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Eau de Joy
Acordes principales
Descripción
Eau de Joy by Jean Patou is an aldehydic floral fragrance for women. Launched in the sixties, this composition features top notes of aldehydes, ylang-ylang, neroli, peach, green notes and citrus; a heart of jasmine, rose, iris root, lily of the valley and orchid; and a base of ambrette, musk and sandalwood.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
Comunidad
294 votos
- Positivo 82%
- Negativo 12%
- Neutral 5.4%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Eau de Joy y elige según envío, precio o disponibilidad.
Amazon
Envío rápidoEntrega rápida y política de devoluciones conocida.
Ideal si priorizas velocidad y disponibilidad.
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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2 reseñas
Mostrando las más recientes primero.
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I was keen to try JOY, and although I like the scent, it didn’t quite convince me because it doesn’t last long enough.
I love kicking off my first review of the year with this perfumery gem. Joy is a floral that is practically perfect. I’ve never tried the vintage version; I only own a 2003 Eau de Parfum. A few days ago, I found a miniature of Eau de Joy from the late 1960s. They say the name was later changed to Eau de Parfum while keeping the same formula. As for the Eau de Joy composition, it doesn’t feel light at all; the scent is very similar to my EDP, so we can say that the reformulations up until the early 2000s were very well cared for—I haven’t tried the current Joy. Eau de Joy has its own unique touch: in the 60s, animalic notes were in vogue, so the civet here is much more potent. There is an intense jasmine opening at first, while the rose is slightly less prominent, which isn’t the case with the EDP where jasmine and rose shine almost equally. What’s interesting is when the jasmine starts to fade and the animalic notes stand out even more, completely overshadowing the jasmine. In the EDP, this doesn’t happen; the civet always serves the rose and jasmine, never eclipsing them. But in the Eau de Joy, the civet takes centre stage, relegating the jasmine, especially from the heart to the dry down. What we get is a more animalic perfume, with a prominent jasmine that is heavily overshadowed by the civet and musk. I feel this version of Eau de Joy is more olfactively complex; it abandons the serenity of the jasmine-rose duo to give the composition drama, a more indolic and extravagant texture, typical of the era.