Cabochard Parfum by Grès
Men Women 1959
Description
Cabochard Parfum by Grès is a fragrance from the olfactive family for men and women. Cabochard Parfum was launched in 1959. The nose behind this fragrance is Bernard Chant. The top notes are aldehydes, spicy notes, tarragon, sage, asafoetida, lemon (sour lime) and fruity notes; the heart notes are geranium, jasmine, ylang-ylang, lily-of-the-valley root and rose; the base notes are…
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
967 votes
What do you think?
Leading answer Love it
316 votes
Season
Choose severalLeading answer Autumn
194 votes
Time of day
Choose severalLeading answer Night
107 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Cabochard Parfum
Cabochard Parfum by Grès is a fragrance from the olfactive family for men and women. Cabochard Parfum was launched in 1959. The nose behind this fragrance is Bernard Chant. The top notes are aldehydes, spicy notes, tarragon, sage, asafoetida, lemon (sour lime) and fruity notes; the heart notes are geranium, jasmine, ylang-ylang, lily-of-the-valley root and rose; the base notes are leather, oakmoss, tobacco, patchouli, vetiver, musk, sandalwood, amber and coconut.
Green, herbal and fougère Spices Fruits, vegetables and nuts Flowers White flowers Musk, amber and animalic Woods and mosses
It may remind you of
Ranked by what the community voted.
More from Grès
More from Bernard Chant
How it wears
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Longevity
Leading answer Long-lasting
101 votes
Sillage
Leading answer Strong
124 votes
Character
Leading answer Balanced
66 votes
Value perception
Leading answer Fair price
50 votes
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Community reviews
4 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Excellent reviews; if not everything, almost everything has been said, yet we could speak of so many wonders about this delight… I met it when I was older and it became the love of my life. I bought it blindly based on the notes and it turned out to be an absolute crush. I still remember our first time; I was surprised because I knew nothing comparable, I closed my eyes for a couple of minutes enjoying it while it filled him and stole my heart. Since then, other perfumes are merely fleeting lovers of a wild, ephemeral night, second fiddles, mere caprices; Cabochard is not. He is the faithful, firm, unconditional, definitive lover; he is the one you always return to, who waits with open arms, without reproaches, embracing and caressing you softly; then treacherously he leaps upon you! Pure passion! Clinging to your skin as if there were no tomorrow, accompanying you intensely without giving you a break for hours and hours. Cabochard Vintage is not a simple whim but has become a necessity. Just as one drowns their sorrows in alcohol, I drown mine in Cabochard, and my joys with even more reason, to celebrate and enjoy them. Sometimes simply Cabochard, a glass of wine, a book, and a cigarette offer me great pleasure; no other fragrance comforts me as this one does. Yes, it is carnal, very carnal, dirty, erotic, hard, dry, strange, even moody; yet it has managed to conquer me to the point of identifying with it. This is how I want to smell and no other way; I cannot even imagine myself without him. I confess that I hoard it with greed and avarice out of fear of loss and because, sadly, it is becoming increasingly difficult to find and the price has skyrocketed; apparently, it is liked more than we thought. Sometimes I think I met it at the most opportune moment in my life. Perhaps, had I been younger with different tastes and a less trained nose, I would not have known how to appreciate it? Or maybe I would? I do not believe so; I always think that part of its charm lies in appearing at the exact moment, with the right maturity on my part, because it is a perfume to be taken very seriously and worn with care. We coincide in that it is not for everyone, but when it conquers, it sweeps all before it, devastating hearts and leaving no one indifferent; some may even hate it. By the way, in a comprehensive review to which all say ‘Amen!’, Casablanca77 comments that Cabochard is a cousin of Sikkiem by Lancôme. Unfortunately, I have not had the luck to meet such a fantastic chypre; but as compensation for those fortuitous things of the universe, I was recently gifted a perfume that was a complete unknown to me, Kashmir by Milton Lloyd; they say it came out as a clone of Sikkiem, and indeed, Kashmir is a cousin of Cabochard Vintage. A rich chypre of the old school, about which I dare not comment due to the excellent review we have on the corresponding page, a gift from Sidonie, to whom I am grateful for this great discovery; if you like Cabochard, you will probably like Sikkiem, and by extension, Kashmir.
Reading clarifying reviews with a handkerchief in hand and testing just a drop of Cabochard, I continue trying to decipher this rare and closed creature. It does not convince me, nor would I dare to wear it, but little by little I try to value it (thanks to Grès for the lesson in olfactory education). I do not perceive the leather, I only imagine it; I do note the dry, powdery, astringent bottom of the moss. The dark tobacco, a dense Ylang, and a very mature, almost withered jasmine, define the atmosphere. It seems like the fragrance of Madame Edwda that night, ethereal and fatal, dragging her lover through the dirty brothels of Paris, until a grey and desolate early morning. It is the Evil because it is God, with power of life and death, it smells like this, without doubt. It is erotic anguish, not sensuality. It makes no empty promises, it is not a fleeting desire, it is pure flesh: sturdy, without doubts, and with a bitter touch.
After reading illuminating reviews while holding a tissue, barely dabbed with a drop of Cabochard, I still struggle to comprehend this strange, dark, moody creature. I cannot say I like it; I wouldn’t dare wear it. Yet, little by little, I try to appreciate it (thanks to Grès for the vigorous lesson in olfactory education). I don’t think I smell the leather; I merely imagine it, assume it. What I clearly detect is the dry, powdery, astringent base of moss. The late-night darkness of tobacco, a heavy Ylang, alongside an overripe, almost withered, fainting jasmine. I believe this is how Madame Edwda must have smelled on that drunken, fatal night that dragged her occasional lover through Paris’s seedy brothels (that night that never ends) into a grey, desolate dawn. She, who is Evil because she is God, possessing life-and-death power, smells exactly like this, definitively. It is the fragrance of erotic anguish, if you will, not sensuality. It makes no promises it won’t keep. It is not an evanescent desire. It is pure flesh; tough, without doubt, and slightly bitter.
Cabochard Parfum is an absolute gem, though finding it is such a challenge. I kept it tucked away for a deep, considered test because its notes of moss, leather, and tobacco inspired so much respect in me. But it is nothing like the story goes; quite the opposite of the little lambs and the wolf: disguised as a wolf, it is a tremendous, fluffy Zamoran lamb. The opening is a crisp, fresh, dynamic burst of well-made aldehydes: I hadn’t smelled an aldehydic beauty that gave presence without being so drastic for a long time, and here it is notably favoured. Perhaps that pepper lifts it in its freshness; it is a crunchy aldehydic opening full of green, could it be tarragon? In its evolution, it defines itself with macerated green tones soaked in something always fresh, and the leather, if there is any, is nuanced with prodigious finesse. On my skin, it gives no harsh, unsettled, or dark tone that could overshadow the formula. I was worried about that moss that usually grates on me or acidifies perfumes, but no. It is tremendously carnal, raw, and clean, making it seem like living matter: I love it. I will be head over heels for it, what a pity I can’t just buy it as is given the state of the market. A sister of Sikkim, without its excess of stagnant shadow, this one has more fresh brooks, moistened by the cold, with extensive green hills of wild grass. An extinct marvel, worthy of a king’s throne.