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La Panthère Parfum

Marca
Cartier
Mathilde Laurent
Perfumista
Mathilde Laurent
4.02 de 5
1,521 votos

Acordes principales

Descripción

La Panthère Parfum by Cartier, created by Mathilde Laurent and launched in 2020, is an olfactory jewel from the chypre floral family, designed for women. Its olfactive pyramid unfolds with a vibrant top of bergamot, jasmine and rose, giving way to a seductive heart of sambac jasmine, damask rose and orchid. The base settles on a warm, woody foundation of vanilla, patchouli, sandalwood and musk, evoking the timeless elegance of the panther.

Resumen rápido

Cuándo llevarla (votos)

  • Invierno 32%
  • Primavera 19%
  • Verano 10%
  • Otoño 38%
  • Día 43%
  • Noche 57%

Notas clave

  • Salida Sin dato
  • Corazón Sin dato
  • Base Sin dato

Comunidad

1,521 votos

  • Positivo 74%
  • Negativo 13%
  • Neutral 13%

Comunidad

Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.

Propiedad

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Características

Resumen de votos sobre longevidad, estela, género y percepción de precio.

Longevidad

Escasa

Débil

Moderada

Duradera

Muy duradera

Estela

Suave

Moderada

Pesada

Enorme

Género

Femenino

Unisex femenino

Unisex

Unisex masculino

Masculino

Precio

Extremadamente costoso

Ligeramente costoso

Precio moderado

Buen precio

Excelente precio

Reseñas

Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.

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20 reseñas

Mostrando las más recientes primero.

  • I fell head over heels… A beauty with a more pronounced vintage touch than its predecessor, the Eau de Parfum… A spectacular cypress with a fruity opening wrapped in oakmoss and leather. Longevity of more than 24 hours on skin, a beast. Thank you Cartier, you’ve done it again, you’ve stolen my heart.

  • When I no longer believed in designer perfumes, I managed to get hold of this beauty. I was looking for a gift for a friend who loves panthers; I saw the advertising and thought: hey, a panther, and the bottle is very pretty. I went to the shop to try it; I wanted to look good; the fact that the bottle is spectacular isn’t enough. I even thought: if I don’t like it, I’ll check if I can extract the liquid and put another fragrance in, a dirty trick. OMG, when I put this on my skin I shouted bingo, what a beautiful thing. It’s very elegant, feminine, floral but well mixed with olive and moss, giving it a dense and warm tone. It’s oily on the skin, lasts a lifetime, and projects excellently. This is for a strong woman, an entrepreneur, the office boss, with great class and mature character. It was perfect for the gift and I couldn’t have asked for better.

  • I was given a sample a few days ago and I have to say I loved it. What it evokes for me is the power and longevity of vintage perfumes, but without losing its modernity. It’s very sophisticated and elegant; on my skin it has a wide trail and lasts more than 12 hours. It’s not for blind buying, but if you like white flowers with an earthy and woody touch, this is undoubtedly a wonderful option.

  • monsieurleather

    What a magnificent perfume Cartier has pulled out of its sleeve! Hail to their noses for creating one so powerful, a classic chypre and floral that smells glorious. It drinks from the elixirs of the past with a modern twist, but don’t be fooled: it’s so anti-modern that it becomes ultra-modern by contrast. No vanillas or sweets here. The peach is ripe, the moss adds a damp air, and the gardenia smells like white flowers in a luxurious vase. The key is the osmanthus: its apricot-floral white note gives it that oleaginous, dense, and voluptuous character. Patchouli closes with a soft earthy tone and musk with a touch of talc. It’s not complex, but it’s very well made and balanced. A classic in flavour. It’s powerful but not overwhelming. Like a panther: imposing presence without needing to make a scene. It starts with a powerful, dense roar that can scare, then softens, staying present without making noise, yet you feel its magnetism. With that oleaginous character that soaks into the skin, it moves with the wearer and where they go; you perceive it clearly. I don’t know if I’m explaining myself well; it doesn’t fill the room, but anyone in it notices it. It’s not for women or personalities who are timid, not so much for projection but for that voluptuous, sensual, intoxicating, and intense personality. It smells of a powerful woman, timeless luxury, seduction, an experienced woman, intelligence and class. It could be the perfume of Greta Garbo, Lauren Bacall, or Uma Thurman. Best for cold or mild weather, for galas, romantic dinners, seduction nights, executive meetings, signature fragrances, or special events. Longevity: until you get bored (on clothes until you decide to wash it). A triumph. The fact that it came out in 2021 is a miracle; I hope it stays because it has seduced me, and I want to be able to smell it on a woman for the rest of my life without fear of it running out. Au revoir. P.S.: It doesn’t resemble the Eau de Parfum at all. Delicious and brilliant, but the latter is fresher and more versatile; it would be the Coco Mademoiselle of Cartier but in a different style.

