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Narciso Eau de Parfum Ambrée
Acordes principales
Descripción
Narciso Eau de Parfum Ambrée by Narciso Rodriguez is an oriental floral fragrance for women. Launched in 2020, the nose behind this composition is Aurélien Guichard. The top notes reveal frangipani, ylang-ylang and white flowers; the heart is defined by musk and amber; while the base notes complete the olfactory pyramid with cashmere, vanilla and cedar.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
Frangipani (Plumeria)
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Corazón
Musk
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Base
cashmere
Comunidad
3,578 votos
- Positivo 73%
- Neutral 15%
- Negativo 12%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
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Uso recomendado
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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38 reseñas
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Narciso Ambrée has pleased me greatly, although it loses a bit of the classic Narciso Rodríguez essence. The opening of frangipani and ylang-ylang is delicious but not very original. After an hour, the tropical flowers blend with a sweet base of amber and vanilla. Today, with temperatures over 35 degrees, I didn’t notice the brand’s typical musk, only a very subtle touch at the end. This is my first review as there were no previous opinions, and I think it deserves more testing. I’ll save it for autumn or winter, when I suspect the musk will be stronger. Longevity was 8 hours with an intimate trail, except at the start when it projected well. Scent 8/10, Longevity 8/10, Sillage 6/10, Value 7/10, Versatility 8/10, Packaging 8.5/10. Haven’t bought it yet. Edit: Tried it again with less heat alongside Sun di Gioia. They’re similar, white tropical florals, but not too alike. Although the musk remains subtle, the comparison makes it more evident. Sun di Gioia smells better to me, though it doesn’t last as long on the skin.
Narciso Ambrée has knocked me out of the park, although it does drift a bit away from the classic Narciso Rodríguez essence. It opens with delicious frangipani and ylang-ylang—nothing groundbreaking, but very rich. After an hour, those white tropical flowers blend into a sweet base of amber and vanilla that takes over. Today, with temperatures over 35 degrees, I didn’t notice the brand’s typical musk, only a faint whiff at the very end. This is my first review as there were none before; while I think it needs more testing, I’ve saved the rest for autumn and winter, when I’m sure its musk will shine. Longevity was 8 hours with an intimate trail for most of the time, only soft-to-moderate at the start, all under intense heat. Scent 8/10, Longevity 8/10, Sillage 6/10, Value 7/10, Versatility 8/10, Packaging 8.5/10. Haven’t bought it yet. Edit: Tried it again with less heat alongside Sun di Gioia. They’re similar, white tropical florals, but not too alike for me. Although the musk remains subtle, the comparison makes it more evident. Sun di Gioia smells better to my taste, though it doesn’t last as long.
I was gifted a miniature and I’ve quite liked it. It has a rather addictive scent, like the other cubes, very characteristic of Narciso Rodríguez. Yes, it doesn’t feel so musky; I do detect the amber, and I think the colour conveys its scent perfectly. It’s very solar, almost like a fragrance that reminds you of tanning lotion in the summer. For me, it’s less exclusive than the other Narciso scents and also less potent, but delicious. On me, it lasts nothing, about two hours and right up against the skin. What a pity considering the price, as it’s certainly not an inexpensive perfume. Perhaps I’ll use it in the hotter months; now in autumn and winter, I’ll stick with Narciso EDP (the white cube) which I adore and lasts forever.
Someone gifted me a miniature and I’ve liked it quite a bit. It smells addictive like the other cubes, very characteristic of Narciso Rodríguez. It’s true it doesn’t smell as musky; I do sense the amber, and I think the colour conveys its scent perfectly. It’s super solar, almost like a fragrance that reminds you of summer tanning lotion. To me, it’s less exclusive and potent than the other Narcisos, but delicious. On me, it doesn’t last at all, about two hours and right up against the skin. What a pity with the price, which isn’t cheap. Perhaps I’ll use it in the hot months; now in autumn and winter, I stick with the Narciso EDP (white cube) which I adore and lasts forever.
