Men
Dolce&Gabbana
Acordes principales
Descripción
Dolce&Gabbana by Dolce&Gabbana is a floral aldehydic fragrance for women. Launched in 1992, this composition was created by Jean-Pierre Mary and Martine Pallix. The top notes unfold with aldehydes, basil, citrus, ivy, mandarin, freesia, and bergamot; the heart reveals carnation, calendula, coriander, orange blossom, lily of the valley, jasmine, Bulgarian rose, and lily of the valley; while the base notes settle on sandalwood, vanilla, musk, and tonka bean.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
aldehydes
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Corazón
carnation
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Base
sandalwood
Comunidad
4,949 votos
- Positivo 78%
- Negativo 20%
- Neutral 2.7%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Dolce&Gabbana y elige según envío, precio o disponibilidad.
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eBay
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Útil para comparar alternativas antes de decidir.
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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40 reseñas
Mostrando las más recientes primero.
Category:
D&G is a very sensual and classy aldehydic. Its opening is almost aggressive in intensity, but soon it becomes a floral oriental that gets sweeter. Its musky scent is refined with citrus accords that are less acidic, more floral, soapy, and powdery. It feels like nothing in a sea of carnation petals and white flowers (I’d say there’s neroli among them, though it’s not listed in the notes) alongside lots of sandalwood, warm, creamy, soft, with hints of vanilla. A delight. It might seem clean and fresh due to its green and citrus notes, but above all, it’s a passionate, burning, very Mediterranean perfume, more so than Light Blue and all its flankers combined. I suppose it represents Italian character and elegance stereotypes very well. What a pity it was discontinued in 2012 and is so hard to find now.
I adore this perfume; it’s truly spectacular. Longevity, sillage, a combination of floral aldehydic notes that achieve a unique elegance and sensuality.
I had the enormous luck of getting a 100ml tester. On the side of the bottle there’s a white sticker saying made in Germany, but at the bottom there’s another smaller transparent sticker with gold letters saying made in Italy. I’m happy I managed to get it.
Age: 30 years and over. I didn’t like it a bit; it’s over the top trendy and I find it neither sexy nor sensual whatsoever. I recommend not buying it blindly. NOT WORTH IT.
No, no, no. I received it as a gift and it seemed like a pile of trampled dry branches. I didn’t like it at all.
This perfume came to my hands as a gift, but whoever gave it to me missed the mark completely. I remember it as an extremely strong scent, as I was 16 or 17 and I didn’t like it at all, so I gave it to my sister. Many years have passed and I haven’t smelled it again; perhaps now I would… I don’t know.
Marvelous, baroque, histrionic, with a sparkling and tipsy sweetness, in the style of someone who wins the lottery and goes mad buying things. A wonderful vulgarity. The first Dolce & Gabbana perfume is the caricature of an Italian woman filtered through Hollywood: passionate, scandalous, seductive, and a bit headstrong. Let’s not judge it without context. In the nineties, it was the equivalent of all those froutchoulis you love so much today. I’m sure lovers of burnt caramel and vanilla syrup would have found it delicious. And they did. It can be generic (sandalwood, tonka, vanilla in the base) but without trying to be anything else. I love it, especially decontextualised in 2017; wearing it is an act of audacity. Bravo to the woman who does it. It goes hand in hand with Classique by Gaultier.
I own it and I admit it’s not one of my favourites. It might sound egotistical, but when I wear it, people praise it immensely. There’s something about it I don’t fully like, but it doesn’t smell bad. The comfort is that after hours of wearing it, it becomes dusty and sweet. I’ll finish the bottle but won’t wear it again or I’ll give it to my best friend.
One of the most intense, elegant, and projecting perfumes I’ve ever tried. D&G is super elegant, full of nuances, with a strong and overwhelming personality. It smells of lots of sandalwood, clean soapy aldehydes, carnation, vanilla, tonka bean, and herbal notes with a citrus base. It gives a sensation of cleanliness, as if the notes were touched by the sun. I recommend using it with moderation because it’s very intense and can be overpowering if you overdo it.
