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Eau Parfumee au The Vert

Marca
Bvlgari
4.03 de 5
2,384 votos

Acordes principales

Descripción

Bvlgari Eau Parfumée au Thé Vert is an aromatic citrus fragrance for men and women. Launched in 1992, the nose behind this composition is Jean-Claude Ellena. The top notes include bergamot, cardamom, lemon, coriander, orange blossom and mandarin; the heart notes are formed by jasmine, lily of the valley and Bulgarian rose; while the base notes reveal green tea, musk, cedar, sandalwood, precious woods and amber.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 4.7%
  • Primavera 40%
  • Verano 46%
  • Otoño 10%
  • Día 89%
  • Noche 11%

Notas clave

Comunidad

2,384 votos

  • Positivo 82%
  • Negativo 11%
  • Neutral 6.9%

Pirámide olfativa

Estructura completa de la fragancia: de la salida al fondo.

Comunidad

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Propiedad

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Uso recomendado

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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27 reseñas

Mostrando las más recientes primero.

  • Smells like well-fresh tea with a hint of lemon; ideal for those who want to feel clean and impeccable. It feels astringent and relaxing to me.

  • Annabel Lee

    I totally agree with azuriiita’s review! Eau Parfumée au Thé Vert smells like green tea with a hint of lemon, and in my case, also woods and roses… and what roses! A delight. Based on the notes I expected something super fresh, and yes it is, but I didn’t think it would result so feminine on my skin. It’s the same that happens to me with CK One, which although it’s unisex, I have the luck that the floral notes stand out much on me. This Bvlgari goes straight to my wishlist 🙂 Update: I wrote the review based on a sample I received of this perfume but now that I have it, the truth is I perceive it differently. I no longer detect almost the roses that I had liked so much. I still agree with azuriiita regarding the freshness, and now also regarding the astringency of the scent. Definitely unisex, I would love to smell it on a man.

  • Annabel Lee

    I totally agree with azuriiita! Eau Parfumee au Thé Vert smells of green tea with lemon, and in my case also of woods and roses… what roses! A treat. Based on the notes I expected something super fresh, and yes it is, but I did not think it would be so feminine on my skin. It is the same with CK One; although it is unisex, on me the floral notes stand out a lot. This Bvlgari goes straight to my wishlist 🙂 Update: I wrote this review with a sample, but now that I own it, I perceive it differently. I hardly detect the roses I liked so much anymore. I still agree with azuriiita on the freshness, and now also on the astringency of the aroma. Definitely unisex, I would love to smell it on a man.

  • I love it! It is fresh, clean, a wonder. I think I would buy it in large bottles if they were sold. A classic that never goes out of fashion.

  • oloralluviadeverano

    I totally agree, it smells of green tea with lemon. It is fresh but, in my opinion, it lacks something. It reminds me of bath colognes and I do not feel entirely comfortable… I would not buy it.

  • oloralluviadeverano

    I totally agree, it smells like green tea with lemon. It’s fresh but for my taste it lacks something, it reminds me of bath colognes and I don’t feel entirely comfortable… I wouldn’t buy it.

  • KEEP CALM & Relax… is an olfactory oasis, fresh yet not citrusy or cold. If tranquility had a scent, it would be The Vert de Bvlgari… it brings immediate well-being. The green tea base dominates, with a touch of neroli or orange blossom typical of children’s perfumes… it always maintains a pleasant, decent, kind and comforting profile. While perfect for formal or mature women, it lacks complex or heavy notes. It is harmless, clean and very easy to wear. USE: All year round / day wear only / ideal for daily use / formal and informal / cosmopolitan or rural settings. Perfect for escaping stress in fast-paced times. BOTTLE: A 6. The bevelled top recalls a cut stem or rough quartz, considering Bvlgari is jewellery. It is a simple bottle, fitting the concept, but a little generic.

  • Monsieur Paon

    Simply an exquisite treat for the nose. Very fine, elegant yet fresh and relaxed. I still remember my trip to Italy, I only used Eau du Thé Vert. Wonderful.

  • Monsieur Paon

    A pure delight for the nose. Exquisitely fine, elegant, fresh and relaxing. I still remember my trip to Italy and used only Eau du Thé Vert. Incredible.

  • Cleanliness and freshness, based on green tea and lemon, with even the unmistakable scent of lime coming through. Elegant, sophisticated, imposing, with great personality, nothing scandalous, and leaves a very good trail… without a doubt the best of the Bulgari range… Ideal for a summer evening at the spa.

  • To feel fresh and/or relaxed, perfect for a day at the beach or leisure in any location. A soothing scent as refreshing as a delicious iced lemon tea with a subtle musk undertone. It’s a fragrance you don’t need to fear over-applying, as it softens considerably after 30 minutes, sitting almost skin-scented, yet the olfactory perception lasts for at least four hours.

