Men
Knowing
Acordes principales
Descripción
Knowing by Estée Lauder is a chypre floral fragrance for women. Launched in 1988, the nose behind this composition is Harry Fremont. The top notes include aldehydes, mimosa, rose, coriander, green notes, neroli, plum and melon; the heart is formed by patchouli, cardamom, iris root, cedar, bay leaf, jasmine, orange blossom, valley lily and Chinese orange blossom; while the base notes reveal oakmoss, patchouli, galbanum, vetiver, spices, sandalwood, iris root, amber and musk.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
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Dónde comprar
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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29 reseñas
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My mother’s idol… it is truly winter-appropriate! Very ladylike. When it first launched, it surely had rivals such as L’Art or P. Picasso.
One of my mother’s favourites and it suits her to perfection. With this, no one can pass you by unnoticed: it is potent and its trail is brutal. The flowers and fruits battle non-stop; it is overwhelming. If you want to attract attention in a delicious way, use it.
If applied correctly, it leaves an incredible trail that envelops you. It is supremely elegant and lasts a long time. Ideally suited for winter or going out at night.
Astringent, dry, cold and slightly powdery; it is like a layer of ground medicinal herbs on the skin, a sensation similar to Aramatics Elixir. Opening with metallic aldehydes, bitter coriander, vegetal mimosa and green (it reminded me of wormwood tree in winter and artemisia flower). I do not sense flowers, fruits or anything fresh. Towards the end, sandalwood soap and oakmoss with traces of warm amber and spicy notes. An old-school fragrance; I am surprised it is from the late 1980s, it seems more from two decades earlier. Sometimes it reminds me of Rive Gauche and Paco Rabanne’s Metal. Intriguing and overwhelming, it leaves me with too many herbs and a bitter taste in the mouth. Nevertheless, magnificent. On my skin it lasts 6 to 7 hours, being very potent for the first two hours.
An arid, dry, woody, resinous, spicy, penetrating, warm and voluptuous fragrance. It possesses a superb elegance that is evident everywhere. It seems as though Knowing chooses its wearer; it almost has its own personality, but when there is perfect chemistry, it is eternal love. It needs to be admired and combined with the luxury of the night and exclusive pleasures. It is impossible not to think of women in impeccable black tuxedos, empowered and in command of themselves. A gem from the late 1980s, contemporary with Paloma Picasso, Animale, Diva, Creation and others of the era. Knowing continues to shine as a superb and energetic star, true to itself.
An arid, dry, woody, resinous, spiced, penetrating, warm and voluptuous fragrance. Possessing a superb elegance that stands out everywhere. One could say it is Knowing who chooses her wearer, for she almost has her own personality, but when the chemistry is perfect it is eternal love. She needs to be admired and complemented with the luxury of the night. It is inevitable to think of women in black tuxedos, empowered and in charge of themselves. A gem from the late 1980s, contemporary with Paloma Picasso and others of the time. Knowing continues to shine like a superb and energetic star, true to herself.
Another baroque gem from Estée Lauder that adds to her distinctive fragrance necklace. Refined, elegant, dry and perfect, though it turns slightly sour after half an hour with a softness. Alongside others from the previous era such as Cinnabar or Youth Dew, it is becoming increasingly difficult to find them. This perfume deserves a 10 and is not ‘for ladies’; it is for a beautiful Woman or Man who keeps their perfume like a treasure. It smells of respect for perfumery.
A complex and opulent fragrance, a faithful reflection of the eighties trend for intense scents where a woman made a mark. It’s a Frenchified chypre aiming to capture the scent of a Blue Coast garden at dawn. Dry, woody patchouli stands out, paired with bright, spiced rose, combined with mimosa and neroli, creating an almost stifling floral bouquet. As it dries, the floral brightness fades into a glorious woody base. Longevity and projection are excellent; a few sprays last all day. I see it as more daytime than evening wear, powerful for personal enjoyment rather than seduction. It’s not mature; a young girl with personality can wear it without issue. It pairs well with a blazer or evening gown. Comparable to Sisley’s Soir de Lune, though Knowing is drier and more woody. For women who don’t want to go unnoticed. A good, intense fragrance.
Oppressive.
Suffocating.