It’s the scent of a chapter in my youth… although over the years I’ve gravitated towards more floral fragrances, I always make space to wear it and mentally time travel back to my twenties. It was either discontinued or reissued, making it a nightmare to find, and despite having a full bottle, I was lucky enough to find a place that still stocks it.
What a pity that perfumes of this type end up being discontinued. Once you could use a perfume, buy it again, use it, and make it your own within your collection; now the trend is fast and ephemeral: you buy the fashionable perfume of those Christmas seasons, and shortly after the one in fashion for summer, and so on. You never have your own perfume because they delist it to run mega-campaigns that make more money with a trendy fragrance than creating one that a few loyalists use. Alas, gentlemen of the perfume industry, your intentions are clear.
I found it yesterday in a shop; this perfume (after being delisted in Spain for years) was a wonderful reunion. I loved it, but after years without it, I had forgotten. Just smelling it again brought back my love for it, so I bought it. It is strong with a clean scent and old soap, fresh yet with oriental longevity and projection, a perfume for any occasion, cold or warm, any age, with an eighties/nineties vibe. Why did they delist it? What nonsense! Does anyone know if it is still sold in Europe? D&G, I love you.
I used this perfume for many years, especially in winter; I adored its clean scent and people always asked what I was wearing, as it gave a very neat appearance. I deeply regret when they discontinued it, as my tastes were very austere: this perfume in cold periods and the Eau de L’Amour in summer. Well, after it was delisted, my search for a similar fragrance began, and here I am, accumulating many bottles of all kinds, but I still haven’t found anything that gives me the joy this exquisite perfume once did. If anyone knows how I can obtain it, I would appreciate it if you shared the information.
Very good for me, a clean scent and long-lasting.
We’re in ’92; the year you were born. I was fourteen years ahead of you in a life filled with uniforms, nuns, protocols, and ‘tens without ones’, a day-to-day existence with more tears than laughter. I was Alice in Wonderland and you my heroine. Like a lavish bouquet of flowers, I hid behind you; your floral incense camouflaged me in an air that, when it became unbreathable, your magical aldehydes rescued me and crystallised me in your essence. In my perpetual silence, you accompanied and sheltered me like the red velvet cape of Bram Stoker’s Dracula; you were Bécquer’s poetry and all of Poe’s mysteries combined. You were my Fujur; in the endless saga of mornings when I fought to ensure Artax didn’t die buried in the swamps of sadness. Dolce & Gabbana helped me with a powerful, unique oriental, whose bravery, strength and audacity were the antithesis of my fourteen-year-old self (what a disaster…) that gave me petechiae in my soul and made me feel I could walk with fireworks beneath my feet. Today I don’t want the dead tears to resurrect from their digestion; I only want to remember, with a smile firmly in place, that my greatest rebellion was wearing such a carnal sin in a rigid world of rectitude, where even a glance through the window pane was crucified. Thank you, Dad.
A very pleasant scent that my partner likes more than I do; apparently, gentlemen tend to favour it. My perception is that it is soft, muuuuy soapy, smelling like your hands after washing them with plenty of soap. It is rich. I also detect the flowers delicately, not overwhelmingly, but the overall sensation is one of soap and cleanliness. The longevity is moderate, around five hours on the skin; I apply about six sprays to enjoy it better. Its use seems suitable for daily wear or for sleeping in, not for events as it would get lost among the crowd. It can be used perfectly in the office; it is not overpowering.
Oh no! I owned it and it was a mistake to follow only the decanter. On my skin it smelled like a heap of old, dried roses.
A classic from this brand. Elegant and with a delicious aroma, but its poor longevity on my skin led me to gift it. What a pity.
