Men
Torino22
Acordes principales
Descripción
Torino22 by Xerjoff is an aromatic woody fragrance for men and women. Launched in 2022, this composition features eucalyptus, saffron and bergamot in the top notes; yerba mate, statice and guaiac wood in the heart; and dry wood and musk in the base.
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Comunidad
1,981 votos
- Positivo 83%
- Neutral 10%
- Negativo 6.7%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
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Propiedad
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Longevidad
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Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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20 reseñas
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Starts with citrus and eucalyptus that fade quickly, leaving that herbal-fresh saffron touch. It’s versatile for any occasion. On my skin, it lasts between 8 and 10 hours, with 3 hours of projection, before lingering in a personal bubble.
Opens with citrus mixed with eucalyptus that fades in seconds, then shifts to that eucalyptus-saffron note. Honestly, it’s all-rounder because it smells herbal and fresh. On my skin, it lasts 8 to 10 hours, projects for 3 hours, and then settles into a personal bubble.
It reminds me a lot of a Benetton United Dreams from five years ago that I bought. Less synthetic notes, well done, the quality really comes through the nose. It’s a sweet scent, so if you’re not a fan of sweet scents with citrus hints, I suggest testing it before buying.
Smells like that Benetton United Dreams I bought five years ago, but with less synthetic edge and better quality that actually penetrates the nose. It’s a sweet scent; if you’re not desperate for sweet perfumes with a citrus twist, test it before buying.
Let me start by saying this 22 version has nothing to do with the original Torino 21; it’s much warmer and made for cold climates. Setting the notes aside, the first 10 minutes might confuse you and remind you of the famous Baccarat Rouge with a loud saffron, sweet almost liqueur-like tonka beans due to the strong amber accord, but this passes quickly and leads us to the interesting heart. Here you find a very soft creamy citrus that reminds me of two things: lemon pastries and Allure Edition Blanche. The fragrance takes this path with a more restrained sweetness, a very tasty creaminess that will be the delight of Allure Edition Blanche fans; though they aren’t the same, it brings those “lemon foot” reminiscences and well-crafted warm citrus notes of an oriental style found in that composition. The woods are more noticeable here; Torino 22 has more body and feels like a darker shade without losing its appeal, with a medium sweetness that doesn’t cloy. To finish, we continue with that creaminess but more subdued, with a more resinous sweetness that evokes some kind of Orris which, though undeclared, brings to mind the dry-down of Khol de Bahrein by Stephan Humbert Lucas, another sweet perfume based on Orris creams and resins with a dark yet heartening dry-down. In short, a scent of warm citrus airs, robust and very different from the original but, in my opinion, equally attractive… Cheers!
Let’s start by saying that this version 22 has no similarity with the previous Torino 21; this fragrance is much warmer and geared mainly towards cold climates. Leaving the declared notes aside, its first 10 minutes could confuse you and make you remember the well-known ‘Baccarat Rouge’ with a strident saffron, its sweet and almost liquorish tonka beans due to the intense amber accord, but this only happens in the opening and passes quickly, taking us to the interesting heart. In this middle phase we notice the warm creaminess of a very creamy citrus sensation, which makes me think of two things: lemon pastries and Allure Edition Blanche. The fragrance takes this direction with a reduced sweetness, with a palpable, very tasty creaminess that will be a delight for all fans of Chanel’s Allure Edition Blanche; although they are not the same, it brings these memories of ‘lemon foot’ and warm citrus of an oriental style so well formulated in that famous composition. Here the woods are more noticeable, the Torino 22 has more body and a darker tone is perceived within its breakdown without ceasing to be a very desirable fragrance, with a medium sweetness that doesn’t cloy. To finish, we continue with this creaminess but now more subdued, with a more resinous sweetness that evokes some type of Orris, which, although not declared, brings to mind the dry-down of Stephan Humbert Lucas’s Khol from Bahrain, which is also a sweet perfume based on Orris creams and resins with a dark but endearing dry-down. In short, a scent of warm citrus airs, robust and very different from the original version, but in my opinion equally attractive. Best regards!
It has a powerful opening due to the combination of bergamot and saffron that lasts no more than 5 minutes, and afterwards there’s a base that seems fruity (without this note being declared), similar to Creed Millésime Imperial, but here it alternates with a somewhat strange note that I imagine is the angelica, which I’ve never smelled, making it somewhat feminine compared to the Creed fragrance which is more unisex. I recommend the Torino 22 for cold climates and for any age. If you like sweet fragrances you might like it, but try it first because of that strange angelica note that may not please everyone.
