Men
Un Jardin à Cythère
Acordes principales
Descripción
Un Jardin à Cythère by Hermès is an aromatic woody fragrance for men and women. Launched in 2023, this composition features the olfactory signature of Christine Nagel.
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Comunidad
2,877 votos
- Positivo 69%
- Neutral 17%
- Negativo 15%
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Características
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Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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Reseñas
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32 reseñas
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Starts with a citrus explosion mixed with a salty pistachio scent, very curious. On the skin, that opening disappears quickly, leaving an oily aroma that doesn’t suit me. If applied near the mouth, the opening revives, so I imagine it would be more noticeable in areas that ‘sweat’. It’s a peculiar fragrance; I wouldn’t recommend buying it blindly.
The first garden without Ellena, which is why it has its special touch: the pistachio. It doesn’t smell like nougat or ice cream, but of the salty fruit you order with a Martini. It’s pleasant, not invasive, but very literal with the natural scent of the fruit. Curious to experience it. Hermès’ gardens continue to explore new horizons.
The newest in the line. You can smell the olive oil; the pistachio is warm yet fresh. My favourite has always been Sur le Nil, but this reminds me of a summer in Skopelos: fresh from the sea breeze yet warm at the same time. A great novelty.
The opening is a citrus bomb with a salty pistachio note, very curious. On the wrist, this top fades quickly, leaving an oily base that doesn’t suit me. If I take a deep breath, the opening returns, so I imagine that in areas where I sweat, that salty scent would be more noticeable. It’s a very peculiar fragrance; I don’t recommend buying it blind.
A pure energy citrus opening that yields to cardamom, the undisputed star. Unisex and fascinating; that green, stimulating start is on another level. The quality is exquisite, as expected from Hermès, and it never disappoints. It’s a rare fragrance that could become your signature if it defines you. I imagine it perfect on male skin, especially that cardamom note with the soapy base. It’s spicy, clean, and has its own character.
At first glance, unusual. It didn’t quite convince me, although it fulfilled reasonably well for a Hermès Jardin. At first, the pistachio screams, then it lowers in volume, but occasionally notes reappear that, let’s say, aren’t the most pleasant. A very different style from the rest of the collection.
A peculiar and different aroma. It smells mostly of olive oil. Don’t buy blindly.
I’m a fan of the line and have tried all the previous ones, so I wanted to try this as soon as I had the chance. The opening is an astringent mix of citrus and wood, very refreshing. It moves quickly, picking up a singular oily and salty hint, like soft olive oil, which becomes dominant while the citrus stays in the background. It maintains that oily scent all the time, but over time it becomes greener, reminding you of the real olive plant. The projection is very skin-like and the longevity is low: after three hours, I couldn’t smell anything. I found it a very interesting olfactory experience. I wouldn’t wear it myself, although I see it works better on men for informal or semi-formal occasions in spring/summer. I’ve never smelled anything like this and I think it’s worth it for lovers of woods, just for its peculiarity. Pleasant: 7/10 Interesting: 9/10 Versatile: 7/10 Original: 10/10
I’m a fan of the line and have had all the previous ones in my perfumery life, so I wanted to try it as soon as I had the chance. The opening is an astringent combination of citrus and wood, very refreshing. Quickly, it takes on a very singular oily and salty hint, reminiscent of mild olive oil, and increases until it becomes the dominant note, with the citrus very in the background. The composition maintains this oily scent throughout the duration, but over time it becomes greener, recalling the smell of a real olive plant. Its projection is very close to the skin and the longevity is low: after three hours, I couldn’t smell anything. It seemed to me like a very interesting olfactory experience. I wouldn’t wear it, although I see it as more masculine (it seems to work better with male chemistry) for informal or semi-formal occasions in spring/summer. I’ve never heard anything like this and I think it’s worth trying for wood lovers, even if it’s for its peculiarity. Pleasant: 7/10, Interesting: 9/10, Versatile: 7/10, Original: 10/10.
It’s not a cosmetic to smell sexy and attract attention (or is it). Without a doubt, this is an olfactory experience, a work of art, an expression of chemical and conceptual quality. It’s a unique, highly evocative aroma, capable of moving your mind and emotions to another place in a very vivid way.