Potent, seductive, elegant and mysterious. This perfume is a classic that, despite so many years, still retains a strong and complex structure. The opening features 80s and 90s aldehydes, but not the heavy ones we’re used to; it is very feminine and lasts for hours.
Spectacular perfume, a true example of what we’ve lost with current trends, which are going terribly wrong. The scent is difficult to define: upon trying it, I thought of red berries (which it doesn’t contain), until I recognised the aldehydes, the carnation, the coriander and the white flowers. It is incredibly sensual, stands out greatly and makes the wearer shine. It brims with quality and craftsmanship rarely seen these days. The longevity is enormous and the trail is excellent, so a few sprays are more than enough. I see it more for the evening, where its magical mysteries blend with the moon. Quality, longevity and sillage that are seldom found today, sensuality beyond doubt. It smells like the finest soap there is. I keep two bottles I managed to find like gold in a cloth; if you find one at a decent price, don’t hesitate and get one. Wonderful.
It is a floral perfume with an old soap scent. The aldehydes it contains, though slightly prickly, are very pleasant (or at least in my opinion). It has quite a distinct character.
What a sublime fragrance, it was my favourite; for years I clung to this perfume and refused to change it.
It brings back many memories as it was always my aunt’s perfume; I love it, what a pity it is no longer sold, but a girl wearing it… the man passing by stops dead in his tracks. It is among the best ever made in women’s perfumes, what a pity that today they do not follow that path when manufacturing them.
Time travel thanks to Ziggy, among the most beautiful and famous perfumes that are no longer available. Absolutely beautiful, the very essence of femininity without veering into vulgarity. D&G was the epitome of their philosophy: sensuality intertwined with Italian Bella Vita. In the 90s, D&G for Woman was everywhere: executives, secretaries, shop assistants, housewives, and waitresses used it to shine at night. In my memory, it remains the scent of democratic female hope, regardless of age, ethnicity, income, or postcode. For those living on the other side of the department store aisles, it was a touch of accessible glamour. It is sexy, strong, clean, and charming, impressive and sensual, like a woman who puts on makeup, heels, becomes pompous, a goddess, full of roses and dirty thoughts. It has reminiscences of the 60s-70s style with potent aldehydes at the start. It is an ideal symphony for grand nocturnal performances, not just for ‘heart assassins’ in red dresses. The rose is magnificent, in full bloom, but never falls into the cliché. Despite its restrained sweetness, it is hard to imagine on a man; I go mad for sexually brazen perfumes. Against this real rose, the jasmine, otherwise unsurpassable, sees nothing. Only heliotrope and sandalwood take the baton for a pleasant conclusion to this olfactory flamenco. If you smell it on suitable skin, it steals your senses, enchants you, and you are lost in the sweetness of a night of love and passion. It embodies the sensuality Dolce and Gabbana wanted to represent then, something irremediably lost with time. It is a bitter loss, as the new version has nothing to do with the original.
A perfumery classic, handmade and steeped in history. It begins fresh with aromatic citrus and a spicy touch of aldehydes, then moves into a softened Mediterranean floral accented by vanilla and tonka. It did not follow the minimalist trend of ozonic florals nor did it become ubiquitous in my city. It embodies perfect Italian elegance for hot days, with a subtle vanilla-floral aroma. I gifted it to my mother when it launched and she adored it; it looked wonderful for daytime outings and errands. I viewed it as a daytime scent, perfect for sunny days with mild temperatures. The gift was a success and I was very pleased. A good fragrance, but test before buying: in my opinion, it is not for seduction, but for projecting elegance and attitude.
It has a deep, explosive aldehydic intensity, almost soapy, and I believe they pulled it from the market for that very reason. The bursts leap between pompous flowers and impossible aldehydic highlights. It is a very vintage scent that I understand belongs to another time, but it pains me that it no longer exists. It reminds me of Poison and a brazen Number 5. It must be tested on skin as it is powerful and scandalous. Perhaps they will reformulate it by softening the aldehydic aspect to make it more accessible. I hope so, as there is no room to loosen the reins on perfumes with personality.
