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Zadig Eau de Parfum
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Descripción
Zadig Eau de Parfum by Zadig & Voltaire is an oriental floral fragrance for women. This creation, launched in 2025, was designed by Amandine Clerc-Marie and Florian Gallo. In its opening, the composition unfolds a vibrant accord of sesame, ginger, white pepper and black pepper. The heart of the fragrance reveals the delicacy of orange blossom and the essence of neroli, while the base settles into a warm and silky combination of chantilly cream, vanilla and sandalwood.
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931 votos
- Positivo 64%
- Neutral 20%
- Negativo 16%
Pirámide olfativa
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29 reseñas
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I tried it a few days ago at Druni. Although it’s not on their website yet, it’s already in physical stores. It’s disappointed me quite a bit. With such a cool bottle, I imagined something that matched the scent. It smells like a soft sandalwood with a citrus touch. It’s very, very soft… I’d stay with ‘This is Her’ a thousand times over.
Wow, I usually recognise the beauty of bottles, but this is the ugliest I’ve seen so far. It looks like a dirty tattoo that girls who felt like sex symbols used back in the 2000s.
I want to try this launch, although I admit my disenchantment with current perfumes; compared to those from the 80s and 90s, they’re disappointing: synthetic, fleeting, and not very intoxicating, even if they’re pretty. I’m only drawn to the bottle, though the glitter doesn’t convince me; I would have preferred more elegant, less coarse and symmetrical edges, something classic and dreamlike, not so much ‘office block’ style. I understand it’s inspired by the logo, perhaps it came out worse in metal than printed, but I find perfuming angel wings beautiful and inspiring. I hope it doesn’t disappoint as some below say, a woody citrus doesn’t suit me with that design… I’ll edit this once I’ve tried it.
Pear, orange blossom, neroli, and iris. Pleasant at the start, it settles close to the skin quickly. The scent is nice, classic floristry style, very lightly sweetened. As a floral, I prefer others. The packaging is very original.
To sum up: it’s a softer mix of L’Interdit EDP, with Cheirosa 62 from Sol de Janeiro, pistachio in the opening, then smoothed out. I think it’s an interesting proposal to introduce Sol de Janeiro followers to deeper, more enveloping fragrances. Different from the rest of Zadig & Voltaire’s offerings.
I loved it! I tested it at a John Lewis. I didn’t have faith in smelling the bottle, but on the skin it was totally different (just in case, perfumes usually change on my skin and seem sweeter). I noticed the vanilla, that creamy kind that isn’t invasive; that style makes my head hurt, like Hypnose, but no, it’s a different kind. I looked up the notes and the ‘chantilly cream’ caught my attention; the only one I didn’t feel at first; it appeared after 15 minutes and gives it the creamy touch. At the same time, I didn’t stop noticing the sparkling touch of pepper and ginger (though no longer with intensity). It’s like smelling a delicate dessert, creamy, white, with a hint of vanilla (little, not synthetic), airy and fresh, with a touch of grated ginger for a slight kick, and served on a mesquite plate for the woody touch at the base and on the clothes. That’s exactly what I feel. I repeat, I probably associate it with dessert because my skin emphasises the sweetness in all perfumes. Longevity and sillage are very good; one spray and after five hours, when I move my arm, I remember having tested it. I love the bottle and it fits perfectly with its scent and style. For me, it’s not generic at all; I’ve rarely heard of a creamy, sparkling vanilla with a floral touch. Literally, it’s the symbol of bold, youthful ‘freedom’, but at the same time ‘white’, of a certain purity.
I tried it on my skin and, honestly, the first impression was good: a fine vanilla, almost not gourmand, with a red fruity note that gives it a sweet little spark. A spray doesn’t project much, so I’m judging it solely on longevity: about four hours, nothing spectacular. I’ll give it another go. As for the bottle… I’m not sure if I like it, but it’s bold and different.