It’s delicious, totally different from what we’re used to from Narciso, a very special floral.
I’m not sure if it’s my nose, but I get the impression it’s the dry-down of Hypnotic Poison Eau Sensuelle. Based on the notes, I suppose it was the ylang-ylang with white flowers and the amber with vanilla that reminded me of it. In my opinion, it’s very sensual. I’ve been pleasantly surprised and I think it will make it onto my wishlist.
Spend the day at the beach with friends or your partner. As evening falls, you head back to your flat, shower and dress up for an elegant dinner with cocktails. You can still smell the tanning lotion from the morning and the damp hair from the shower. This fragrance reminds me of that: a perfect musky, sun-kissed touch for summer outings.
I loved almost all NR perfumes, but this is an exception. I didn’t like it at all. I detect too much amber, and that note simply doesn’t suit my skin; it smells like sweat. I was gifted samples, but I’ll pass this time. The musk is very light, and I can’t smell the cedar or cashmere at all. It’s sweet; you can detect the vanilla and amber, which for me makes it a perfume without personality, rather bland. The longevity is average and the sillage is low. To repeat, it doesn’t stand out like its peers. I own almost all of them except the red and orange bottles. I’ll pass on this one too.
I love almost all NR perfumes, this is an exception: I didn’t like it at all. I sense too much amber and that note doesn’t suit my skin; it smells like sweat. I was gifted samples and this time I’m passing. The musk is very light, the cedar and cashmere are non-existent. It’s sweet, you can tell the vanilla and amber, which for my taste makes it a personality-less, boring perfume. It has medium longevity and little sillage. I repeat, it doesn’t stand out like its peers in the collection. I have almost all of them except the red and orange bottles. I’m passing this time too.
If you spend the day at the beach with people and get dressed up for an elegant dinner at dusk, this fragrance is your perfect companion. Even with the smell of tanning lotion and damp hair from the shower, it smells like that musky sun touch that lets you party in the summer.
I like it. It’s sweet, floral, intense, and delicate all at once. The dry-down is a very sensual sweetness.
At first glance, it seems simple, but you need to give it a few minutes to appreciate radiant yellow flowers, sweet vanilla, a light musk, a carnal cashmere note, and of course, prominent amber. In my opinion, it’s for warm climates. High longevity close to the skin.
Someone gave me a sample today at Druni and it was a total letdown. I’ve heard this a thousand times and I can’t tell which fragrance it is; it doesn’t smell like anything new. It’s a soft, wearable floral, but for this, it’s not worth paying what it costs. What a pity, I like the Narcisos so much…
I was given a sample today at Druni and it was a total let-down. I’ve heard this a thousand times and can’t see what’s new. It’s a soft, powdery, wearable floral, but for this, it’s not worth the price. What a pity, I absolutely adore Narciso.
A very rich yellow floral with a touch of vanilla 💖. Last and trail are moderate, with moderate projection too. Ideal for spring, autumn, and winter, best worn during the day. For some reason, I find the dry-down feels very powdery; as it’s soft, it doesn’t bother me much. It’s linear with no evolution, except for the trail which drops from moderate to soft. Its great merit is those yellow flowers that drive me mad and make it a sporty, all-rounder EDP.
Elegant and different! I liked it, but it’s a no-go on my skin. Smells lovely on paper, in the air, and on others, but on me, it’s something I simply can’t stand.
Ideal for spring and summer. I love powder-puff white flowers. It’s one of my favourites, I have its siblings: the black bottle (discontinued) and the red. I like all of them, but this orange bottle one I love, on my skin it remains beautiful, sweet and clean. Very good duration and projection. It has become my signature. I would buy it again without doubt.
Beautiful but annoying, I found it excessive and poorly balanced. At the start it’s an explosion of frangipani, musk, amber and vanilla, but too much, becoming tedious at the beginning. After two hours the projection is almost skin-level, it doesn’t persist, at least not on my skin, yes on clothes.
