Men
Dali Eau de Toilette
Acordes principales
Descripción
Salvador Dali's Dali Eau de Toilette is a fruity floral fragrance for women. Launched in 2011, the nose behind this composition is Alberto Morillas. The top notes unfold with African orange blossom, tangerine orange, and bergamot; the heart reveals magnolia, jasmine, and rose; while the base notes land with musk, woody notes, and vanilla.
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Comunidad
508 votos
- Positivo 76%
- Negativo 19%
- Neutral 5.1%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
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Uso recomendado
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Amazon
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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10 reseñas
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Garden of Aphrodite Dalí EDT: a precious fragrance that asks for attention. It seems to me a more modern, light, and soft reading than the original EDP; it offers a subtle and feminine sensuality that suits me better. They are two worthy and sophisticated classics. The opening is fresh with a vital citrus that yields quickly to the heart: jasmine softened by elegant roses and opulent magnolia, with a nod to bitter orange blossom. Then, musky woods and soft vanilla balance out. It is a creamy, fruity, floral, musky scent, a little talcum-powdery as it dries down, ending tender and romantic. Persistence is considerable for an EDT, about four hours, and the sillage is soft for two. The bottle, with those lips of Aphrodite by Dalí, makes buying it feel like collecting art. Recommended.
Garden of Aphrodite Dalí EDT: a floral jewel that deserves more attention. It is the contemporary, light, and soft version of its predecessor, the EDP; a subtle and feminine sensuality that I love. Both are respectable and sophisticated classics. It starts fresh with a vital citrusy touch, though it quickly moves to the heart: jasmine softened by elegant roses and sumptuous magnolia, with a trail of bitter orange blossom. It finishes with a woody, musky tone and soft vanilla. It is a creamy, fruity, floral, musky scent, a little talcum-powdery as it dries down, becoming tender and romantic. It lasts about four hours with moderate sillage. The bottle, inspired by Dalí’s lips of Aphrodite, makes buying it feel like acquiring art. Recommended.
Exquisite, sensual, and elegant. A bottle that is a work of art. The Dalí line captivates us and makes us want to build a collection, especially for those of us just starting out. If you like this one, the rest of the line will be to your liking; at least that has happened to me… even blindly, I have gone on to buy their other scents (floral, fruity, oriental, aquatic, etc.) and they have become my favourites, even putting aside perfumes that are much more expensive and advertised.
I bought it blindly because I wanted the little bottle that called to me in the 80s when I was young. First mistake: it is not for blind buying. Second: I didn’t realise this version was not the old eau de parfum but a new eau de toilette. At first, it smells like lemon soap, but it changes in ten or fifteen minutes. The first day, it reminded me of an old style, like Avant La Fête, a very popular cologne from the 50s that was still available until the 80s. After that, it didn’t happen again. It has been difficult for me. I sense the citrus notes but not the sweet orange or vanilla. It sounds bitter-sweet and bitter, like lemon tea, even though tea is not declared. I used it for a while without feeling comfortable until I understood: I was smelling it on a man. It is unisex, but leaning more towards masculine. I gifted it to a friend who, after debating, happily accepted it.
I bought it blindly because I liked the bottle in the 80s when I was young. First mistake: it is not for blind buying. Second: I didn’t see that it was an EDT and not an EDP. At first, it smells like lemon soap, but it changes in fifteen minutes. That first day, it reminded me of ‘Avant La Fête’, an Argentine cologne from the 50s that continued to be sold until the 80s. After that, the effect didn’t return; it is a difficult fragrance. I sense the citrus but not the sweetness of orange or vanilla. It sounds bitter-sweet and bitter, like lemon tea, even though tea is not declared. I used it for a while without enjoying it until I understood that I was smelling it on a man. It is unisex, but leaning more towards masculine. I gifted it to a friend who, after debating, happily accepted it.
It sounds like a delicate floral. The sillage is not strong, but the longevity is good (on my skin). I detect bergamot or jasmine, much more persistent than the citrus opening, mixed with a hint of soap or toilet water. The jasmine seems very natural, like when you smell a sprig in a room every now and then. I think it is hardly noticeable in winter; better to try it in summer.
It smells like a very fine little flower. It leaves no sillage, but it lasts quite a while on my skin. I detect a lot of bergamot or jasmine, much more than the initial citrus, mixed with a touch of soap or toilet water. The jasmine seems super natural, like when there is a sprig in a room and you catch the scent every now and then. In winter, it is hard to notice; better to try it in summer.
The salesperson showed me the Cartier Carat, with that gorgeous faceted bottle, and also the Dali EDT, with its iconic mouth but in a white, crystal version. Both share white musk as a key note. Although the Carat cost three times as much, it felt a bit rough and metallic to me; it didn’t convince me. In contrast, the Dali had a creamy, talcum-powdery, and citrusy side, which was much more pleasant. It starts with a fruity blend of orange and sweet bergamot, accompanied by a strong musk and a bouquet of white florals. It is exquisite; at first, I didn’t connect with it, but over time, I noticed that Morillas is paying homage to the Parfum de Toilette he created nearly 30 years ago. It is ironic because it doesn’t smell oriental; it is a very well-orchestrated clean white musk. Perhaps that almost imperceptible woody touch, or that combination of jasmine/rose/musk/vanilla, recalls some notes from the classic. It seems they wanted to create a clean, floral, talcum-powdery version, cutting out the oriental elements but paying tribute to the past. Morillas is a great nose, without a doubt. It has medium-to-low sillage and optimal longevity. It is very rich; pity it doesn’t get talked about as much.
On my skin, it opens with a citrusy note and a bitter touch that makes it a perfect unisex. As it settles, the rose fades away and the balsamic majesty of jasmine and gardenia emerges, a clean, soapy, and lively scent. Bitter citrus and woods alternate in intensity throughout the journey. The musk and vanilla are subtle; the latter gives the just-right sweetness to calm those wild citrus notes. The longevity outlasts the sillage, ending in a mix of woods, citrus, white florals, and sweetness, which is very interesting. It is an original fragrance.
On my skin, it begins with a citrusy touch and a bitter aftertaste that makes it super unisex. As it settles, the rose fades away, allowing the balsamic majesty of jasmine and gardenia to shine through, smelling of clean, modern soap. Bitter citrus and woods accompany the entire journey, alternating in intensity. Musk and vanilla are very subtle; the latter provides the perfect sweetness to tame those wild citrus notes. The longevity outlasts the sillage, ending in a blend of woods, citrus, white florals, and sweetness, which is very interesting. In my opinion, it is an original fragrance.