Men
Yvresse (Champagne)
Acordes principales
Descripción
Yvresse (Champagne) by Yves Saint Laurent is a fruity chypre fragrance for women. Launched in 1993, the nose behind this composition is Sophia Grojsman. The top notes are peach, nectarine, apricot, caraway, anise and mint; the heart notes include cinnamon, lychee, rose, rose oil, carnation, violet, iris, jasmine and valley lily; while the base notes are formed by oakmoss, amber, benzoin, vanilla, patchouli, styrax, cedar, musk, vetiver and coconut.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
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Propiedad
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Características
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Longevidad
Escasa
Débil
Moderada
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Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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28 reseñas
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I had the bottle labelled Champagne. Quite feminine and strong, so you only need a little. The good thing is it lasted all day; sometimes I could still smell it on my wrists the next day. A real gem.
When I used it, it was called Champagne: strong, sweet, and bold, like almost everything from YSL. It had a subtle touch of champagne. I adored it, and when I think of it now, I’d buy it again if I could find one.
It’s a world of its own. Sweet with a hint of bitterness that makes it unique. Peach dominates, giving it real personality. It lasts forever and is top quality. Whoever wears it leaves a mark; it’s not for everyone. I love it, and the bottle is gorgeous—it looks like a champagne cork with gold metal.
I agree with gmoranch; it’s strong, has personality, and isn’t for everyone. I preferred it when it was called Champagne; it truly smelled like champagne. Yvresse is drier, slightly bitter, more floral and less sweet. I bought a large bottle due to its scarcity. I tested it at work (only on my wrist) and a colleague said it smelled like nice flowers, but a young man said it smelled like his grandmother. Although he later tried to compose that it doesn’t smell old, the damage was done. That disappointed me; it made me feel elderly. I am a mature woman but have no children, let alone want to be a grandmother. Then I thought perhaps her grandmother has good taste and must be beautiful and elegant, nothing to do with her disrespectful grandson. Obviously, I will never use Yvresse at work again. Nor will I keep it close by; I like it, so I’ll wear it in the afternoons for my personal enjoyment.
I completely agree with gmoranch: it’s strong, has personality, and isn’t for everyone. I liked it more when it was called Champagne; it truly smelled of champagne. Yvresse is drier, slightly bitter, floral, and less sweet. Despite the scarcity, I bought a large bottle. I tested it at work and a colleague said it smelled of flowers, but a young man aged 25 to 28 shouted it smelled of his grandmother. He told me it didn’t smell old, but that his grandmother used it! That disappointed me; it made me feel elderly, and I don’t want to be anyone’s grandmother. To console myself, I thought his grandmother must be beautiful and elegant, nothing like the disrespectful grandson. Obviously, I won’t wear it at work anymore. Nor will I keep it close by; I like it, so I’ll wear it in the afternoons for my personal enjoyment.
I used it for a while; it had a lovely scent. I had to alternate wearing it because it would start to saturate me. The reformulation is terrible.
It’s the only one that fixes well, but I would like another that resembles this Yves Saint Laurent Champagne. I adore it, but I can only get it online and it’s very expensive.
This is a FANTASTIC fragrance, exquisite and enveloping; it feels bubbly, unique, timeless, sweet and chypre. Lasting power is excellent, all day, with a very strong trail that isn’t overpowering. I still have bottles, even a 7.5 ml Parfum, which is magnificent.
Hello, I’m from Buenos Aires. Does anyone know where to get the Champagne perfume? I’m hoping for a reply as I need something strong that lasts on the skin. I’ve tried many and am still searching, so I hope for some help. Thank you.
Champagne is the fragrance of fragrances for me. It communicates spontaneity and joy. It is a perfume that envelops you in an aura of possibilities and adventures yet to be discovered.
Yvresse gives itself away easily: it’s from the 90s (apricot and plum), a work by Sophia Grojsman and YSL, but not the unappealing version of today (Manifesto, Elle, Opium 2009, etc.), but the classic (Opium 1978, Nu, Y, Rive Gauche, Kouros). I’ll use the name Yvresse. It shows that the same notes can be used in different ways. The apricot, plum, and nectarine top notes are effervescent, explosive, energetic, with a festive tone reminiscent of authentic champagne (with the freshness of mint and anise). Then it transforms into residual fruit with spiced cinnamon against an army of subjugated flowers, fresh, sharp, violent but potentially talcum-coated (all smothered in lychee). It finishes with a damp, warm chypre centre, with oakmoss, slippery and serpentine strength, an irregular and unpredictable trail. It’s special, different, rooted in YSL, exploding with diversity and casualness (or formality), keeping its promise. It’s versatile, with a trail and longevity that are tetrahedrally explosive (based on a late-90s bottle). The inspiration for festive joy is clear without losing surprise and discretion. It was a great work, appropriate for its time, coherent for the brand, and a great acquisition for vintage collectors.