It’s a tropical musky floral, the most solar version of Narciso. It keeps the classic DNA but gives it a summery twist. At first the frangipani stands out, sparkling and cheerful, which then becomes more amber and warm. Sometimes I feel it smells like coconut water, perhaps due to the accord or my skin. Afterwards the flowers drop and a velvety, vanilla and sweet drydown remains without excess. It’s not another white floral of summer; it’s fresher, airy, elegant and clean. The bottle is gorgeous and the colour a success. It’s versatile, feminine, daytime and perfect for semi-formals, especially in spring/summer. Performance: 6-8 hours on skin. The projection isn’t well balanced; the first two hours it explodes and then drops sharply until becoming intimate, almost for personal enjoyment only. It’s true that I’ve been praised a lot after those two hours, so perhaps others smell it better on you than you do on yourself. In summary, a perfect purchase for this season. I’ll use it a lot.
Advice: do layering with Alien Goddess. Ufffffffff, the best of the best 🏝 🥥 ☀️
The first Narciso I tried was the white cube, blind and without doubt. It didn’t please me, it has a spicy and very adult opening, I gave it to my mother who uses it and leaves the floor clean. I gave it another chance with Ambree, also blind. It smells rich, recalls other florals and sun, but the trail and duration are a disaster. On my skin it goes in two hours and no one notices.
Lately I’ve been craving for a Narciso perfume I don’t like, as if I’m predisposed to try and end up thinking ‘finally, this is worthless’. The truth is it doesn’t happen. The one I don’t find fabulous I find interesting, and the one I don’t, as in this case, has a charm light-years away from what the rest of brands do. The Narciso Rodríguez line is today, and it’s been twenty years, of the least interesting in this designer sector. Before everyone did it; Chanel had its stamp, Guerlain or Saint Laurent theirs, Lauder, Dior… all of them, even if they let themselves be carried away by fashions, fitted perfumes into their style book. Now that doesn’t matter anymore; the idea that a perfume is the final complement to the ways of such or such a couturier, just as Picasso was abstract and Monet impressionist, bah, doesn’t matter anymore. The Diors were perfumes with lots of ornamentation, loaded and cheerful, but never scandalous. The Chaneels weren’t for everyone, though they made a chypre or a citrus water, in all of them nested some kind of austere luxury only for connoisseurs. The Lauders smelled of American millionaire, at first dirty, squashed, animalistic, then more floral and romantic, later woody and oriental. Now you can’t distinguish a Dior from a YSL from a Rabanne. They all smell the same. I think Chanel or Guerlain, and with many nuances, especially the latter, still retain a minimum, a little bit, a spark of respect for their history. And of the young houses, undoubtedly Narciso Rodríguez is the one who has created an entire olfactory framework where wherever you smell one of their perfumes, whether from ten years ago or a recent launch, you think ‘it’s Narciso’. Ambrée is nothing of my style, nor did it even seem to me to be among the best of the line, however it is an intoxicating perfume, one of those you savour like a delicacy. The opening is simply divine. A delicious swarm of peaches or apricots, satin, crisp, with velvet and silk skin, with texture of powder, of makeup. I’ve been trying for a while to reach the place where I smelled this before, until in front of my nose I saw it: scent cards. Those cards with faded prints and childish drawings that girls exchanged in the playgrounds in the nineties, all smelled the same, powdery, sparkling, fruity. That beautiful scent of perfumed watercolour is what Ambrée has at the start, in addition with the volume well high, sweeping all. I’ve been very keen on the task, smelling, smelling and smelling again. Damn, this has nothing to do with the cheapness the rest pulls out, this smells like a real woman. The matter is that the top notes as natural give way to the next ones, and the tone fades little by little to give way to other chords with inspiration from the Pacific, and look how much I don’t like them. A very evident frangipani, with its milky tenderness and floral, and for me the worst, a vanilla and hot cashmere also protagonists. In this case the vanilla doesn’t smell like three euros, it’s refined, but it’s not a vanilla as such. Narciso gives it its different point, it’s a furry vanilla, hairy, with