On my skin, I sense something floral; although it’s citrusy and woody, it has a floral base. It’s very revitalising, unisex, and refreshing, with good longevity. I don’t sense pistachio, rather an unmarked salty note. It doesn’t displease me, but I don’t see it as my signature scent.
Citrus, wood, aromatic plants, and pistachio. This composition delivers on all its promises. I agree with @Coquita and others on that oily sensation in the heart phase. It’s a unisex aroma that conveys effortless elegance, but in an original way. On me, it has a moderate sillage and a longevity of about seven hours. Although I liked it and it didn’t displease me, that hint of olive oil hasn’t made me love it completely, so I wouldn’t include it in my collection. I recommend trying before buying. Scent 6.5/10, Longevity 7/10, Sillage 6.5/10, Value for money 6/10, Versatility 7/10, Packaging 8/10. Would I buy it again? No.
At first, I disliked it greatly; I found it too bitter and green for my taste. But after about five minutes, the notes blend better and it remains vibrant, citrusy, and green, though it becomes more oily, adorned with touches of pistachio. Although it’s not a sweet pistachio, it adds sweetness and balances the fragrance. Because of that oily touch, which reminds me of The Body Shop’s olive oil cream, it smells more like a luxurious body cream than a perfume. I see it as 100% unisex and versatile; for an EDT, the performance is acceptable (better than many commercial EDPs). I think it’s not for me and I wouldn’t buy it, but I do appreciate the creativity and I’ve never heard anything like this. The Hermès Jardin collection might suit you or not, but it never leaves you indifferent.
What a rich fragrance! It’s distinct, refined, fresh, and green, between oranges and pistachio. Delicate and addictive. A flawless creation. Medium longevity, normal sillage. A personal and elegant perfume. I want it.
It’s as if it mixes a Le Petit Marseillais body gel with an Oliva Mítica Garnier mask. And what a delight! It’s a light injection of nutty fruit, with a citrus opening that shifts to a creamy phase. And there comes that pure fantasy pistachio! I love when perfume houses create deceptive replicas of nature: their vision of how a rose or almond smells isn’t exact, but it creates a familiar, edible, and comforting scent. This Cythère by Hermès has more personality than Lagune or Sur Le Toit, though less than the unsurpassable Un Jardin Sur Le Nil. But no worries. I’m intrigued by that oily pistachio caress, one of my favourite notes. The flicker of Petit Marseillais comes and goes, giving that sensation of something known, tender, and pure well-being. Cythère isn’t surprising, but it’s lovely, luminous, and dreamy; it manages to put me in a good mood with its Mediterranean touch, like an open window with a clay vase and billowing curtains.
A perfect child between a Le Petit Marseillais gel and an Oliva Mítica mask. Without that being a bad thing. It’s a light injection of nutty fruit, with a citrus opening that moves to a creamy phase, until that fantasy pistachio arrives. I like when houses create deceptive replicas of the natural, their vision of how a rose or an almond smells: they don’t nail realism, but they create a familiar, edible, and comforting scent. This Cythère has more personality than others in the family (Lagune or Sur Le Toit) but less than the unsurpassable Sur le Nil. But it doesn’t matter. I’m intrigued by that oily caress of pistachio, one of the notes I appreciate most. The flicker of Petit Marseillais comes and goes, maintaining that feeling of something known, tender, and pure well-being. Cythère isn’t surprising but it’s lovely, luminous, and dreamy; it manages to put me in a good mood with its Mediterranean touch, an open window with a clay vase and billowing curtains.
At first, dry down, it smells citrusy, fresh, and clean. But on the skin, it changes radically: here it’s bergamot, green leaves of bitter orange (a bit bitter but rich), a perfumed oil, and wet earth. I know these aren’t the official notes, but that’s how I perceived it. As for the pistachio, I only noticed something salty and dry.
Thank you for feminine fragrances that differ from the rest of the extraflorals and sweets. It is an olfactory marvel: dry, citrusy, dense, and with personality. It smells of a hot summer, perfect for warm nights and casual wear. Correct longevity for its use. A 9/10, especially for its originality.
On the skin, it’s a pistachio bomb, turning it into a super-original garden alongside Monsieur Li and La Lagune. Just be aware that its longevity is very short, unfortunately.