Yvresse gives itself away easily; it’s from the 90s (peach and damson point to that), created by Sophia Grojsman for YSL, but not the dull version of today, but rather the spirit of Opium 78, Nu, Y, Rive Gauche, Paris, Opium Pour Homme, and Kouros. It shows how the same notes can be used in different ways. The opening fruit notes are effervescent, explosive, energetic, with a festive tone reminiscent of authentic champagne, fresh with mint and anise. Then it transmutes into residual fruitiness with cinnamon against an army of sublimated florals: fresh, sharp, violent, talcum-dusted, and smothered in lychee. It finishes with a wet chypre heart, oakmoss, and slippery strength. It is special, versatile, with trail and longevity that are tetrahedrally explosive (late 90s bottle). The inspiration of festive joy is another factor, without losing surprise and discretion. A great work, appropriate for its time, coherent, and a fantastic vintage acquisition.
Its outstanding performance is the most notable feature; it lasts and projects quite well. I smelled it on someone else and it reminded me of Mitsouko; they share notes, but the comparison wasn’t as strong for me. It must be the apricot and nectarine that make it seem sweeter, without falling into today’s cloying trends, and more silky than the legendary Guerlain, which I prefer despite its shorter longevity.
One of the most glorious perfumes from YSL, possessing ostentatious refinement and exquisite quality since Opium and Paris. The way the rose stands out with anise, mint, and cinnamon is what really strikes me. It is unique, complex, and deliciously wonderful. They are no longer as beautiful with that individual YSL stamp, but at least we have these olfactory beauties to worship.
THE MAGIC OF THE BUBBLES. Oh, this perfume was a beauty; I could feel its aromatic bubbles. It was sparkling and brilliant. It was called Champagne, so I’ll refer to it as such in my review. It smelled of aged and fortified fruit juice: peach, nectarine, and apricot led the way. Two minutes later, lychee, spicy cinnamon, talcum iris, roses, violets, and carnations joined in—wow, it was beautiful; at that moment, you didn’t just enjoy wearing it, you wanted to drink it. Two hours later, patchouli, amber, cedar, benzoin, a tempting coconut, and delicate vanilla appeared—it was a marvel. This was the perfume of a confident woman with vibrant personality. What a pity that Champagne is no longer what it was, what a shame they destroy such beautiful creations.
The Magic of Bubbles: this perfume was a beauty, I promise you could feel its aromatic bubbles; it was sparkling and brilliant. When it launched, it was called Champagne, and that’s the name I’ll use in my review. This fragrance smelled of aged and macerated fruit juice, with peach, nectarine, and apricot leading the way from start to finish. Later, lychee, spicy cinnamon, talcum iris, roses, violets, and carnations joined in. Wow, with that fusion, you didn’t just enjoy wearing it, you wanted to drink it. After two hours, patchouli, amber, cedar, benzoin, coconut, and vanilla emerged; it was a wonder. This was the perfume of a well-established woman, confident, with a vibrant personality. What a pity it’s no longer what it once was, what a shame to destroy such beautiful creations.
The sweet effervescent nectar Yvresse is a delight for the senses. The Rose-Peach-Vanilla accord is brought back by Sophia Grojsman; this solid three-note structure already had success with Tresor, and this time she tried to expand it towards another concept. It’s recurrent for houses to release a fragrance with a good result and then use that winning DNA to create something more complex. What impacts with Yvresse is the creativity of wanting to equal the experience of smelling an effervescent champagne: that fresh, gaseous, sweetish, yet dark note. Yvresse is the fruity chypre of the 90s that derives from Femme de Rochas; the coincidences are clear, but the paths are different, tastes have changed a lot in that nearly 50-year difference. Of course Yvresse flirts with Tresor and with Femme, but it differs: Tresor doesn’t have so much spice influence, and Femme has many animal, leather and woody notes that Yvresse doesn’t possess. The dry down notes are sparkling and slightly bitter; then the cinnamon takes power. Afterwards, a strong sweetness bursts forth and we feel the glimmers of anise and peach. The peach becomes prominent and shares the stage with cinnamon, the two most highlighted notes. There are soft touches of mint and vanilla that make the heart more complex. The rose takes the scene after several minutes. This link between the sweet peach nectar, spicy cinnamon, dark rose and soft anise is perfect. Beautifully executed. The originality, projection and harmony of Yvresse are worthy of being taken into account in our olfactory journey.