a tiny touch of very soft exotic syrup, not reaching to be woody but it does have warm and spiky nuances, and the truth is I don’t like it. Finally the musk rests as first actor, something normal in the brand, which revolves around this note and its different interpretations, whether in its clean and soapy aspects or in the more sexual and animal ones. Here rests a hot musk with hints of liquor. It smells like the breath of someone who would have taken a crème brûlée. And not being anything too overwhelming or cloying it’s not something I like. The drydown has nothing to do with the gorgeous start, they are two different perfumes, a point to keep in mind for whoever gets excited about the perfume without letting an hour pass. In short a fragrance that without being to my taste takes the colours out of luxury brands with more history and pomp. Is it the milk? Is it a work of art? Neither one nor the other. It simply concerns a well-made flanker within the Narciso catalogue, in this occasion with the eye set on an exotic beach. And of course the carrier doesn’t wear clothes with logos or trend pieces, rather she covers herself with a pashmina in neutral tones while refreshing in the night of New Guinea or Malaysia. It doesn’t clash at all in its catalogue.
Lately, I’ve been hoping some Narciso would disappoint me, but it hasn’t happened. The ones that don’t enchant me still seem interesting, and this one, while not my cup of tea, is light years ahead of the competition. The Narciso Rodríguez line has been the only interesting thing in designer perfumes for twenty years. Once, every brand had its own stamp: Chanel, Guerlain, YSL, Dior… all fitting their style, even while following trends. Now, it doesn’t matter; a perfume is just a complement to a clothing brand, just as Picasso was abstract and Monet impressionist. The Dior scents were ornamented and cheerful, never scandalous. The Chanel ones were austere and luxurious for the initiated. The Lauder fragrances smelled of an American millionaire, first dirty and animalic, then floral and romantic, later woody and oriental. Now you can’t tell a Dior from a YSL or a Rabanne; they all smell the same. I think Chanel and Guerlain, especially the latter, still have a spark of respect for their history. And among the younger houses, Narciso Rodríguez has created an olfactory web where, if you smell one of his perfumes, whether from ten years ago or recent, you think ‘it’s by Narciso’. Ambrée isn’t my style nor the best of the line, but it’s intoxicating, something you savour like a delicacy. The opening is divine: a delicious swarm of peaches or apricots, satin-fleshed, crisp, with velvet and silk skin, a texture of powder and make-up. I tried to remember where I’d smelled this before until I saw it: scent cards. Those with faded patterns and childish drawings that girls swapped in the playgrounds in the nineties, all powdery, sparkling, and fruity. That beautiful, perfumed watercolour scent is what Ambrée has at the start, with high volume, sweeping everything away. I’ve been sniffing away, sniffing and sniffing again. Good heavens, this has nothing to do with the cheapness of the others; it smells like a real woman. Then the top notes give way to other chords with a peaceful inspiration, and look how much I hate those. A very evident frangipani, with its milky, floral tenderness, and for me, the worst, a hot cashmere and vanilla also taking the lead. Here, the vanilla doesn’t smell like three euros; it’s fine, but not the typical kind. Narciso gives it his point: it’s a furry vanilla, hairy, with a tiny touch of very soft exotic syrup, not woody but with warm, spicy nuances, and the truth is, I don’t like it. Finally, the musk ends up as the lead actor, which is normal for the brand, which revolves around this note in its clean or sexual facets. Here rests a hot musk with liquor undertones, smelling like the breath of someone who had a crème brûlée. It’s not too overwhelming or cloying, but I don’t like it. The dry-down has nothing to do with the opening; they’re two different perfumes, something to bear in mind. In short, a fragrance that, without being to my taste, makes luxury brands with more history look pale. Is it the milk? Is it a work of art? Neither. It’s simply a well-made flanker within the Narciso catalogue, with its sights set on an exotic beach. And of course, the wearer isn’t wearing logo-clad clothes or trendy items; she’s wrapped in a neutral pashmina while refreshing in New Guinea or Malaysia. It doesn’t clash at all in its catalogue.
