Men
Fleurs d’Oranger
Acordes principales
Descripción
Fleurs d'Oranger by Serge Lutens is a floral fragrance for men and women. Launched in 1995, the nose behind this composition is Christopher Sheldrake.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
Comunidad
4,077 votos
- Positivo 78%
- Negativo 16%
- Neutral 6.1%
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
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Dónde comprar
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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18 reseñas
Mostrando las más recientes primero.
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I like this perfume even more than Elie Saab’s. I love wearing it in spring and summer. It lasts a long time on the skin and men usually find it fascinating. It’s a very natural scent that transports you to a walk among orange trees. For me, it’s amusing because the orange blossom aroma reminds me of Roscón de Reyes, that sweet Christmas treat. On 5th January, you can imagine which perfume I wore.
Fleurs d’Oranger is captivating and romantic, like strolling through an orchard full of orange trees. It is one of Serge Lutens’ best creations; I adore it because it lasts for several hours. When I first bought it, it cost $130, but now it’s more affordable, so I picked up two bottles. It still lasts incredibly long.
Although not a true soliflore, the orange blossom note is the most realistic I’ve tried; it avoids that sticky, artificial quality often found in such scents. This makes it one of the finest florals available—a truly unforgettable experience that everyone should savour.
The truth is, when I went to the Serge Lutens stand, I ignored this perfume; in my subconscious, a white floral couldn’t be so expensive. But one afternoon walking my German Shepherd, next to a friend, I said: ‘Ana, what perfume are you wearing?’. She replied: ‘Fleur d’Oranger by Serge Lutens’. Suddenly, my pupils dilated… it exuded softness and warmth, it’s a halo for whoever wears it… so tender, so different. It’s a very well-made job. It has a linear scent, a dance where the notes accompany the protagonist, the bergamot very natural. Is it worth paying what it costs? For me, it’s a resounding YES, this is buying art.
To be honest, at the Serge Lutens stand I initially ignored this perfume; in my subconscious, a white floral couldn’t possibly be so expensive. However, one afternoon while walking my German Shepherd, a friend asked me what I was wearing and I replied: Fleur d’Oranger by Serge Lutens. Suddenly, my pupils dilated: it radiated softness and warmth, a halo for whoever wears it, so tender and unique. It’s a very well-crafted scent, linear, like a dance where the other notes accompany the star, the very natural orange blossom. Is it worth the price? For me, an emphatic yes—this is buying art.
I ordered it solely because of what I read about the notes, and I’ve loved it!!!! It’s floral, light citrus, and very feminine. Between neroli, jasmine, and bergamot, I don’t know which dominates; it seems they blend creating a new flower that smells like all three without highlighting any. It’s wonderful. Ex lenté, projection, and fixation are very good.
I ordered this perfume solely based on the notes I’d read, and I’ve loved it. It’s floral, light, citrusy and very feminine. Between neroli, jasmine and orange blossom, I can’t tell which one I smell on my wrist; it’s as if they blend together to create a new flower that doesn’t smell exactly like any of them individually. It’s wonderful. Excellent projection and longevity; it’s going very well.
For orange blossom lovers: it’s a delicate, soft, clean and cosy floral. The fragrance is rich in natural essences and persists with a sweet scent without becoming cloying. It’s a daytime scent, ideal for people of all ages with an informal yet classic style. Lutens creates fragrances with few, well-defined notes so they can truly shine. It’s a bit pricey, but the quality and craftsmanship justify the cost. On my skin, it smells of sweet, macerated orange blossom with excellent performance. It evokes peace and cleanliness, like orange fields in spring. Excellent work by the Sheldrake-Lutens team.
For lovers of bergamot: it’s a delicate, soft, clean, and welcoming floral. Rich in natural essences, it maintains that sweet scent without cloying. Ideal for wearing at any age, with informal and classic style. Lutens makes few notes well defined. Homme!!!! is expensive, but the quality and craftsmanship pay off. On my skin, it smells of sweet, macerated bergamot… and the performance is very good. It generates tranquility and a pure sense of cleanliness. With the heat, it reminds me of orange groves in spring. Good work by the Sheldrake-Lutens team.