I loved it! I tried it at a John Lewis. Honestly, I didn’t have much faith when I smelled the bottle, but when I put it on my skin it was totally different (just to be clear, perfumes change a lot on my skin, they tend to seem sweeter). I could smell the vanilla, but that ‘creamy’ vanilla that isn’t so invasive, as that style gives me a headache, like ‘Hypnose’, no, it’s a different type… I looked it up here to see the notes and ‘chantilly cream’ caught my attention as it was the only note I didn’t feel… but after 15 minutes I started to smell it, and that’s what gives the vanilla its ‘creamy’ touch. At the same time, I didn’t stop feeling the spark of pepper and ginger (though these notes stopped being intense). It’s as if I’m smelling a delicate, creamy, white dessert with vanilla essence (but not much, nor synthetic) and as if this dessert were airy and fresh, with small shavings of ginger on top giving it a slight kick… and at the same time, as if the dessert were served in a carob plate, because in the background and especially where I spray it on clothes, I feel the woody touch. That’s exactly what I feel. Although I repeat, I probably associate it with a dessert because my skin emphasises the sweet touch on ALL perfumes. Very good longevity and good trail; I tested one spray and even five hours later, when I moved my arm without thinking, I remembered I’d tried that perfume. Personally, I love the bottle and it’s very well related to its scent and style. For me, it’s not generic at all… very few times have I smelled a creamy vanilla that is at the same time sparkly and with a floral touch. Literally it’s a symbol of bold, youthful ‘freedom’ but at the same time ‘white’ like a certain ‘purity’.
They gave me a decant at Primor and it was a ‘meh’ all the way through. Super generic scent, like the perfume mix in the shop. It’s a floral, nothing more, one of the thousands that exist. Something like Agatha Ruiz de la Prada’s Heart perfume but watered down. Without reading the notes, I’d say it’s synthetic magnolia and vanilla. That kind of scent gives me nausea.
Opens like L’Interdit Intense and dries down like Rabanne’s Fame, period.
They must be promoting this fragrance to the max, because at the perfumerie I entered, the promoter came up to me with a swab in hand. I tried to move away, because besides, the little bottle repels me quite a bit (horrendous to the point of pain), but in the end I let myself be caught (curiosity, alas). This house doesn’t make perfumes I like, almost all smell like McDonald’s sundaes, with impertinent vanilla beans waiting to assault you on the turn of the dry-down, and this Zadig is a bit more of the same. I like that refreshing start of ginger and pepper, which is highlighted by the citrus airs of neroli and calmed by the orange blossom, but then comes the hecatomb: a steamroller crushes everything with a thick cement of vanilla and cream. Summary: pleasant and striking opening, though not surprising, that finishes with that cloying and boring sweetness that is the Zadig&Voltaire mark. I think for two minutes it might seem like a worthy spring fragrance, then… goodbye. Obviously, it’s not for me.
I want to buy it, but when I tested it, I felt it wasn’t worth it. It could be a flanker of Libre. It’s Paradoxe with a bit of the sesame from L’Interdit Intense.
I’m sure they’re promoting this fragrance to the hilt; in the perfumery, they approached me with the dry-down. I tried to walk away because the bottle repels me (ugly to painful), but curiosity got the better of me. This house doesn’t make perfumes I like; they almost smell like a McDonald’s sundae with impertinent vanillas, and this Zadig is the same. I like the refreshing opening of ginger and pepper with citrus and orange blossom, but then comes the catastrophe: a steamroller of vanilla and whipped cream that crushes everything. Summary: pleasant opening but a result that finishes with that cloying, boring sweetness of Zadig & Voltaire. Perhaps for two minutes it might seem worthy for spring, then goodbye. Not for me.
I was eager to try it and wanted to like it just for the bottle, I admit it. But honestly… I expected more. It’s a white floral with a creamy base, nothing more. You can detect the orange blossom and neroli, and the vanilla with whipped cream only adds depth. In my opinion, I wouldn’t buy it alongside Alien Goddess or Coco Vanille; it has nothing to do with coconut or jasmine, nor with Yum Pistachio Gelato. It’s quite generic and unsurprising. It’s not bad, but it hasn’t impressed me.
I loved it because it was something new to my nose and the bottle is gorgeous. A total hit. However, I now have sensitivities and it feels heavy to me: it opens with toasted sesame and sweetness, with touches of Zadig 100% and vanilla. It evolves into a dry-down that sounds like something I wouldn’t wear. Advice: if you like it, buy it; it’ll give you some ‘vidilla’ (a bit of a kick).