A copy of Twilly for the first hour, by the way; that’s all it lasts; maximum two hours. Terrible. It’s my favourite signature; I have or have had all or almost all their perfumes, but this time total disappointment.
I tried it today after reading reviews and must say I liked it. It has a lovely opening and second phase; it’s a real perfume, well-made and smells expensive. The solar/summery aftertaste, octopus-like, edible type coconut or mango, comes and goes, but when you catch it, it’s pure glory. The rest varies between pleasant but conventional and those soft, sunny bursts, a bit raw, beautiful… yes, it does recall something summery but with class, not playful or cheap. The coconut note, if not too sweet, I like a lot (like Paula’s Ibiza) and here it has an interesting though slight touch that persists. The drydown is gorgeous (on paper) but less original. As I said, at times it loses its status as an expensive perfume to dilute into some sweetish something, but then it hooks you again with a tasty spark of realistic tropical fruit (like Omnia Paraiba). Estela would say it doesn’t have much sillage and performance is average, but as personal enjoyment for half the wear it’s a pleasure. Of all Narciso fragrances, it’s the most different from its family and notes. It could be a Givenchy or some Dolce & Gabbana. Edit: on paper it left, about five days later, a very soothing, crystal-clear, dry salty aftertaste, almost like Merveilles Bleue, which I suppose won’t perform the same on skin.
How sexy; undoubtedly my favourite in the Narciso line; I adore the feelings it gives me. With summer coming back, it’s sure to triumph. If I had a girlfriend, I’d buy it for her already, but now I’m taking it for myself for my mother, who’s turning soon, haha. I’ve just discovered another one that could be from the same family: it meets that musky base and a top note that gives it personality; it’s the ‘Off the Wild’ from Mancera, musk with strawberry, a delight. It’s not as refined or posh as the Narcisos, nor as worked over, but it projects and gives pleasure, delicious.
So sexy; undoubtedly my favourite from the line. I adore the sensations, and with summer approaching, I’m sure it will be a hit. If I had a girlfriend, I’d buy it for her straight away; for now, I’m taking it to my mum, haha, as her birthday is soon. I discovered another little while ago that could be from Narciso’s range: it has a musky base and something on top that gives it personality – it’s Mancera’s ‘Off the Wild’, musk with strawberry, a delight. It’s not as refined or posh as the Narcisos, but it projects and is a joy, delicious.
What a beauty. The musky opening won me over immediately, then it flows into florals before settling on vanilla. It’s not my top Narciso, but it’s a great perfume for those who love vanilla.
I had this perfume in mind for weeks, I’ve lived with a desire for yellow flowers for years. I’m one of the widows of Kenzo Summer, the best yellow floral perfume in history with the permission of Amarige. And just yesterday, on a crowded street, a tall woman in black emitted a halo of Amarige and it was the signal I was waiting for. I went for this cube and its promises of frangipani and ylang-ylang. The opening is very NR cube-like, but in moments the frangipani bubble grows, developing luxuriously and freely from other chords, then it calms and blends with a dry, distinguished vanilla, very feminine. It’s a delicate and elegant delight, a summer Anaïs with the balance of musky vanilla. It doesn’t carry the hint of sunscreen, nor do I find coconut, and definitely not the overwhelming musk of the NRs. However, it has a bit of everything mentioned and works very well. It’s ultra-feminine, modern and yet could have existed in the 90s, notable, it could be a signature perfume. Just for dreaming: if the cedar were accompanied by sandalwood, we would have found a depth that isn’t here. But we do find innocence, femininity, elegance, some clean musk, sweetness of flowers never gourmand, a proper women’s perfume, one of those needed in the air. EDIT: Yes, in its dry-down there is that elegant sunscreen hint, like Soleil Blanc; this fragrance grows with the temperature, delicious.