  • silvialdanondo

    My description isn’t professional; I’m ignorant of the subject. I just say… Oh my goodness!!! I’ve finally found my perfume. I’m a lover of eighties perfumes and this is one. Very different from what we have now. An opening that’s a bit scary, followed by a brutal feline elegance. On my skin, the gardenia takes charge with a woody base, even though I don’t wear woody scents. Hours pass and it becomes sweeter; I’m surprised by the similarity to the old YSL Champagne but wrapped in moss. Incredible. I hope I haven’t offended the scholars.

  • I tried it yesterday and they offered it to me as the jewel of the collection. It’s captivating, the quintessential chypre with plenty of musk, balanced and sophisticated. Just a few drops are enough because its character is strong and the sillage comes out slowly, as if the liquid has a controlled evaporation for an eternal duration. It’s incredible, above and beyond trends. La Phantère isn’t easy to catch; it gauges the timing of those who try to catch it. It’s a perfume for the discerning, always far from the cat hunters.

  • I tried it yesterday, they offered it to me as the jewel of the collection. It’s captivating, the quintessential chypre with plenty of musk, balanced and sophisticated. Just a few drops are enough because its character is strong and the sillage comes out slowly, as if the liquid has a controlled evaporation for an eternal duration. It’s incredible, above and beyond trends. La Phantère isn’t easy to catch; it gauges the timing of those who try to catch it. It’s a perfume for the discerning, always far from the cat hunters.

  • Desperezado

    I am a man, my name is Aureliano, half French half Spanish, and an absolute defender of the idea that a perfume has no sex: labelling it thus is ridiculous. I believe you are all things in this. The scent you choose is the most personal and authentic thing, so defining it as masculine, feminine, or unisex is to demean something so beautiful. After this preamble, I must say that it transports me to a voluptuous, luxurious, and classic setting, not suitable for personalities trying to go unnoticed; on the contrary, the choice of this perfume already establishes authority. I compare it to the Animal that gives it its name: majestic, mysterious, elegant, and of a beauty hard to forget. If there is a parallel with YSL’s Champagne Perfume, specifically on my skin, it fascinates me. My own skin perpetuates two things clearly: the gardenia, and the musk becomes a continuous, wild section that gives no respite, difficult to bear and only tolerable if you love it, if you generate it, if you adore it, and if it is part of you. Unlike being annoying, it envelops you and you no longer know where you end and it begins. That said, the panther is a feline, so do not try to domesticate it or it will lose its essence as a wild animal.

  • The fruity aspect is pleasant, but on the other hand, the other notes exude a scent I find ‘headstrong’ and I struggle to see it being worn.

  • I still need to let it settle a bit, but I have enjoyed it. It is a chypre with a clear 1980s inspiration, possessing tremendous personality, yes, and an enveloping quality too, yet it is not a super-revolutionary fragrance. I feel it to be deeply elegant, with that vintage touch (gardenia, patchouli) which, as it dries, has fleeting similarities with its two soapy siblings, Déclaration and Déclaration d’un Soir. And yes, once again in its final phase, as happens with many Cartier scents, it evokes the Hermès universe and its men’s perfumes, tremendously crisp and dreamy. Undoubtedly, it looks very chic; despite its density, it carries a light optimism thanks to the moss, sometimes powdery and sometimes citrusy: here, the vintage note occasionally gives a sudden lurch of tremendous modernity. I see it for mature women, at formal events where a good impression is required, and on first dates.

  • I feel duty-bound to inform you that Cartier has reformulated the bottle to a less striking design and introduced a refill option. I don’t know if the fragrance itself has been reformulated, but I wouldn’t risk it and would let this wonder slip away. So if you are on the fence, buy now.

  • This morning, a lady entered the shop where I work… it’s 600 square metres and we have a nebuliser that constantly disperses the store’s scent according to our olfactory marketing… well… that woman was overwhelming us with her wonderful fragrance wherever she went, outshining the industrial air freshener in both potency and trail. I asked, astonished but politely, what a wonderful scent she was wearing, and she replied with a smile: Panthère Parfum by Cartier.