I feel a great love for this perfume. From the moment it emerges until it disappears (too soon, but not as fast as most Jardins), it envelops you like the sea on a Greek island: the olive blossom scent predominates, with that oily, creamy, and woody sensation. It smells of golden grass, sunlight, and morning wind: in short, a sunny and unique experience, just like the other Jardins.
I love this perfume. From the moment it sprays until it disappears (too soon, though not as quickly as other Jardins), it envelops you like the sea on a Greek island: the olive blossom dominates, with an oily, creamy, and woody sensation. It smells of golden grass, sunlight, and morning breeze; a sunny and unique experience, just like the other Jardins.
Upon application, I sensed a pleasant citrus note that unfortunately faded very quickly, leaving only the wood. I didn’t like it as much as ‘Un Jardin sur le toit’, my favourite. It reminded me of my childhood, walking past a timber yard on the way to school. It feels very masculine; I love the bottle, but I wouldn’t buy it.
At first, I was horrified by that heavy pistachio and marzipan opening, but as it dissipated, it left behind a breathtaking beauty. It’s like the sun breaking through the clouds. Although dryness usually isn’t my thing, here it’s an argument in favour of how beautiful it can be. It is incredibly elevated and earthy, soapy yet dry, very contained and radiant. It makes me love thistles, plough stones, and yellowing grasses. Who would wear this? A dryad in summer.
I must say that at first I was horrified by that heavily loaded marzipan-like pistachio opening, but as it dissolves, it leaves a breathtaking beauty. It’s like seeing the sun rise between the clouds. Dryness usually isn’t my thing, but I think this is a very convincing argument of how beautiful it can be. It’s extremely elevated yet earthy, soapy yet dry, very contained and radiant. It makes me love thistles, the stones left by the plough, and yellowed grasses. Who would wear this? An Oread in summer.
A true gem, one of the most original, addictive Jardins with excellent longevity. It is entirely unisex and true to the house: exquisite raw materials, sublime balance, and a soft elegance that tells a story. It’s fine that not everyone likes it; let’s keep the secret of this lesser-known treasure. Regards.
A marvel, one of the most original gardens, addictive and with good performance. Completely unisex. It meets the house’s principles: exquisite raw materials, sublime balance, soft elegance, and it tells a story. It’s good that not everyone likes it; let’s keep the secret of this little-known jewel. Salu2
A marvel. I’m fascinated by the pistachio note and the balance of all the notes is perfect. I feel serene yet energised. It’s a subtle beauty that wins you over when you take notice; elegant and discreet, yet it creates an addiction that makes you smell your wrist over and over. It evokes a summer breakfast or dinner with soft sunlight. Many find it challenging, but give it a try and don’t dismiss it at first sniff.
They gave it to me for my birthday; I’d smelled it at El Corte Inglés and finally it’s mine. As I desired, I’ll try to be objective. The opening is toasted pistachio with lemon, though on my skin the lemon lasts through the entire evolution. It’s a clean, soapy, sweet lemon, not acidic, trapped in woods with oily pistachio. It doesn’t evoke freshness for me, so although many use it for summer, I wear it daily at the office.
Back to her after a year, tired of vanillas and cherries. Upon rediscovering her, what a beautiful scent: a pleasant citrus with tender herbs and a delicate freshness. It feels friendly and affectionate, like wet lemon peels under the morning’s soft light. A necessary delight after so much tonka bean and praline. A beautiful Hermès Garden.
A gem that blends the warmth of pistachio and almond with very sophisticated citrus. Although it’s called citrus, what predominates is the wood, olive and nuts, giving it a unique scent. For me, it’s the luxury version of Bruma 62 and they go perfectly together. 100% recommended.
Recommended to me and bought it blindly, but after testing it in-store I realised it wasn’t for me. The citrus opening is brilliant, but as it evolved into that salty pistachio and olive scent, I had to dash to the loo. It gave me nausea on my skin, so I wouldn’t recommend buying it without smelling it first.
A friend recommended it, so I ordered it online without testing it first. While waiting, I tried it in-store and, unfortunately, didn’t like it. Not only did I dislike it, but I couldn’t stand it and had to go to the bathroom to wash my wrists after an hour. I enjoyed the citrus opening, which evaporates quickly, but when the salty pistachio with olive wood arrived, it was too much. It simply didn’t work on my skin; it gave me nausea. Truly, I don’t recommend buying it blind.