Men
Dali Parfum de Toilette
Acordes principales
Descripción
Dali Parfum de Toilette by Salvador Dali is an oriental floral fragrance for women. Launched in 1985, the nose behind this composition is Alberto Morillas. The top notes include aldehydes, incense, cloves, fruity notes, basil, green notes, bergamot and mandarin; the heart notes are narcissus, lily, jasmine, neroli, mimosa, lily root, rose, valerian and orange blossom; the base notes are benzoin, myrrh, amber, sandalwood, oakmoss, vanilla, cedar, musk and patchouli.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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15 reseñas
Mostrando las más recientes primero.
Category:
A gem of perfumery, unfortunately categorised as a perfume for older women. A delightful aldehydic scent, with woody, deep, liquorish, and amber notes… intoxicating. Originally for women, but for me it can be unisex. My father liked it so much that the one I gifted my sister that he wants one too! This fragrance is that intense!
If I were to define my current relationship with it: ‘expectations crisis’. My first encounter was in 1992 with Venezuelan Miss World Ninibeth Leal gifting fragrances. My mother got the Salvador Dalí EDP. I remember it as narcotic and intoxicating, with monstrous sillage, but with good taste. It was discontinued until a few months ago when I saw it and bought it blindly. I was drawn to the ‘parfum de toilette’ on the box, but it said a lot… it has been reformulated and reduced to a broth. A hybrid pretending to modernise without losing its imprint, but it doesn’t deliver. Repressed and half-hearted, it pretends to be majestic but is a pale reflection. Its longevity and sillage are diminished; sometimes it’s imperceptible. It reminds me of the opening of Vanderbilt with traces of Cabochard and a bit of ‘golden rain’. I would not buy it again. It hurts to witness the war crime they commit against gems. Another ‘majestic star’ that is now just a memory.
If you’ve ever tried this fragrance, you’ll never forget it. It’s an opulent, deep oriental that, when worn, draws the attention of everyone: elegant and exotic to the point of excess. Its opening is very marked by the aldehydes, frankincense and cloves with a fruity touch; the citrus notes are barely noticeable, but the fruit seems bathed in liqueur, just as Pabloso says. Then, in the heart, amber, sandalwood and benzoin highlight the narcissus flower, creating that rich blend of spices and woods that makes it sumptuous and creamy, with a base of woods and spices. What a wonderful perfume; even today I’m surprised that at 18 I felt comfortable wearing something so intense and mature. If I could wear this vintage, I’d be the happiest woman, because the current Dalí has been excessively reformulated and no longer gives me the same sensations. It brings nostalgia, like a Dalí painting that a mad fanatic has splashed with acid. Please, return its magic and dignity.
Anyone who has met this fragrance never forgets it. It is one of the best, an opulent and deep oriental that drew everyone’s attention. Elegant and exotic. Its opening marked with aldehydes, incense, clove, and some liquor-soaked fruit, with almost imperceptible citrus. Then came the amber, sandalwood, and benzoin, highlighting the narcissus—a rich combination of spices and woods that made it sumptuous and creamy. What a wonder; at 18, I felt comfortable wearing such an intense and mature perfume. Today, I would be the happiest woman using that vintage, because the current Dalí is excessively reformulated and doesn’t give the same sensations. It brings me nostalgia; it looks like a Dalí painting that suffered an acid attack. Please return its magic and dignity.
A mysterious fragrance. I must clarify that the original formula had a beautiful moss note, more woody, with higher-quality myrrh and benzoin. There’s a nod to Byzance or Tabu, but Dalí has its own character. The current version leans more towards florals with narcissus and jasmine at the forefront. I don’t perceive moss or woods; it feels more powdery with a subtle spice. If you don’t know the original, it seems interesting with vintage touches and an amber imprint, high doses of narcissus and spices. Between the two versions, there wasn’t a radical change, but the quality dropped and the notes were redirected, perhaps to mask the inability to use true moss or good spices. The current version is acceptable, but if you can find the old one, it’s better 🙂
I love it! I find it similar to Bulgari Jasmin Noir.
A collection of art… What a sexy, sensual, and elegant scent! Men smell it and there’s no age limit for a compliment. It’s oriental, fruity-floral, and woody, all balanced. Dalí is perfect. It’s not just for older women; it suits a young woman too, but especially at night or on a romantic date, as it would be intrusive during the day. It suits someone more mature better.
A collection of art… and what’s more, sexy, sensual and above all elegant! Men smell it and there’s no age that prevents a compliment. It’s an oriental, fruity-floral, woody scent, with everything in its place and in balanced quantities; Dalí is perfect. It’s not just for ladies as mentioned; a young woman can wear it well, BUT especially at night or on a romantic date, as for the rest of the day it would be intrusive or strong; that’s when it suits someone more mature better.
I have a vintage miniature. At first, I found it harsh, so I used it sparingly. Today I applied it again, and it’s a gem. Initially, it hits aldehydic, then incense and clove emerge, delicious. Minutes later, the fruits appear, followed by flowers at the hour mark, and gradually the oriental, amber, and elegant vanilla notes unfold. Incredible how it develops. It’s sad that iconic perfumes are eliminated or reformulated. Yes, reformulate them into things that induce diabetes, but keep the original formulas.
I keep a vintage miniature. When they gave it to me, it seemed very strident and I left it half-used. Today I wore it again, and as others say, it’s a jewel. At first it hits with an aldehydic punch, but immediately frankincense and cloves stand out, delicious. Minutes later the fruits emerge, and after an hour the flowers appear and gradually the oriental scents, amber and an elegant vanilla, arise. Incredible how it develops over time. It’s sad that they delete or reformulate iconic perfumes like this. I say, if you want to reformulate towards perfumes that induce diabetes, do it, but also keep the original formulas.
Reminds me of Cinnabar (I own the reformulation and they share notes). Dalí is more wearable; while both have that plumbing note, it’s less pronounced here. The transparent EDT is another world compared to this amber EDP. They are distinct perfumes with different notes. Its sillage is reduced, so I might wear it in summer. I’m not convinced by dividing fresh scents for summer and orientals for winter; the Middle East is hot, and spicy notes fit well there. An oriental with low sillage in summer isn’t overwhelming, and if you get close, it smells of amber and spices over tanned skin. I find it unisex, especially as it dries down.
I love it; it was my first perfume and I miss it dearly as it’s no longer available here. It is a perfect floral scent.
I love it, it was my first perfume and I miss it, as it’s no longer available here. It’s a perfect floral scent.
It’s one of the SD fragrances that hurts me the most to disappear; it’s a beautiful vintage, elegant yet wearable, one of the florals my grandmother wore with such grace and that I’m sure today she would love to wear. I got it with great effort, hoping it lasts forever in my collection. It’s a dreamy aldehydic amber.
A vintage gem from SD that it hurts to see lost: elegant, floral, and wearable—the exact style my grandmother wore and which I’d love to use today. I hunted it down with great effort to secure it for my collection. A dreamy aldehydic amber.