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Passage d’Enfer

Olivia Giacobetti
Perfumista
Olivia Giacobetti
4.04 de 5
2,326 votos

Acordes principales

Descripción

Passage d'Enfer by L'Artisan Parfumeur is an oriental woody fragrance for men and women. Launched in 1999, the nose behind this composition is Olivia Giacobetti.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 26%
  • Primavera 24%
  • Verano 13%
  • Otoño 38%
  • Día 61%
  • Noche 39%

Notas clave

  • Salida Sin dato
  • Corazón Sin dato
  • Base Sin dato

Comunidad

2,326 votos

  • Positivo 79%
  • Negativo 13%
  • Neutral 8.2%

Comunidad

Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.

Propiedad

¿La tienen, la tuvieron o la quieren?

Uso recomendado

Estación y momento del día con más votos.

Dónde comprar

Compara tiendas verificadas para Passage d’Enfer y elige según envío, precio o disponibilidad.

Amazon

Amazon

Envío rápido

Entrega rápida y política de devoluciones conocida.

Ideal si priorizas velocidad y disponibilidad.

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Más opciones

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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1 reseña

Mostrando las más recientes primero.

  • I’m absolutely hooked. This is my first L’Artisan Parfumeur fragrance and I hope it won’t be my last. You have to rush to buy some of their scents as they seem to be discontinuing them soon. At first, I was looking for a connection with Passage d’Enfer and the infernal, but I didn’t quite get it. The adjective ‘celestial’ suits it much better. Its name refers to the Parisian street where the brand had its first headquarters many years ago, back when they couldn’t have imagined becoming part of the Puig family. Furthermore, on their website, they mention that ‘passage’ also symbolised the arrival of the new millennium. And indeed, this modern classic has been around for over 15 years. Like most fragrances I enjoy, it is quite contradictory. Its incense is neither warm nor burning, nor does it smell of church, smoke, or ash. It is white, clean, and translucent, with initial green and fresh notes. However, Passage d’Enfer remains mysterious and dark. Even though it is white and cool, it is also burning and sparkling, like a persistent candle illuminating a cold, gloomy room. In the dry down, the Somali incense is very noticeable; unlike other incenses, it smells green and fresh, like pine resin. Then an intense lily with white musk and cedar becomes increasingly present, blending with the incense and taking over the last two phases. Gradually, though less so than that combination, I begin to detect accords not listed officially, such as coconut, amber, white pepper, balsamic mint, and perhaps various resins. Indeed, one of the charms of Passage d’Enfer is that its apparent simplicity is relative. Being so arid, ‘pure’, and ‘fresh’, and in such an artificial, contrived way, I understand the criticism that it smells like funeral flowers, yet at the same time it strangely revitalises and euphorises me. It is more innocent than its name suggests, but it is best to try it before buying. For me, it could work very well as a daily fragrance, although there will be those who are surprised by such an ethereal scent (that is, if they don’t call it ‘funereal’). It has a fresh, sweet, and luminous side that is as intriguing as it is beautiful, but it is the beauty and freshness of white flowers cut several hours ago, yet emitting their most intense and profound aroma.