Divine, yet so narcotic and potent that it’s unsuitable for hot climates, where it would be unbearable. It is perfect for cold or autumnal weather. It is majestic, haughty, and demands the confidence to wear it. Sumptuously elegant, stately, and impossible to ignore. Lauder perfumes are unforgettable, and this one is striking with a bestial intensity. A delicious, radiactively sensual bomb. It is very similar to Balenciaga’s Rumba and a little like Ungaro’s Diva.
I tried Knowing because reviews described it as mossy. In reality, it’s a complex, vintage, mature scent in the style of Paloma Picasso. It conjures an image of a woman in a 1980s tailored suit. It opens with intense aldehydes reminiscent of Chanel No. 5, followed by mimosa and cardamomo that recreate the yellow hue and texture of the flower. In the dry down, there’s a powdery rose, darkened by laurel and softened with sandalwood. I didn’t detect the moss, cedar, or vetiver needed for the earthy tone I was seeking. It’s not an easy fragrance and won’t suit every skin type. The trail is incredibly potent for the first hour before softening. Longevity is 8 to 10 hours.
One of my first encounters with retro floral cypresses. Unlike today’s perfumes, which are so flat, cloying and disposable, Knowing has layer upon layer of velvet curtains that must be slowly opened to discover who is wearing it. It is dusty pink, slightly bitter and mossy. Sobriety, mystery and elegance. It is not worn with tracksuits or pastel colours. Neither an influencer nor a trend-chasing girl would wear it. It does not sell itself; it is very introspective. I am eager for autumn to arrive so I can wear it.
One of my first encounters with retro floral chypres. Unlike today’s perfumes, which are often flat and cloying, Knowing unfolds like heavy velvet curtains, slowly revealing the person wearing it. It features powdery rose, a touch of bitterness, and moss. It conveys sobriety, mystery, and elegance. It doesn’t go well with tracksuits or pastel colours; neither would an influencer or a trend-follower wear it. It doesn’t sell itself; it is introspective. I can’t wait for autumn to wear it.
I wanted to try it because many reviews describe it as mossy. In reality, it is a complex scent, a powerful and mature vintage in the style of Paloma Picasso. It brings to mind a woman in a sharply padded blazer, 1980s style. It opens with intense aldehydes, like Chanel No. 5. Then the mimosa and cardamomo emerge; it recreates the yellow colour and cloudy texture of the flower. At the end, I notice a very powdery rose, slightly darkened by laurel and softened with sandalwood. Unfortunately, I did not find the moss, cedar or vetiver that would have given that damp earthy tone I was seeking. In my view, it is not an easy perfume nor one that suits all skin types. The trail is incredibly potent for the first hour, then it softens. Longevity is 8–10 hours.
Jean Kerleo, the nose behind Knowing, also created the legendary Patou Pour Homme, regarded as the best designer fragrance for men. The original design featured asymmetrical crests and white or black caps. Do you know what it is like to be in the woods in November? Soft mist, yellow leaves dripping essences over moss. Knowing is positive melancholy, a protective, liquor-like blanket, with dark earthy and floral scents. Heavily woody with cedar, accented by green and earthy touches that lend masculinity, making it suitable for a man to wear today. Golden honey radiates warmth and elegance. It is incredibly warm with a delicious fruity lift. The florals are like aged wine, full-bodied and deep. The dry-down is sensual, for a confident woman, probably over 25, though a young person with personality could wear it too. Easy to love if you give it a try.
While Beautiful is the dreamy sister in a white gown, Knowing is the black sheep: individualistic, sharp-tongued and intriguingly androgynous, evoking a black tuxedo, voluminous hair and delicate bracelets. It pairs well with heavyweights like Paloma Picasso or Coco Chanel. It opens with a dark, poisonous rose, a deep green floral chypre. It plays with masculine notes such as cardamom and laurel, adding earthy, natural patchouli and moss. There is a spicy facet of coriander and lily, yet its sweet aura of honey and plum softens it. The dry-down is oriental, with woods, ambered spices and an animalic base that makes you surrender. It is colossal, intoxicating and not for everyone. The new amber-brown formula is 50% of the original due to restrictions, but it remains more interesting than many current launches. Simply beautiful perfume!
If I had to define this perfume with one word, it would be: elegant. It is a strong scent without being cloying, dry and woody; for me it is more for night and day if you are in cold weather. I love it, it has a great trail and excellent longevity.
If I had to define it in one word: elegant. It is a strong scent without being cloying, dry and woody. For me, it is more for night or cold days. I love it; it has a great trail and excellent longevity.