I bought it in the 90s, back then it was called Champagne. Pleasant, almost addictive aroma that marked a before and after in my life. In the history of sweet perfumes, I think it was the best of all I’ve had so far. The peach taken to the nth degree and the caraway are the notes I remember most. I would use it again for sure if it reappears in these places.
The excellence of the peach. A jewel, that’s how I want to start rating it. I had the luck to try the ‘Champagne’ version today. What a way to transport you to other eras as if they had always been better. It reminds me of Paris in the complexity and refinement of its fragrance, pure YSL style. What a pity that all fragrances from this house had to conform to what they are today thanks to L’Oréal and their reformulations… Yvresse doesn’t accompany you in daily life; it transforms you as soon as you apply it. I imagine a gala dinner with ladies dressed to the nines smelling of Yvresse, Opium and Shalimar. Who says fragrances are for older women? Fragrances have class or they don’t, they give personality or they don’t, and in this case Yvresse has class and personality in abundance. I was very surprised and delighted with this fragrance that I had only tried in its current 80ml version and beige bottle. Without a doubt, this first version is much more complex and full of nuances than the current one, but lacking bread…
Hello perfumers, I’m from Buenos Aires and I have this 100ml Champagne with very little use for sale, I make shipments.
I’ve used it from the 90s until they changed the name to Yvresse. I used up the last bottle last winter because, contrary to what they say, the scent changed too. It still smells good, but it’s not the same; anyone who has used it will understand.
It’s been my perfume for years from the 90s until they changed the name to Yvresse. I used up the last bottle last winter because, although they say otherwise, the scent also changed. It smells good but it’s not the same; anyone who has used it will understand perfectly.
I had the original version, called ‘Champagne’. I remember its immense density and trail. It was very persistent, a more lady-like scent than for a twenty-something girl. Sophisticated, penetrating, better for elegant evenings.
I had the original version, called Champagne. I remember its immense density and trail. It was very persistent, a more lady-like scent than for a twenty-something girl. Sophisticated, penetrating, better for elegant nights.
I have the original CHAMPAGNE version. It smells good, it’s a classic fragrance, elegant and sophisticated. It’s not my favourite YSL, but I think it’s worth trying the original 1993 version if you can find it; I wouldn’t buy the new version.
Undoubted jewel of perfumery, I’m talking about the original called Champagne, which is the only version I know. The adjective for the opening couldn’t be better: sparkling like the liquid, at the same time crystal clear and clean, loaded with flowers. Much has been written, but I want to highlight the magnificent work done here. In my opinion, it’s essential in a collection; it serves as a reference to judge other creations of the style. The dry down is rich. I still need to try the original YSL M7, but so far it’s the best creation by the brand. The bottle and the concept are in the top 10 of designs, alongside Poison.
Love at first sight. It’s one of those perfumes that kidnap you and take you to another world where everything seems in order. But we know that in life nothing lasts forever and everything must be questioned. The appearance is a deception; the moon has a beautiful face but also a very dark side. As if wrapped in liquid pain that contaminates every thought, entering home and not finding you was a punishment. Perhaps you also think of those moments: insecurity, broken dreams, lies, interlaced hands… Half-told stories, unfinished loves. Do you remember? Playing at being a diva, and perhaps you were, soaked in this fruity and spicy cocktail that reminded me of champagne with lots of fruit. The dry down is brilliant: fruity, sensual, warm, spicy, erotic, and extraordinary. Perfect for embracing yourself and feeling your presence all day with a slightly powdery elegance, a mossy amber scent that doesn’t turn woody or sour. Like a salad of orange with fresh mint, pink and purple carnations, lily of the valley and violets, plus powdery roses and jasmine. It’s already almost impossible to smell Yvresse (Champagne) on other women, and better so. This perfume is you.
It’s a toilet water that acts as a ‘perfume gift’. You don’t need to spray much to get a great trail and lasting power. I tested it with a 5ml decant and it was enough for several occasions, lasting hours. From the first spray, you can feel Grojsman’s touch. Although it’s not identical, it smells like the TRÉSOR family, launched this year by Lancôme. I didn’t know it when it came out, but it fits perfectly with the 90s proposals that mixed fruits with flowers and dried spicy-woody notes. It’s not a youthful scent, but one for a woman who knows exactly what she wants.