It seems to have much more quality than Ariadna Grande’s Cloud, with a small sweet and rich touch.
Horrendous. I can’t detect what this smells like, certainly not eucalyptus. I don’t know if it’s the yerba mate, which I’m unfamiliar with, or what on earth it is, but it’s a very strong smell and, at least on my nose, very unpleasant.
Horrendous. I can’t detect what this smells like, certainly not eucalyptus. I don’t know if it’s that yerba mate I don’t recognise or what the hell it is, but it’s a very, very strong smell and, at least on my nose, very unpleasant.
I expected something else, something that reminded me of the classic eucalyptus balsam caramel, but I’ve found something extremely sweet and cloying between eucalyptus honey and orange marmalade, with a liquorish touch. That said, the saffron note is the best, it inevitably recalls the aforementioned Baccarat, but less radical and more blended with other notes. Disappointed by its development, I also don’t see clearly its use; it’s cloying and too sweet for summer. It’s feminine and daytime in my taste, but it would be fine to use at night too.
I tried it in a decant, and to be honest, it didn’t connect with me. It evoked memories of a dentist’s office I visited as a child in the 90s, perhaps due to its somewhat herbal and dry profile, with notes of old wood and a slight sweetness. Although the opening has an interesting proposal, personally I prefer how the eucalyptus note is handled in the YSL Body Kouros.
I was expecting something else, something reminiscent of the classic balsamic eucalyptus caramel, but I’ve found something extremely sweet and cloying between eucalyptus honey and orange marmalade, with a liquorish touch. The saffron note is undoubtedly the best; it inevitably reminds one of Bacarat as has been mentioned, but less radical and much more blended and balanced. Disappointed by its development, I also can’t quite see its use; it’s too sweet and cloying for summer. Feminine and daytime in my opinion, but it would be just as suitable for evening wear.
Sexy and bold. Well suited for unisex wear, though it tends towards the masculine side. VERY GOOD (in Argentina I don’t find it usable). THE PROBLEM: In Argentina it’s UNUSABLE. Let me explain: the opening is enchanting, incredible. But in the dry-down there’s too much yerba mate and it ends up smelling like the breath of an average Argentine. I feel that in a place where they don’t drink so much mate, it must be madness. In Argentina I don’t feel like smelling like the average citizen. I’ll stick with the 23; it remains my favourite of all the Torino line.
It’s a perfume with a distinguished character. Straight out of the bottle, it smells dry and a bit dirty, perhaps due to the saffron and yerba mate. As it dries down, it takes on an old wood scent with other notes that make it special and addictive. I detect a salty smell throughout the life of the perfume, but I’m not sure which note it comes from. It lasts a long time (+12h) and has good projection; a very good perfume, like almost all of Xerjoff’s.
It’s a perfume with a lordly character that, upon spraying, smells dry and a bit dirty, perhaps due to the Saffron and Yerba Mate. As it dries, it takes on an old wood scent with other notes that make it special and addictive. I detect a salty smell throughout the life of the perfume, but I don’t know which note provides it. It has excellent longevity (over 12 hours) and very good projection; a very good perfume, like almost all from Xerjoff.
In 2022 it was an improved version of Bacarat Rouge Extrait, with a slightly more masculine touch and a much more reasonable price. But in 2025, with Kurkdjian’s scent so saturated that you can find it in the bathroom air fresheners for under £2 in any supermarket in Spain, I must say it has ruined my experience of enjoying this great fragrance, and I wouldn’t buy it again.
In 2022 it was an improved Bacarat Rouge Extrait, with a more masculine touch and a much more reasonable price. In 2025, with the Kurkdjian scent so overused that we have it in the bathroom air fresheners for under £2 in the Spanish supermarket, honestly they’ve ruined a good part of the experience of enjoying this great perfume, and certainly, I wouldn’t buy it again.
I was hugely disappointed after getting a decant with so much excitement after reading so many reviews; I can’t see any use or occasion for it. The positive is its high longevity and performance, over 10 hours.
I picked up a decant with great excitement based on the reviews, but to be honest, it has disappointed me quite a bit. I can’t see what it’s for or when to wear it. The only saving grace is that it lasts a ridiculous amount of time, well over 10 hours.