Smells good, fresh with a hint of sweetness. The bottle is a gem. A pleasant commercial scent but nothing surprising, aimed at a young audience and nothing particularly unique. Not for those seeking a perfume with a truly unique personality.
Starting with the bottle, it is a beauty. As for the notes, it promises well at first. But its trail and longevity leave much to be desired. If they had boosted the ginger, the neroli, and the cream slightly, it would have been a spectacle. Instead, it passes off as just another citrus. Nevertheless, I am not regretting the purchase because it is perfect for this summer and looks good day and night for any event.
Starting with the bottle, it’s a beauty. As for the notes, it promises well at first. But its trail and longevity leave a lot to be desired. If they’d boosted the ginger, orange blossom and cream a bit, it would be a spectacle. But it passes like a more citrusy scent. Still, I’m not regretting buying it because it’s perfect for this summer and looks good day and night for any event.
I’ve been thinking about this perfume since before it was released, not just for the notes but for the bottle, which I personally like. When I smelled it in the shop, I thought I liked it but was slightly disappointed by the expectations, as it seemed a bit generic and too heavy on ‘white flowers’, which I believe is really what makes it generic once it settles on the skin. At first spray, it is sweeter and the cream note stands out more, which unfortunately does not last long for my taste. Well, I have to say that although I wanted to, I wouldn’t have bought it as it is a type of scent that doesn’t quite suit me, but as I have been gifted it, I will enjoy it from time to time. Finally, I think it is worth saying that I find it very pleasant, despite it not being entirely my cup of tea. Longevity is good.
I wanted it for the bottle, but luckily I tested it before buying it blind. It’s not my style; I thought it would be given the notes, but it isn’t. I sensed it as pure jasmine (even though it doesn’t have that note); am I the only one? I own L’Interdit and love it, so I thought there would be some similarity as mentioned, but on my skin I only sense white flowers and a sweet touch. It didn’t seem innovative to me, but rather something vintage that I already knew. The longevity is good, though; it lasted me so many hours.
It smells like any generic sweet thing.
It is the most generic perfume I own, lacking personality and longevity. Very invasive at first and then it disappears. Do not waste your money.
This perfume has disappointed me. I was intrigued by the bottle and the notes, but when I tried it in the perfumery, it sounded identical to Paco Rabanne’s Olympea, which I already own and like. It’s too similar; it would have been like buying another bottle of Olympea. I buy the Rabanne version for that reason, and besides, it doesn’t come at such a high price as the Zadig & Voltaire one.
At first, I thought it was identical to This Is Her (because of that whipped cream note), but with wear, I notice the difference. On my skin, the notes of Orange Blossom and Vanilla emerge, giving a sweetness similar to Libre Intense, just without the lavender. Pleasant on mild or cold days, but it isn’t anything transcendent for me.
I put it on and what I smell is Scandal by Jean-Paul Gaultier, exactly. After a few hours, it’s left with just a very softened, attenuated sandalwood.
I put it on and it smells exactly like Jean-Paul Gaultier’s Scandal, full stop. Over time, it settles into just a very soft, muted sandalwood.
On my skin, it comes across as super floral, in the style of Nina Ricci’s Venus.
The opening was lovely, soft, sweet and slightly toasted with some fresh (floral) and spicy (ginger) touches without being sharp. After a few minutes, the floral becomes more apparent, and the fragrance becomes more intense with an orange blossom and hints of ginger and some vanilla. And finally it transforms into a light, milky vanilla, which reminds me of the dry-down of ‘This is Her’, although on my skin this vanilla doesn’t become so lactonic — the dry-down of ‘This is Her’ disgusts me and this one doesn’t reach that on skin, but it does on clothes. It lasts about 4-5 hours projecting a lot and another 3-4 more subtly.
The opening is lovely: soft, sweet with a toasted touch, fresh floral and spicy ginger without being sharp. A few minutes in, the floral becomes more prominent and the scent intensifies into a neroli with ginger and vanilla. In the dry down, it turns into a light, milky vanilla reminiscent of This Is Her, though on my skin it never gets as cloying as it does on clothes (which it definitely does). It projects heavily for 4–5 hours and then lasts another 3–4 hours more subtly.