Aramis by Aramis
Men 1966
Description
Aramis by Aramis is a woody-chypre fragrance for men. Launched in 1966, the nose behind this composition is Bernard Chant. The top notes are aldehydes, myrrh, absinthe, thyme, white clover, bergamot and gardenia; the heart notes are patchouli, sage, jasmine, cardamom and lily root; the base notes are leather, oakmoss, musk, vetiver, sandalwood, amber and coconut.
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
10,872 votes
What do you think?
Leading answer Love it
4,313 votes
Season
Choose severalLeading answer Autumn
4,658 votes
Time of day
Choose severalLeading answer Day
2,679 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Aramis
Aramis by Aramis is a woody-chypre fragrance for men. Launched in 1966, the nose behind this composition is Bernard Chant. The top notes are aldehydes, myrrh, absinthe, thyme, white clover, bergamot and gardenia; the heart notes are patchouli, sage, jasmine, cardamom and lily root; the base notes are leather, oakmoss, musk, vetiver, sandalwood, amber and coconut.
Resins and balsams Green, herbal and fougère Flowers White flowers Woods and mosses Spices Musk, amber and animalic Fruits, vegetables and nuts
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More from Aramis
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How it wears
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Longevity
Leading answer Long-lasting
2,193 votes
Sillage
Leading answer Strong
2,352 votes
Character
Leading answer Traditionally masculine
1,436 votes
Value perception
Leading answer Excellent value
1,327 votes
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Community reviews
40 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Forget the reformulations others have discussed; let’s talk about the bottle I own. About seven years ago my father-in-law came to town and when he stepped out of his truck he unleashed a powerful burst that I didn’t like at first yet it was unlike anything I had ever smelled before (Aramis). Over time in a few chats he told me it had been his fragrance since his youth so out of curiosity I bought my own. Although I used it I couldn’t find the right moment and put it away for nearly a year and a half; the scent didn’t improve but now that I’m using it again it gives me a sense of peace and abundance that I can’t quite explain. We all know we’re looking for something that smells good projects well and generates compliments but the feeling this fragrance gives me is far superior to everything else. The good thing is that it comes in large sizes (120ml and 200ml) so it will last a long time and it’s also very accessible in price.
Very good perfume.
The ‘absurd’ comparison many make between famous expensive fragrances from my adolescence led me to investigate them like an archaeological dig. It’s a losing battle from the start considering how REFORMULATED they are compared to their originals yet I want to share this: ARAMIS ARAMIS is a fragrance I didn’t love at the time but it did not disgust me. I met it at 15; some friends wore it knew each other and we frequented the same circles school etc. I always assumed they were those boys whose mothers aunts and grandmothers bought everything from socks to perfume; well the ones who wore perfume because many without lacking money didn’t use it and if they did they used their parents’. One of those boys had his desk very close to mine and I perceived it for three years with no room for error. I don’t know what he used before but I remember that like many other boys after 15 we switched to something more ‘adult’; I had just switched from MONIEUR BALMAIN to EAU SAVAGE. We lived facing the Caribbean with summer temperatures all year round. The ARAMIS line offered other options I never heard mentioned among my friends yet they were equally renowned. Today I am 63. These perfumes the three named in this text were in my adolescence advised and considered ‘very youthful and light’ for adult men with ‘hair on their chest’… ¡¡¡ Ejejjejjejeej !!! Today young people perceive them as smelling of old age; they knew them used by their elders or others because they result alien to the olfactory schemes of the new century. Reformulations make it impossible to judge these fragrances correctly. Today they are a pale reflection of what they were and it’s not a matter of nostalgia. Some of them are proposed to me as ‘replicas’ diligently and skillfully reworked by private perfumers experts in bespoke fragrances of ‘other times’ and smelling them when possible is a delight… INCONCEIVABLE. My generation among those who were privileged bought originals in Paris London or New York in that order in my case. ‘Imitations’ existed but they only applied to fragrances with less important brands; lawsuits for plagiarism were economically unapproachable. My generation and circle were very but very fortunate; we grew up smelling exquisite fragrances without thinking much about the millilitres consumed daily… no bottle brought a spray. Eight out of ten of those people from my youth still retain their love for perfumes and the truth is it’s not easy to access quality nectars unless a trip to Europe allows us to visit a few houses that preserve the Art. My desk-mate friend from school has lived in Europe for 35 years and just hearing ARAMIS ARAMIS mentioned makes him frown while for me… well it makes me smile; it corresponds to an endearing period of my past.
The perfume box with the gold-lettered seal saying ‘Aramis’ seems to evoke the design of a tomb: the perfume smells of flowers resins and woods that I would associate with a funeral home. I feel that Aramis is the predecessor of those perfumes that smell funereal: Kouros Lapidus Balenciaga Pour Homme; it also has that aura of Polo Green and I associate it with Chanel N°5 due to the aldehyde note. It is an exquisite classic and complex perfume: it’s not for young people; one would need to know classic fragrances to be able to appreciate this jewel.
Several formulas or vertical tasting. Result: If you want a good modern formula of an elegant leather go to Bel Ami. Do not go to pay fortunes for a vintage Aramis bottle on eBay. This is what needs to be said: the new Aramis formula I suggest you not buy it unfortunately it’s anything but good but that is not Aramis. The Aramis sold now resembles Denim or what is sold now for Cerruti Lancetti Quorum; it’s not snobbery it’s that buying that is throwing money away to hate perfumery and get bored and confused. Edit: Oh as for money Zara’s Leather Jardin turns a thousand times the current Aramis formula.
