Men
Bain de Champagne (Royal Bain de Caron)
Acordes principales
Descripción
Bain de Champagne (Royal Bain de Caron) by Caron is an oriental floral fragrance for men and women. Launched in 1923, this composition was created by perfumer Ernest Daltroff. The olfactory pyramid unfolds with top notes of lilac and rose; a heart of opoponax, benzoin and incense; and a base of vanilla, amber, sandalwood, musk and cedar.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
Comunidad
725 votos
- Positivo 84%
- Negativo 13%
- Neutral 3.0%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
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Preferencia
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Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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11 reseñas
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I tried it today and found it more masculine than feminine. The bottle caught my eye with its cola-bottle style and splash application instead of a spray. The scent is pleasant and fresh. It comes in large formats 125ml and 200ml. The notes aren’t light yet surprisingly the overall aroma is. Ideal for picnics walks in the park or open fresh-air locations.
My fifth-grade teacher used to wear it and loved it; I bought it and my mother fell in love with it but now I absolutely hate it. It smells old to me though I know that’s partly psychological even if the fragrance itself is indeed vintage.
The story behind this perfume is fascinating: it has been modified and relaunched several times since the 1920s. It was once believed to be a substitute for champagne as wealthy French children used to bathe in it; nowadays it is said to be used for magical rituals. There is so much magic in a single bottle. In its composition (2010 version) it bears the floral stamp of Caron with rose and lilac immersed in intense vanilla and resins such as benzoin and opoponax. This gives it a unique character: a strength that can also be a weakness. It is creamy talcum-powdered and features a soft incense note. Although reformulated it retains that old-world feeling. It is less oriental than Shalimar leaning more towards floral and vanilla. It is rich and intriguing; while it shares some similarities with Kenzo Flower notes like blackcurrant mandarin and hawthorn give it a distinct direction.
Royal Bain is soft, shy, fluffy, and vintage; it deserves to be tried. As Selene rightly says, it has an air of Kenzo Flower due to its rose, lilac, and violet notes, but it’s softer, like a revitalising bath. Vanilla gives it a delicate, childlike quality that makes it docile, while opoponax lends it that precious, antique, aged tone. It’s unisex, floral, and vaporous, perfect for anyone who loves today’s ‘prehistoric’ shades. It’s the Caron jewel that transports me to romantic rooms and dried flowers, but it has a flaw: the trail is non-existent. You have to bring your nose close, even though it sprays vividly. With 250 ml, you can enjoy it greatly, but I’m not sure if spraying more makes a noticeable difference.
It’s your luck bottled, good witchcraft that activates feminine magic all day. It’s fabulous.
It is your luck bottled good witchcraft that activates feminine magic all day long. It is fabulous.
Unforgettable; you’ll definitely return to it. The best thing about this EDT is that it doesn’t tire; it has potent notes but they’re dosed carefully so as not to overwhelm. It’s a bath of pleasure, sweetness, and luxurious bubbles, totally different. Lilacs dominate with a liquorish touch that seduces me, followed by a soft rose at the end. It has no season; use it if you like. Edit: I bought it in October 2023 and I’m sorry to say it has changed. It’s not the same anymore; the alcoholic note I loved has disappeared, it’s become very sweet, and has lost its essence.
With 101 years of history, this perfume was once considered ‘for prostitutes’ in my country, but that’s pure nonsense. It’s wonderful: it opens with lilacs and roses at their peak, then moves into incense and benzoin, finishing resinous and musky. It’s a Caron jewel, just like Infini or Nocturnes, which fortunately haven’t fallen victim to the mass-market dilution that suffocates the industry.
With 101 years of history this perfume was once considered ‘for prostitutes’ in my country but that is pure nonsense. It is wonderful: it begins with lilacs and roses at their peak then moves to incense and benzoin finishing with a resinous and musky dry-down. It is a Caron jewel just like Infini or Nocturnes which fortunately haven’t succumbed to the mass-market saturation that drowns the industry.
It’s a bit of a letdown and I was struck by the brutal similarity to Kenzo Flower. I like it, but it hasn’t won me over enough to repurchase. It’s not bad, in fact it’s good, but in the realm of talcum-scented fragrances, nobody beats Chloe Love in my opinion.
It’s an incredible clone of Kenzo Flower, but to be honest, it hasn’t won me over enough to repurchase. It’s not bad—in fact, it’s quite good—but in this category, Chloe Love remains the undisputed queen.