This has been an unexpected surprise for me. I expected it to smell of rancid wood and an asylum, but my jaw dropped. It moves between the animalic side of Kouros and the Gentleman by Givenchy. It is not as feminine as I thought, a Lauder jewel that I never thought I would like.
A surprise. I didn’t know about it and thanks to a friend I was able to try it. I was surprised by the fragrance itself and that it is still available, which speaks volumes about it. I must say that when it was launched it must have smelled different, as some ingredients have been dropped due to restrictions. Nevertheless, it is powerful from the first moment. It displays a very distinct character, which I appreciate. It has that aldehyde opening reminiscent of Chanel No. 5, those that bring cleanliness and clarity to the floral notes. In all its complexity, a earthy, rough patchouli is perceptible, something I like very much; it is a fragrance with a robust body, far from absurd banalities and pastel colours. I can’t imagine a frequent user being assiduous at the game of appearances; I have in mind a ‘lady’ (not by age, but by attitude, confidence, elegance and firmness) who has more important things to do. It is a point of view; perhaps there is someone who doesn’t fit my imagination and enjoys this fragrance. In any case, the development is rich in nuances but difficult for me to identify, and perhaps that is better because it is the result that makes Knowing so attractive to me. I must say it is not for sensitive noses nor for users accustomed to excess, as it can be very uncomfortable for the person and their surroundings. Nor do I see it as a summer or spring product. I imagine the sensible thing is to approach it with an open mind, in cold seasons and on several occasions, even if only to know something away from the current trends.
I absolutely love it! I’m gradually falling for 80s perfumes. Does it remind me of 24 Faubourg by Hermès? Perhaps. I tried it on my wrist and was initially struck by it, but the dry-down is superb; it smells better as the hours pass. It’s warm yet striking at the same time, sensual for a woman, perfect for an autumn-winter dinner with a cool breeze. It lasts a long time and I feel the scent lingers even when I rub my wrists. I had to buy it because I’m so fond of it; I’m over the comments that it ‘smells like an old lady’—those people don’t know anything about perfumes. I’m not sure if it was reformulated, but it always seemed to smell this way. It smells like a wealthy woman, yes.
I LOVE IT! I am gradually becoming a fan of 1980s perfumes. Does it give me an air of Hermès 24 Faubourg? It might. I tried it on my wrist and it initially impacted me, but the dry-down is superb and the more time passes, the better it smells. It is warm yet striking at the same time, sensual for a woman, perfect for an autumn/winter dinner with a breeze. It lasts a long time and I feel the scent does not fade even if you rub it. I had to buy it because I loved it; I am over the comments saying it ‘smells like an older lady’; those who say that do not know anything about perfumes. I do not know if it was reformulated, but I feel it has always smelled this way. It smells like a wealthy woman, yes.
How is it possible I only just discovered this!
An eighties fragrance with an old-school designer touch, now within reach of any wallet, for strong women and also for postmodern men of the fourth sex. It’s a Cypriot floral with an aldehydic trail reminiscent of Chanel No 5; it passes through wherever it goes and lasts longer than a day without bread. Someone said it smells like a rich lady, and it’s not a bad analogy. Naturally, it’s not for silly girls, fans of CH slippers, or anyone under 35 or 40. Performance and projection are old-school: a minimum of 10 hours, a trail for 30 minutes, and it lingers on clothes forever until you throw it in the bin. It’s worth much less than any current rubbish yet is 100,000 times better than 95% of today’s designer perfumery. A real perfumazo. The equivalent for serious, mature gentlemen, in auntie terms, is Guerlain’s Heritage: La Résistance.
Stunning, dark, and murky. I wonder if the bottle has been stored for too long. It’s love and hate all at once; there’s no room for the lukewarm. This is for winter and night; I imagine it on a young woman in velvet, dense fabrics, and colours like burgundy, black, or navy. In short, it’s ugly and rich all at once. I can’t identify any notes, only darkness, but it’s unsettling and attractive. Difficult, rare.
One of Lauder’s great treasures: beautiful, rare, unique, and enigmatic. You either fall in love with it or hate it from the first sniff; it’s a pure explosion of sensations. It remains wonderful, though it’s not quite the same as before. Fortunately, this work of art has nothing of those pastely, cloying notes like currant syrup; it’s made for people with strong personalities, far from what social media and advertising promote today.
A work of art that deserves a little more care.
A total showstopper, an unforgettable fragrance that made me buy it again after years. Now I notice more spice and amber, and it certainly stands out.