Men
Iris Noir
Acordes principales
Descripción
Iris Noir by Yves Rocher is an oriental floral fragrance for women. Launched in 2007, this composition was created by Natalie Gracia-Cetto and Olivier Pescheux. The top notes unfold with coriander and bergamot; the heart reveals iris and ambrette musk; while the base notes complete the structure with patchouli and tonka bean.
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Notas clave
Comunidad
2,190 votos
- Positivo 68%
- Negativo 30%
- Neutral 2.4%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
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Uso recomendado
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
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Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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6 reseñas
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One of the fragrances I was gifted on my fourteenth birthday, along with Tendre Jasmin and Rose Absolue. It was my favourite of the three, I suppose because the liquid is lilac and, being a child, I didn’t know much about scents, ha ha. On my skin, it gets cloying and even gives me a slight headache; I don’t think it suits me. My mother loves it and wears it without issues, but it doesn’t work for me. Perhaps one day I’ll come to like it, not just because of the colour. To me, it smells of coriander, iris and tonka bean. I’ve discovered that this blend is a bomb for me. Time will tell; I hope to review it again someday.
I owned it and it was incredible: mysterious, long-lasting and Yves Rocher no longer sells it in Spain, neither in stores nor online; it’s discontinued. What a pity; I don’t understand why they drop such good fragrances. Does anyone know a website where it’s still sold? Thanks.
It’s an exquisite, mysterious and feminine perfume. Definitely, it’s best worn on cool nights; that’s when it performs best and doesn’t feel like a waste. It’s a shame I can’t find it anymore; it was intoxicating to me and I can’t find anything else like it.
It’s an exquisite, mysterious and feminine perfume. Definitely, I wear it on cool nights; that’s when it shines and doesn’t feel like a waste. It’s a shame I can’t find it anymore; it was intoxicating and there’s nothing quite like it.
Oriental floral? No way. It’s a marble chypre through and through. This Yves Rocher series was fabulous; contrary to the house’s policy, it was initially more citrusy, romantic and aromatic, more Mediterranean, and unfortunately in recent years more vulgar (pink things). The Secrets d’Essences line presented adult, exotic and well-made perfumes, as modern revisions of classic oriental and French scents, all very bold but with an airy, sophisticated and contemporary touch. The bottle that housed and unified them was also pretty: a transparent amphora recalling those old apothecaries that stored oils in the past. This one was called Iris Noir, and the name was no coincidence, as it had nothing to do with lilies or florals. What it contains is one of those marbled, camphorated and herbaceous chypres that will delight those who enjoy things like Eau de Soir, that forgotten Fendi from the eighties, or Coriandre by Jean Couturier. Because exactly that is what it smells like: coriander or coriandre raised to the maximum power. At first, there was a revolting alcoholic whiff, combined with a simulacrum of citrus caramel and some abstract floral, oily and salty notes (ambrette); it didn’t make you think of the perfume it was supposed to be. Once it settled, what was clearly intuited was a lot of patchouli, in its smoky herbaceous version, and a lot of coriander, coriander galore. And indeed, although for an hour or so it played with the texture, which became softer or sweatier (certainly the ambrette) before giving up, what remained was that typical green chypre that makes you think of freshly scrubbed marble flooring: a cold, herbal chypre, evoking a winter dawn in a European forest or a great French or Russian castle. The tonka, like the iris, were imperceptible; at most, they contributed an illusion of something sweet, sparkling or greasy during the first two phases, but they never felt like two distinct notes. To summarise: coriander, coriander and coriander. Unfortunately, like the whole line, it’s discontinued, though it can be found online at a very good price. The longevity was decent. A good example of an updated chypre with a more sophisticated and contemporary edge, totally unisex and with quality and creativity superior to its price.
Oriental floral? Not a chance. It’s a marble chypre, pure and unadulterated. This Yves Rocher line was brilliant; contrary to the brand’s usual style, it started off citrusy, romantic and more Mediterranean, but lately everything has become pink and vulgar. The Secrets d’Essences series offered adult, exotic and well-crafted perfumes, modern takes on classic oriental and French scents: bold yet airy and sophisticated. The bottle, a transparent amphora reminiscent of old apothecaries, was also handsome. It was called Iris Noir, and it had no idea what floral was. It smells like one of those marbled, camphorated and herbaceous chypres that delight fans of Fendi’s Eau de Soir or Jean Couturier’s Coriandre. Exactly, straight-up coriander. Initially, there’s a nasty alcohol mixed with a fake citrus caramel and oily, salty notes (ambrette) that promise nothing. Once it settles, smoky patchouli and a lot of coriander come to the fore. After an hour, the texture becomes soft and sweaty due to the ambrette, until it’s that typical green chypre, like freshly scrubbed marble flooring: cold, herbal, evoking a winter dawn in a European forest or a French castle. The tonka and iris are imperceptible, merely giving a sweet or greasy illusion at first, without being distinct notes. In summary: coriander, coriander and coriander. Pity it’s discontinued, though it can be found online at a good price. The longevity was decent. An updated, sophisticated, unisex chypre with quality superior to its price.