  • Geno Guerrero

    Clean fragrance, performs exceptionally well in hot climates or tropical settings. I adore green tea, but this works equally well with cardamom, so in my view it leans towards the masculine side. Acceptable longevity and good sillage.

  • With Thé Vert by Bvlgari, the house kicked off that saga which it later revived by adding new members. This is an institution: in the mid-nineties, it realised that family colognes could be sharpened simply by boosting them with more refined notes and putting them in a pretty bottle to give them the appearance of something expensive and sophisticated. And that’s exactly what it was. Bvlgari’s green tea was a costly, refined product, plus it endures like those items that outlast every trend and become classics. I admit I have a love/hate relationship with it. I like it, it’s amusing, but I wish I liked it even more. The culprit is that impressionist, Provençal brushstroke by Ellena, that watercolour taste of vivid colours, which later unified his Jardins for Hermès, a line I detest. With Bvlgari, twelve years earlier, in pure, hard-nosed nineties, and with a perfumery in general that paid little attention to quality colognes beyond Roger & Gallet, it seems he was already experimenting with what he would later develop at Hermès, his master touch: a slimy, vinegary, fruity and spiced finish. Those very same chords I find in the Jardins seem to nest here, accompanying the tea. Bvlgari’s tea actually carries tea, the green, revitalising kind that lifts your spirits and comforts you, that very tea used on demand at the turn of the millennium and seemed to illustrate with its scent that the twenty-first century was already here. It is an absolutely unisex note, and the change of century was very androgynous. I can’t help but think it suits a man better, but I’m sure I’m influenced by what precedes it, and truly it is an ingredient of no gender whatsoever. As I said, there is green tea here, the unoxidised kind with fresh leaf green, but it’s not a standard green tea, solitary, with its fair dose of coughing and sweetness; this is accompanied by a super-yellow lemon in the opening, to the point where you ask yourself whether this should be called Thé, Citronella or Verbena. When the lemon lowers its flag, the green tea shines, the kind we all know and have used at some point in our lives, whether in an expensive version or a supermarket body fresh. It’s a nice tea, refined, as natural as it can possibly be because it’s a note I always find slightly artificial, the same goes for mint and basil; this is a tea set in fine citrus with very notable spice chords with a certain comfortable exoticism, coriander and cardamom. There is also an obvious verdifloral harmony, cool and muguet-like, and a tangerine/orange, which I see as very low in general perception, but to my nose it sits quite high. Is it ugly? No, it’s a very nice tea, it seems to lean towards the feminine, then it wants to remind you of a man; in the end it is a fragrance of very rich cleanliness suitable for both sexes. Bvlgari’s tea is a summer refresher made with tea, obviously, but also with many sparkling, sulphurous spices and seeds, varied citrus peels and a current of freshly unpeeled white flowers. A scheppes of tea with more things. At the time it was very novel and I perfectly understand the reason why it sold like hot cakes: because it smelled like something new, modern, cosmopolitan and exquisite. And besides, you could wear it daily. Now comes the reason why I don’t quite enjoy it… it sickens me. And look, it’s not an absolutely sickly perfume, but it also has a very dated finish that wants to remotely associate it with a popular cologne sold by the litre in Spain, Chanson d’Eau by Coty. When I search for green tea, always in my opinion, I want green tea. And good grief, I prefer the tea Dana released at the end of the nineties in its Herbissimo line for a thousand pesetas, which was wonderful and exactly the kind of tea I like, one with memories of cisterns and dampness, of private orchards crusted with lichens and irrigation ditches, a mystical tea that made me think of something monastic, sheltered from the world and very spiritual, rather than this one, five times more expensive. So my appreciation of this fragrance is only influenced by my personal taste, in which I already catch a glimpse of the Ellena stamp, that luminous, slimy, grating brushstroke that I’d run away from if I had legs. I say it with a full mouth: I prefer the entire Roger & Gallet line by the litre, with its rough, refreshing, revitalising quality, a well-understood sweetness, rather than everything Ellena signed for Hermès, some sticky, spiced-fruity citrus waters with a horrible acidic sweetness for my taste. It certainly deserves its fame. PS. Arden has the more affordable option, Green Tea, I don’t like it at all, I find it super artificial, and it’s not a money issue because I use colognes cheaper by the gallon. PS II. Long live the Herbissimo tea, if you see it don’t hesitate, it was a green tea of exquisite austerity, the tea Santa Teresa of Jesus or any young, weathered writer could have used, who by twenty already knew clearly that this world is a pigsty they throw us into to suffer in.