I close my eyes and am transported to a different world, distant yet real… I visualise a huge bergamot tree in a Moroccan patio with arches and vegetation playing with the light. Tiles, tesserae, and a pool. It’s all colour. The tree catches the eye, narcotic and fragrant, accompanied by jasmine and neroli. The wind brings the aromas at will, intertwining flowers with that spicy touch of spices that perfume the fabrics. It’s a soft blend of cumin and nutmeg that gives dimension to this semi-oriental signature without taking away from the floral hegemony. Some might find the spicy base annoying, but for me, it elevates the fragrance. It was created in 1995 for the exclusive line, more musky then, and since 2003 it’s sold in its rectangular bottle. The current reformulation pleases me greatly; it has high longevity and medium projection that becomes light. The opening is strident, a complex white floral. It’s transgressive, with its own personality that needs considering. I love it, it evokes travel, and it’s a delight.
This is the perfume that receives the most compliments of all I own. It’s incredible, but every time I wear it, someone asks about it and insists on writing down the name. And I, whose vanity gets the better of me, tell them the name without hesitation. Because when people flatter me on a perfume, I get an incredible rush 🤣🤣🤣
A colleague of passion gifted it to me, selling me her previous batch prior to the reformulation, and how beautiful it is. It’s the most beautiful bergamot I own. It’s natural, elegant, and simple, almost a sweet soliflore with subtle spicy nuances that don’t overpower the flower. It will only please lovers of outright florals, but I’ve loved it. It has good trail without being invasive and lasts more than 12 hours on the skin, eternal on clothes. It makes me feel elegant, clean, and feminine without being loud. I wear it happily to work because it conveys joy and serenity. It’s a must-have. I hope the reformulation doesn’t change much. Scent 10/10, longevity 10/10, trail 10/10, value for money 9/10, versatility 8.5/10, packaging 8/10. Yes, I would buy it again.
Fleurs d’Oranger is an ode to neroli, a sweet and refined floral that enchants. Although there is bergamot, the neroli is the star, enveloping in an ambered atmosphere with a touch of intriguing cumin. It suggests earthly sensuality, almost the scent of sweat in intimate moments, but without being eccentric; it’s elegant and sublime. There’s something waxy that gives it texture. I wear it and recall a golden spring afternoon, perfect and magical. The fragrance comes alive, intensifying every nuance. It evokes attraction and serenity, a poem that transforms: it can be a fiery kiss or a fleeting caress.
An exaltation of bergamot. It’s a classic soliflore that worships the most beautiful, dense, and evocative flower I’ve ever smelled. It doesn’t stay in innocence; it’s slightly honeyed, caressed by a carnal cumin yet without vulgarity, all balanced with a luminous cleanliness. A perfect dance between desire and purity. The performance is excellent, up to Lutens’ standard. I agree with everyone, but @Selene’s description said it all with exactitude. I couldn’t say more than posting a photo and that phrase about the desert flower.
THE EXALTATION OF ORANGE BLOSSOM. A classic-cut soliflore paying homage to the most beautiful, dense and evocative orange blossom flower I’ve ever smelled. It doesn’t stay in innocence: it’s lightly honeyed, caressed by a touch of cumin that adds a subtle carnality without vulgarity, all balanced by a luminous cleanliness. A perfect chiaroscuro dance where desire and purity coexist. The performance is excellent, as in Lutens’ finest works. For me, it’s proof of how a fragrance connects through memories. I agree with the previous comments, but @Selene’s description expressed it with total accuracy. That’s why I’ve only posted one photo—I couldn’t say it any better. 🍀
Good heavens, this perfume smells like the trail of a lady of dubious habits in the lingerie section of John Lewis. I don’t think that was what I was aiming for, so I’m deducting points. Am I broken-nosed, or am I a pick-me with the palate of a twelve-year-old? There’s no way to grasp that dominant cumin with the bergamot and jasmine. Terrible.
One must commend the skill with which this perfume recreates the trail left in the air of a lingerie fitting room at El Corte Inglés, freshly used by a lady with questionable hygiene habits. I think that wasn’t what was intended, which takes off some points. Reading other reviews, I start to wonder: have my nostrils gone wrong? Am I perhaps an olfactory pick-me with the palate of a twelve-year-old? There’s no way around this concoction of cumin, orange blossom and jasmine. Terrible.
Finally, I mustered the courage to try it, and what a mistake I made for doubting it: it’s sheer madness. At first, it smells like a garden of white flowers, intoxicating and divine, and as it dries, the spices sparkle with great class. It doesn’t smell dirty; quite the opposite. It worked perfectly for me, but be warned, it’s vital to test it on skin before jumping in blindly. For me, it’s a 10/10.