Anna Sui by Anna Sui
Women 1999
Description
Anna Sui by Anna Sui is a floral fragrance for women launched in 1999. Its composition, created by perfumer Jean-Louis Sieuzac, opens with a vibrant blend of raspberry, blackcurrant, bergamot, orange and green accords. The heart reveals the delicacy of iris, Bulgarian rose, floral notes, iris root, jasmine and valley lily. The base settles on a warm and persistent foundation…
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When to wear it (votes)
Key notes
-
Top
raspberry
-
Heart
iris
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Base
tonka bean
Community
959 votes
- Positive 81%
- Negative 14%
- Neutral 5.8%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I want it
3,217 votes
What do you think?
Leading answer Like it
959 votes
Season
Choose severalLeading answer Autumn
730 votes
Time of day
Choose severalLeading answer Day
459 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Anna Sui
Anna Sui by Anna Sui is a floral fragrance for women launched in 1999. Its composition, created by perfumer Jean-Louis Sieuzac, opens with a vibrant blend of raspberry, blackcurrant, bergamot, orange and green accords. The heart reveals the delicacy of iris, Bulgarian rose, floral notes, iris root, jasmine and valley lily. The base settles on a warm and persistent foundation of tonka bean, sandalwood, amber and cedar.
Fruits, vegetables and nuts Flowers White flowers Spices Woods and mosses Musk, amber and animalic
It may remind you of
Ranked by what the community voted.
More from Anna Sui
Related editions
How it wears
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Longevity
Leading answer Moderate
271 votes
Sillage
Leading answer Moderate
322 votes
Character
Leading answer Traditionally feminine
162 votes
Value perception
Leading answer Good value
140 votes
Featured review The most detailed of the latest reviews.
Have you worn Anna Sui?
Tell us how it opens, how it settles on your skin, how long it lasts and when you wear it.
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An acidic citrus opening of orange and loquat with green notes that, over time, explodes into an intense floral heart dominated by iris, while retaining a sweet fruity base and leaving wood and sandalwood in the background. It’s a powdery, sweet floral but with a mystery that reminds me of Coraline crossing into the other world: it seems normal with fruits and flowers, but then it becomes something more—an aroma of old make-up and lipstick, with something vintage and perhaps not quite as lovely as button eyes. The bottle screams intrigue. It lasts about 6 hours on skin; the trail is moderate for the first hour and then drops to skin-level.
Anama21
I simply love it!
FranSeatJones.
Simply the only fragrance (alongside Cartier’s Must) that I wished would end. Ugh, what exhaustion… It doesn’t smell bad; quite the opposite. What began delicate and shy became powerful and penetrating (not a bad thing, mind you) and simply wasn’t what I was looking for. Total potency. The first few times (blind buys) it would have congested me. On skin, it turns vinegary (and I assure you, it’s authentic and perfect). Now I believe what I read: there are fragrances that aren’t for you, and this definitely wasn’t one. Totally gothic bottle vibe. I imagine a mortician from Adam’s using it, certainly (without getting swept up in the aesthetic). Would I recommend it? Yes. Would I buy it again? Absolutely not. It has something special… If you dare and have the opportunity, I invite you to try it on skin.
Momo135
In my country, I could only get it at a high price, but I was curious; I like iris and the gothic comments. Luckily, I found it in an old perfumery at an incredible price. The label said 1999… I bought it without testing and was scared when I tried it: first impression ‘dead flowers’, I thought it was wrong, but then came out the powdery iris and a mysterious aura. I use it now, my grandmother and I agree: it smells like old make-up. It’s nothing refreshing; I don’t feel the fruits. It’s beautiful. Definitely gothic, but not severe or dark—it’s the charming goth of Lydia Deetz from Beetlejuice or an Emilie Autumn show. I liked a comment: it didn’t decide if it was opera or western; it sums it up well: carefree, curious, dramatic but not heavy. Adorable with a Victorian air. Lasts decently for the price; 6 hours passed and I still smell it, though closer to the skin; if I could get another, I’d buy it without doubt. The trail isn’t huge, but I feel it constantly, and in the end, that’s what matters.
FranSeatJones.
It’s a very complex scent due to its notes yet simple in effect, extremely wearable. It doesn’t stand out as floral, fruity or woody; it’s super clean and pleasant. It doesn’t have a great trail but lasts incredibly long on the skin. I find it absolutely beautiful. Although I’m usually fascinated by super intrusive scents, I’m not sure if I’ll repurchase, but I certainly will enjoy it.
FranSeatJones.
A complex aroma by notes but simple in essence. Very wearable. Like Prada’s Iris Cedre (not by scent). Undoubtedly, anyone could like it. It doesn’t stand out as fruity-floral or woody. Super clean and pleasant. It doesn’t have a great trail but lasts a long time on skin. I think it’s beautiful—that’s the word—and even though I’m fascinated by super intrusive scents. I don’t know if I’ll repeat, but certainly, I’ll enjoy it.
largodomingo
The best fragrance ever created, in my opinion.
necano
My mother had a bottle back around 2000 and was delighted. It was the first time we smelled a powdery perfume and she became so fond of it that she followed this up with Amour de Clarins and Flower by Kenzo. For her and for me, this perfume discovered a new genre for us. The iris note is sensational and adds that oriental touch one expects from a Chinese designer. Why is it categorised as gothic? I can only think it’s because of the bottle.