Rather than reviewing the perfume, I’ll comment on its longevity: it is remarkably long-lasting. The other day I met my mother and could smell it at moments, not invasive but quite present and full, not a dry-down but equal to the opening. I knew I had been out since the morning, so the perfume had been with her for about 10 hours, really surprising given how delicate the scent is. The bottle is from last spring and few sprays are applied. I explain this because I know this perfume has a reputation for not lasting, and my experience is radically opposite, especially since I don’t wear it myself but perceive the scent in people around me.
Excellent yellow floral and summer perfume. A super wow for this incredibly delicate scent. The frangipani and ylang-ylang combination conquers any nose and invites you to get sprayed. The musk isn’t the main or secondary player; it blends with the amber and vanilla, leaving a delicious and lasting dry-down. A marvel of the Narcissos and far my favourite. Don’t be fooled by the note pyramid; I wouldn’t categorise it as musky first and foremost. It’s more of a musky floral with vanilla. Very, very delicious.
I liked it at first, but its longevity is so poor that I was grateful not to buy the bottle, just a decant. It smells delicious but isn’t worth it if it doesn’t last at all, what a pity.
Absolute fan of this scent, I love it and can’t find a single objection.
A scent that goes very well in spring and summer. Yellow flowers combined with whites (neroli and neroli), although the whites stand out: frangipani and ylang-ylang. The yellows add hints of coconut and a ‘creamy’ sensation. Lots of musk and flashes of wood with a beautiful sweetness. In short: sweet florals, woody and clean thanks to the musk load. It’s a clean musk, different from what this house usually uses.
The best cube of narcissus, plain and simple. It lacks identity, but it’s very good. It’s hard to remember; it lacks a striking note to set the rhythm, but it’s enjoyable without more fuss. Balanced, airy, light, with good longevity of around 7 hours. It leans slightly towards Muller due to the cashmere base, just one airy and discreet note. I prefer Pure Musk (the white bottle): it’s cleanliness, young skin and elegance, like a second skin; this little cube is the layer you wear over it, soapy, floral, musky with light woody touches, nothing lordly, just what’s necessary to last. Scent 8/10 (if you like a subtle, talcum, amber floral). Longevity 7/10 (lasts 7 out of 10 hours). Trail 6/10 (short-distance floral). Value for money 7/10. Versatility 8/10. Packaging 8/10. It can be gifted blindly, I think to any age.
The first hour smells familiar, good, without surprises or harshness. After that hour, the blend of plumeria, neroli, ylang, orange blossom, sandalwood and cedar becomes noticeable, like the dry-down of Poème by Lancôme (mimosa, narcissus, neroli, ylang, orange blossom, sandalwood, cedar). Other notes distinguish one from the other, such as heliotrope in Poème, which gives it that elegant and powdery aspect. I stick with Poème. Some perfumes are history and part of our lives, unmistakable.
Narciso Ambrée comes out very strong, almost mosquito-repellent; I’m not sure if the ylang and cedar amplify this nose-breaking effect. Then it sweetens: a tropical, summery floral sweetness that the musk gradually densifies. On my skin, it’s a floral tropical wood with a typical musky base for the brand. I think that mosquito-repellent touch has flattened it compared to others in the range, which is why the price has dropped and there’s talk of discontinuation. I love it for any season; those floral woods with just the right amount of musk are dynamic, energising, and perfect all year round. It’s a ‘golden’ perfume full of positive energy.
A beautiful trail. From the ‘Plasticine’ family, this leans heavily towards the sweet and floral, reminiscent of frangipani with a touch of rose, all wrapped in a makeup powder that feels weightless. It’s charming and elegant. As it dries down, depending on the skin, it can take on a slightly vintage hue, giving an aged air that fades a bit over time.