  • Regarding magui90’s comment, yes, the bottle has indeed been reformulated. I have both; I was gifted the new one last week. In my opinion, there is a reformulation, with less intensity in the current version. Nevertheless, I continue to test it, as the first sample might still be macerating.

  • BeatrizBlackwood

    An olfactory floral journey with gardenia and apricot juice, linked to a base of musk and wood. I feel it velvety in the opening, finely talc-like in the development, with a finish that resembles its predecessor EDP but toned down. It’s a perfume that clings to the skin, strong yet delicate at the same time. It projects intensely, it’s a deep version but not so much as to invade everyone’s personal space. As for versatility, it’s ideal for those gala nights or elegant parties. Cold outside? This should be the one chosen. It has vintage flashes without a doubt; they aren’t identical, but as a reference or perfumery style, I would put Chanel No. 5, Chanel Allure Eau Sensuelle, Lalique by Lalique, among others. The bottle I have is semi-inverted trapezoidal with a panther shape engraved on it, with a black strip where the brand stands out in raised gold. Quality-price ratio: it’s worth every penny, it’s pure luxury and sophistication.

  • BeatrizBlackwood

    An olfactory floral journey with gardenia and apricot juice, paired with a base of musk and wood. It feels velvety upon opening, finely powdery in its development, and has a finish that recalls its predecessor EDP but toned down. It is a perfume that clings to the skin, strong yet delicate at the same time. It projects well; it is intense but does not invade anyone’s personal space. In terms of versatility, it is ideal for gala nights or elegant parties. Cold outside? This should be the one. It certainly has vintage sparkles; as a style reference, I would put Chanel No. 5, Chanel Allure Eau Sensuelle, or Lalique de Lalique. Bottle and value: it is worth every cent, pure luxury and sophistication.

  • They tried it in the perfumerie next to Chanel No. 5, and neither I nor my entourage liked it. This perfume certainly has the power to attract attention. It is potent (though I’m unsure if there is a new formula), but to me it smells very eighties, with vintage reminiscences from another era. If you like that kind of scent, you might enjoy it. I do not recommend buying blindly: it has personality and could either enchant you or not, with little middle ground. It works well in the cold and at night. It is heavy, dense, lordly, syrupy, a chypre that reminds me of dried flowers in a cupboard. Acknowledge its excellence: if you are of these preferences, go ahead, it is not mass-produced, it is a gem and not expensive. They say perfumes choose you, and this one did not click with me.

  • Lara Valentina

    A vintage perfume with a more modern twist. The patchouli seems to be of good quality, but the peach note sounds excessively sweet to me. The longevity is spectacular: nothing resists on my skin, and it lasts over 12 hours. I prefer it once it has dried, when its potency softens. It is not for every taste or occasion; personally, I adore it, but I believe it could even be annoying for others.

  • I was given samples at the perfumerie between Chanel No. 5 and this Cartier one, and neither my friends nor I have taken to it. That said, it is a powerful perfume, designed not to go unnoticed. It is potent (I am not sure if the new formulation is the same), but to my taste, it is over the top, with eighties and vintage overtones. If you like that kind of perfume, you might love it. I do not recommend buying blindly: it has personality and could enchant you or not; there is hardly a middle ground. It suits cold weather and evening wear. It is heavy, dense, lordly, syrupy, a chypre that smells to me of dried flowers in a wardrobe. I acknowledge its excellent quality: if you are of these preferences, go ahead, it is not mass-produced, it is a gem and worth every penny. They say perfumes choose you, and this one has not clicked with me.

  • Lara Valentina

    A vintage perfume with a modern twist. The patchouli smells lovely, but the peach is excessively sweet. The longevity is spectacular; nothing fades on my skin and it lasts over 12 hours. I prefer it once it has dried down and softened. It’s not for everyone or every occasion; personally, it suits me, but it could be off-putting to others.

  • This perfume transports you to another era, where elegance and savoir-faire were the law, yet also the dark, wild, and tempting side. It is deep and intense; the opening is a bit brash, but it mellows as it dries. I detect an incredible, intense, almost oily gardenia, lightened by patchouli that balances everything. What makes it complex is the moss, with a more pronounced balsamic note at first, reminding me of the scent of an old pharmacy. The dry-down is wonderful: powdery and resolute, yet without any harshness. A true gem worth trying to enjoy something different from the current trends. It has conquered me 💖