me, such as lavender or oakmoss, are sleeping deeply on the living room sofa with no intention of getting up to adapt to the most suitable rhythm. With a lot of empathy and a crystal ball, one could recognise certain hopeful approaches, such as traces of a herbal tea bag from a natural shop prepared about ten times. Anyway, the combination of a mineral tone and a softly rough herbal spice is really interesting; the curious thing is that despite its entire transparency (since it appears as a skin scent from the start), it is also characterised by a relatively good longevity. If, after reading, you still want to buy it, remember that you will take home an excessively calm proposal, with a clarity too contained to stand out, but without doubt you will hardly bother anyone. For me, its use is restricted to a very aseptic work environment or a date with someone who appreciates very subtle scents.
I work in a perfumery and this is one of the fragrances I often wear during my shift. Simple yet elegant. A clean scent that I never tire of.
I work in a perfumery and this is one of the fragrances I usually wear during my shift. Simple but elegant. A clean scent that I never get tired of.
A sober, elegant, original, slightly refreshing, serene fragrance with a perceived high quality. In my opinion, it is quite timeless. Its delicious tea note, cardamom, and a touch of mandarin stand out; it evolves into a spicy scent, drying down in a very clean and natural way. The composition is balanced and has its own personality. It is not strident in any accord, although you must like the herbal tea note, especially in the opening. Very versatile, suitable for different contexts, better for daytime, and appropriate for both summer and winter. The projection is discreet, but the longevity is very good for an EDT, nearly 7 to 8 hours when worn well (recent batch). It accompanies you throughout the day, noticeable to yourself without issues. When it almost disappears at the end of its life (7-8 hours), it leaves a lovely trail that lingers very close to the skin. Ideal for rotation and alternation with stronger perfumes; it is magnificent for occasions where you don’t want to overdo it but with the total security of wearing something very well-crafted, to smell good with good taste without clashing, subtle (and long-lasting). Today, it is far from being overused; it adds distinction and originality. I like it more than the EDP version launched a few months ago. Probably, in addition to those who used it in its golden age, we will appreciate it by those who seek and select different quality aromas for their stock to rotate; this original Bvlgari Pour Homme is perfect for those occasions requiring something elegant, all-terrain, original and fresh, but with a certain restraint and discretion. So far, I have received many compliments when I wear it. A great creation by Jacques Cavallier back in 1996, one of those that endure and never age. Salu2.
Gentlemen, this is a perfume masterpiece, delicious and supremely masculine.
Clean and classy. The opening is citrusy and green, with a strong peppery note that defines the character from the very first moment. It blends with fresh, clean accords that invite you to keep smelling; they never get tiring. For me, the pepper is the undisputed star, accompanied by green and fresh notes that lend it sophistication. It’s not what young people tend to wear these days, but that’s where its charm lies: you can feel the elegance and presence. As it dries down, it becomes more woody, though the pepper remains present, like freshly ground. Right up against the skin, in its final hour, a lovely, polished soapy sensation emerges. It’s a versatile and elegant fragrance, without the air of an ‘older man’, but rather of a stylish man with presence. My rating: 8.5/10. Very unique within its category, classic and sophisticated, perfect for those seeking discretion with character.