  • With the Thé Vert by Bvlgari, the house launched that successful saga which would later expand years down the line. This is a classic: in the nineties, they realised that family colognes could be given a finer touch and put into a pretty bottle to look expensive and refined. And they were. Bvlgari’s green tea was costly and sophisticated, plus it lasts like those products that outlast trends and become classics. I have a love-hate relationship with it. I like it, it amuses me, but I wish I liked it more. The culprit is that impressionist, Provencal touch by Ellena, that vivid watercolour flavour which he later unified in his Jardins for Hermès, a line I hate. With Bvlgari, twelve years earlier in the hard nineties, and with a perfumery that didn’t pay attention to quality colognes beyond Roger & Gallet, it seems he was already venturing what he would later develop for Hermès, his master touch: a slimy, vinegary, fruity and spiced finish. Those are exactly the chords I find in the Jardins, seeming to nestle here accompanying the tea. Bvlgari’s tea carries tea, the green, revitalising kind that lifts your spirits and comforts you, the very tea used on demand at the turn of the millennium and seemed to illustrate that the twenty-first century was already here. It is an absolutely unisex note, and the change of century was very androgynous. I can’t help but thinking it suits a man better, but I’m sure I’m influenced by what precedes it and truly it is a genderless ingredient. As I say, there is green tea, unoxidised and with the fresh leaf green, but it’s not a solitary green tea with its just dose of coughiness and sweetness; this is accompanied by a super-yellow lemon in the opening, to the point of asking yourself if this should be called Thé, Citronella or Verbena. When the lemon drops, the green tea shines through, the one we all know and have used at some point, whether in an expensive version or a supermarket body fresh. It’s a pretty tea, refined, as natural as it can be presented because it’s a note I always find something artificial in, the same happens to me with mint and basil; a tea set in fine citrus with very notable spice chords with a certain comfortable exoticism, coriander and cardamom. There’s also an evident verdifloral harmony, cold and muguet-like, and a tangerine/orange that I see very low in general perception, but on my nose it sits quite high. Is it ugly? No, it’s a very pretty tea, seems to lean feminine, then wants to remind you of a man; in the end it’s a fragrance of very rich cleanliness suitable for both sexes. Bvlgari’s tea is a summer refreshment made with tea, obviously, but also with many sparkling, sulphurous spices and seeds, varied citrus peels and a current of freshly unpeeled white flowers. A scheppes of tea with more things. At the time it was very novel and I perfectly understand the reason it was sold like churros: because it smelled like something new, modern, cosmopolitan and exquisite. And besides you could wear it daily. Now comes the reason why I don’t fully enjoy it… it sickens me. And watch, it’s not an absolutely sickening perfume, but it also has a very much-of-its-years finish that wants to remotely relate it to a popular cologne sold by the litre in Spain, Chanson d’Eau by Coty. When I look for green tea, always in my opinion, I want green tea. And it’s madness, I prefer the tea Dana released at the end of the nineties in its Herbissimo line for a thousand pesetas which was wonderful and exactly the kind of tea I like, one with memories of summits and dampness, of private orchards crusted with lichens and irrigation ditches, a mystical tea that made me think of something monastic, sheltered from the world and very spiritual, before this, five times more expensive. So my appreciation of this fragrance is only influenced by my personal taste, in which I already catch a glimpse of the Ellena stamp, that luminous, slimy and squeaky brushstroke that I lack legs to run away from. I say it with full mouth: I prefer the entire Roger & Gallet line by the litre, with its rough, refreshing, revitalising thing, a well-understood sweetness, before everything Ellena signed for Hermès, some sticky, spiced-fruity citrus waters with a horrible acidic sweetness for my taste. It certainly deserves its fame. PS. Arden has the more affordable option, Green Tea, I don’t like it at all, I find it super artificial, and it’s not a money issue because I use colognes cheaper by the gallon. PS II. Long live the Herbissimo tea, if you see it don’t hesitate, it was a green tea of precious austerity, the tea Santa Teresa de Jesús or any young old writer could have used, who at twenty already clearly knows this world is a pigsty thrown at us to suffer in.

  • One of my favourites for summer, very fresh. I feel the scent does not last long on me; I would like it to be more enduring.

  • One of my favourites for summer, very fresh. I feel the scent doesn’t last long on me, I would like it to be more long-lasting.

  • This fragrance was the prelude to my romances with green tea scents, seriously, I love them! This particular one presented itself very elegantly and fragrantly, with that necessary freshness to make me feel comfortable and a bottle so simple and of such a beautiful colour that it was impossible to resist. I must admit it was a gift because in my country it is extremely expensive for my meagre wallet. I have not owned it for a long time and truly I would love to have it back to enjoy it as I did that time. I accept that its longevity was very light, but its magical mixture makes me dream of it and remember it with vehemence.