The first time I smelled it, I thought it was floor cleaner, but over time I got used to it and ended up liking it.
A little treasure from the 90s, the golden age of perfumery. It is delicious, feminine, and neat, suitable for all ages. I use perfumes from that era because the new generation seems to me equally matched, lacking great compositions and longevity. I recommend it, even if just to try it.
A perfume with immense personality: warm, floral, and rich in nuances. Another discontinued gem! What a pity for those of us seeking distinct, sparkling scents with true identity. I loved it.
I read that it had been discontinued, but I spotted it at the El Corte Inglés on Castellana, on the DG website, and at several online perfumeries.
This is my mother’s signature perfume. The scent is unique and not for everyone. I love it, but it suits people with a strong, elegant and powerful personality better. If you don’t have that personality, the perfume takes over. I recommend it for women aged 27 and above; it doesn’t suit younger girls, unless they like elegant perfumes.
What a perfume! Unique and powerful, I agree that it’s not for everyone: it’s for a woman who imposes herself, is confident and isn’t bothered by drawing attention. It suits her better in the cold; it might result in being unbearable in the heat. A wonderful purchase.
It’s one of my fetish perfumes. I keep finding it online and I’ve used it since the day it was released. The truth is that almost all my perfumes are discontinued; Gem by Van Cleef happened the same way, and the one I keep finding is Casmir by Chopard. They’re all from the 90s.
The best perfume that has ever existed and will ever exist, what a pity it’s discontinued. It’s unique; it transports me back to my 16-23 years, to many compliments, to my first love and to many memories.
I was gifted this perfume when my first daughter was born in 1995. Although it was the opposite of my perfume back then, it made me abandon that one and fall in love with it. It’s synonymous with elegance, sophistication and good taste; with it, you don’t go unnoticed. It has an intense, acidic opening that in minutes turns into sweet, vanilla wood without losing strength. It has a wide trail, lasts all day and has good longevity. It’s for women with character. I hope to get it again; I have a little bit saved because it’s discontinued.
What a delight! Smelling it transports me to Salamanca, the city I adore. It was one of my perfumes at university. I found it in El Corte Inglés and see it’s also on the D&G website. I love aldehydic scents and this one awakens positive emotions in me; I’m sure I’ll buy it again.
It smells like soap, freshly showered, clean as a unisex deodorant, although it sounds more masculine to me. I could use it like my sister Light Blue, but it doesn’t say anything special to me. I’d only see it for summer, during the day.
How does one explain this fragrance? Out of over 300 perfumes, this is one of my favourites. For me, it’s for a woman who has arrived, not for teenagers: cheerful, friendly, warm, confident, clear-headed and very distinguished. It’s an emotional bomb. It’s super elegant (what a wonder the basil is!), feminine and usable all year round, though in summer with three sprays. For the day, only for special events, but in the evening in spring it’s divine. It smells of aldehydes, basil, lily, freesia and sandalwood with musk; I barely notice the citrus. It’s intense, so use a little, although if you want to bathe in perfume, it doesn’t invade too much. The trail and projection are fantastic; it lasts a minimum of 12 hours. A real gem.
DG is sweet but not over the top, with very prominent woody lily of the valley, a green touch and aldehydes over lots of vanilla and musk, all on top of sandalwood. It lasts 8-10 hours with medium-to-high projection. It’s refined, nocturnal and seductive; it suits women with a defined personality perfectly. Try it, but don’t buy it blindly.
I went absolutely crazy for this perfume from the very first spray. At first, it gave me a bit of a shock, but it quickly transforms into something incredibly cheerful: citrus with tangerine and bergamot at the peak of freshness. It lasts for ages and is ideal for summer; it’s now one of my favourites of the season.