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C’est La Vie
Acordes principales
Descripción
C'est La Vie by Christian Lacroix is an oriental floral fragrance for women. C'est La Vie was launched in 1990. The nose behind this fragrance is Edouard Flechier.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
Comunidad
473 votos
- Positivo 82%
- Negativo 14%
- Neutral 3.6%
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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8 reseñas
Mostrando las más recientes primero.
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Wow, I love it and I want it back; it’s formidable. Let it return so I can enjoy it again; it’s very fine and long-lasting.
C’est La Vie by Lacroix is a killer perfume for sensitive noses… I say this because my first encounter was when I was a child, my sister gave it to me and I couldn’t stand it. I liked it for the bottle, which looked like a heart ripped straight out with the cap simulating an artery and lungs; that frankness promised one hundred per cent of what you smelled. I’ve never heard anything with so much power and criminality. It had aldehydes in the opening that could kill a bull in a second… if you could withstand the neroli, which was a real NEROLI, it would give you a shake that left your neck stiff for two days. With great courage, because with less than 12 years old I could take the pull and then, after two hours or more, an absolute magic arrived that mixed everything and lasted days. Just thinking that sometimes I went to school with it and my family allowed me to makes me laugh hysterically. If you can, try it; I had its pendant as a gift and it never went off. A perfume with a lot of imprint and character.
I gave it to my mum a decade ago; it’s a treasure and the best I’ve heard. It lasted hours and hours. What a pity it’s no longer sold. The bottle is a work of fine art and very original.
Unforgettable…
My mum used to wear it in the 80s. I couldn’t stand it. It was too strong and invasive. I don’t think I would buy it today.
My mum used to wear it in the eighties. I couldn’t stand it; it was too strong and invasive. I don’t think I would buy it these days.
A beautiful mess. C’est la Vie is the most extravagant, loud and capricious thing I’ve seen from the 90s. If we were at school, I’d wear it with girls of striking style who sported unique accessories that no one else dared to use, yet looked perfect on them thanks to their strong personalities. Olfactorily, it goes hand in hand with voluptuous contemporaries like Tresor, Escada or Amarige, sharing that opulence and the era’s new fruity-floral concept. It has great affinity with Red Door; at times it reminds me of Maroussia. It is a loud, honeyed floral, although in Lacroix there is a high intervention of fruits. It’s like a ‘pretty’ aromatic mess because there is a constant struggle to stand out among neroli, orange blossom, a mauve iris, carnation and ylang (who dared to put these notes almost at the same level and together?!). It’s as if each note wanted to go through its olfactory door first without being able to do so orderly, heading off to the fight. They add fruits like peach, raspberry and pineapple doing the same. I must not forget the musk and amber which, to grab a bit of attention, have to stride over everything. It reminds me of the models wearing Lacroix designs in the early 90s with vibrant overlapping colours, several layers of fabric and eye-catching details that couldn’t go unnoticed; I imagine she tried to put that into her perfumes. It’s a shambles, but it suits her, it’s showy and goes with her. The notes are of good quality and the longevity and sillage are phenomenal; I think that ‘opulent mess’ tries to rebel with the personality of the scent. The dry-down is calmer, the notes after so much fighting get tired and make up, the fragrance seems more ordered. I love it. It’s not ultra-original, but it’s subversive enough to please me.
It is pure eccentricity in the form of a perfume.