  • This fragrance was for me the prelude to my romances with green tea scents, seriously… I love them!. This particular one presented itself very elegant and fragrant, with that necessary freshness to feel comfortable, with that simple bottle and such a beautiful colour that it was impossible to resist. I must admit it was a gift as at least in my country it is extremely expensive for my meagre wallet. I haven’t owned it for a long time and truly I would love to have it back in my power and enjoy it like that time, I must accept its longevity was very light, but its magical mixture makes me dream of it and remember it with vehemence.

  • It has everything I like and more: it is fresh, green, citrusy, crisp, clean, and tranquil. I notice it has something special; I let my boyfriend, who prefers very sweet scents, smell it, and he still liked it. It transports me to a sunny day in a beautiful green field.

  • I used to wear this fragrance when my mother wore it during my adolescence; I remember that particular green colour of the glass and its distinctive cap, but above all its unmistakable scent. I think it is very difficult to capture the purity, the freshness, and that sense of tranquillity that inhabits nature. To create Bvlgari Au the Vert, Jean Claude Ellena wanted to play with the ‘green tea notes’. As soon as I spray it, I feel soft tones of lily of the valley/jasmine mixed with a shy bergamot. Everything is restrained; the notes are not suppressed, their delicate and subtle side is shown. There is a prominence of citrus, but without being sharp. Ellena twists the composition so the notes wander between powdery, fresh, and clean. It advances until one of the perfect tea notes in perfumery is born, with millimetre touches of cardamom and coriander that are skillfully tamed here. The orange blossom is more perceptible than the rose, but neither takes the throne from the verdant tea. The musk in just doses makes it more authentic. The soft woods sparkle at the end, wrapped in that creaminess of the tea and florals. It is so well geared that all the notes form a perfect unity. Nothing is dominant; everything is a ‘Whole’. It is for a summer or winter day, so versatile that any gender can wear it. The projection is moderate to light and it settles quickly close to the skin, with correct longevity. Review based on a 90s miniature. Going out into nature with it generates suspicion among the plants, amazed that something chemical could capture their attention. A work of art.

  • It is a pleasant and well-crafted unisex fragrance that smells like luxury hotel soap. I have already smelled it a thousand times, but I cannot remember where. On my skin, the main notes are green tea with a little coriander, and finally, the musk. It is very soft, unisex, more suitable for hot months, and perfect for the office or informal occasions. That said, it is not very long-lasting and hardly projects. Pleasant: 6/10 Interesting: 6/10 Versatile: 9/10 Original: 5/10

  • I bought it while pregnant because I could no longer tolerate strong scents, then used it after my son was born and it worked well. It is a very soft perfume, one of those that does not bother anyone. It is a fresh green tea, but not citrusy, rather powdery, with a touch of sophistication. The downside is the longevity, very short at 2 to 3 hours, and its trail is very soft, close to the skin.

  • What a lovely and pleasant scent!! I liked it very much; it comforted and cheered me up when I felt it on my skin. It feels distinguished and softly neat. I was ready to buy it, but it did not last long enough for the price it has.

  • It is one of the most elegant fragrances I have ever encountered. I discovered it because the owner of a luxury resort in the Caribbean was wearing it. It is fresh but has a special aura of green tea with a milky touch. It is ideal for summer, although it can be worn all year round. The important thing is to combine it with the full range it offers: shower gel, cream, and deodorant. Then you smell wonderful. It is clean, fresh, and has a trail. It is not sensual, but it gives you great personal power, very recognised among women.

  • Silviavivi

    I searched for this The Vert de Bvlgari for a long time until I finally found it in a famous perfumery in Córdoba, on the shelf of baby fragrances (I nearly died of embarrassment). I must admit it lacks much projection and stays close to the skin, but I adore its beauty. It makes me feel elegant. I enjoy the finely talcated green tea, a soft fresh rose, and a spicy, woody air. On my skin, it doesn’t evolve much, staying consistent until the end. By chance, I smelled a national fragrance called Viajera de Cardón that seems like the rebellious version of this: same opening of tea, spice, and wood, but with a creamy lavender heart. It projects more, reacts to heat, and lasts until the next day. For its price, I can wear it every day without anything envying the Bvlgari.

  • Daniel Henderson 77

    With a little blush, I confess I only recently discovered this fragrance. Although it has been on the market for years, my 18-year-old daughter found it during a recent trip and insisted I try it. What an exquisite scent… soft, delicate, fresh, and even seductive. I loved it so much that we ended up buying it; she adores it, and I enjoy wearing it too.