THE TRAIL OF AN ETERNAL MAN. Aramis launched in 1964 is one of those perfumes that imposes from the very first instant. It doesn’t care if you’re ready: it enters the room with a firm step a deep voice but with a warm paused and slightly raspy tone and a deep gaze of someone who has seen it all. Its aromatic opening has that characteristic aldehydic shine of the classics like a strong and secure handshake. But don’t be fooled: after that first elegant impression comes the blow of truth. Dry woods cured leather an earthy base that smells of a forest after the rain… and of a man who knows what he’s doing. On the skin Aramis can become directly addictive. It has that almost magical way of mixing with the chemistry of the wearer until it becomes a second skin: darker deeper… more dangerous. It’s not a perfume for kids with slim-fit shirts and a fear of patchouli. Aramis demands presence character and some experience. The current version reformulated has lost some of that wild rudeness of the original but it remains a jewel for the price. Sometimes more tamed yes but still with a soul. An excellent option if you want to stand out from the crowd of clean and sweet fragrances sold today. Conclusion? Aramis is not a perfume: it’s a statement. Don’t expect everyone to like it. But if it catches you… prepare yourself. Because it’s not a fragrance it’s a story that begins on the skin…
What I like about this fragrance. I wear the vintage version that says ‘Cologne spray’ on the bottle and it reminds me how rare it is to find something so bold and at the same time so well composed. It comes with everything: aldehydes that sparkle like cut glass artemisia and bergamot that bite and then an armoured-animal heat that unfolds with an overwhelming confidence. It doesn’t sneak in or flirt. It arrives with shoulders firm shirt half-unbuttoned and challenges you to face it. What I like most about Aramis is how it manages to be animalic and polished at the same time. It has a slightly sweaty note of lived-in skin—probably castoreum—that gives it that sensual edge but it is balanced by clove sage patchouli and a floral mist like a barbershop that keeps it elegant. It’s not as brazen as Kouros nor as enveloping as Bel Ami; it’s sharper more compact more angular… but it remains profoundly human. Last night I wore the current version of Bel Ami which is rounder softer with a more marked balsamic touch and I love how both fragrances feel like cousins of very different temperaments. The leather in Aramis doesn’t overwhelm but vibrates in the background constant like a well-worn belt or the interior of an old car. Even now almost 60 years later Aramis feels current—not by following trends but like a good suit or a bottle of aged whisky: things that simply don’t go out of fashion. This is worn when you don’t need to give explanations. It lasts all day evolves with your skin and leaves in its wake a type of respectful silence. It’s not for everyone and that is precisely the idea. This fragrance doesn’t seek to please the masses—it’s about presence. And Aramis has plenty of that.
Another beautiful recent discovery. I bought it last weekend and it was a blind buy. I have no regrets on the contrary the more I use it the more I like it. At first it generated a bit of confusion in me it threw me off with the quantity of notes and the complexity of its aroma. However little by little you start to understand the magic of this exquisite fragrance that exhales a certain mystery which certainly requires an effort on your part and which above all needs time to show all its potential. We are facing a masterpiece of perfumery that for a reason has remained current since its launch date: 1966. Eminently masculine over the years it has been an icon of masculine fragrance for many especially for those who grew up in the seventies and eighties. I personally had seen it many times displayed on the shelves of perfumeries like Druni or Primor in the section of classic and economical fragrances but I had never been interested in it until a couple of days ago. And it is that my recent passion for classic vintage perfumes of the barbershop or fougere type led me inexorably to it for obvious reasons. I love that enveloping halo it creates creating a small personal bubble that makes me feel good secure in myself. It’s potent but not invasive powdery and armoured at the same time citrusy and woody at the same time in short… a jewel and a must for any fragrance collector.
My nose gets tired with this perfume it’s very strong for older men who like very masculine scents.
Aramis is a classic and timeless fragrance that has been a pillar in the world of men’s perfumery since its launch in 1966. This perfume is the personification of elegance and sophistication designed for the man who appreciates classic style and imposing presence. From the very first moment Aramis impresses with its bold and aromatic opening notes where artemisia clover and gardenia create a fresh and herbaceous introduction. These notes blend perfectly with the heart of the fragrance which reveals a rich and spicy combination of patchouli sage cardamom and jasmine. This spicy heart adds a depth and warmth that are truly masculine. The base notes of Aramis are what really define its lasting and robust character. A blend of leather sandalwood amber and oakmoss provides an earthy and woody base while the notes of musk and vetiver add a touch of sophistication and persistence. This combination ensures that the fragrance leaves an unforgettable and distinctive trail. Aramis is more than a fragrance; it’s a statement of style and presence. It’s ideal for the man who is not afraid to stand out and who seeks a fragrance that reflects his confidence and sophistication. Whether for a formal occasion or daily use Aramis is a perfect choice for the man who values quality and classic style. Every time I use Aramis I feel wrapped in an aura of elegance and power. It is a fragrance that receives constant compliments and has withstood the test of time demonstrating its relevance and lasting appeal. For those looking for a masculine and refined fragrance Aramis by Aramis is without a doubt an unbeatable choice.
This 60s version is like Kouros but spicier and more characterful. YSL is rounder and finer whereas Aramis is rough difficult and very masculine which is why I don’t see it on female skin. That coarseness is its hallmark something that suited the 80s but today only appeals to nostalgics seeking potent scents far from the YouTuber trend of complimentary reviews. It’s a piece of history worth smelling and wearing if you dare or love the good smells of yesteryear and today. Decent performance but be careful not to overdo it in enclosed spaces.
It belongs to that category of vintage perfumes that are bloody difficult to wear. Ideal for those who don’t mind compliments and enjoy perfumery from the old days. Strong opening with aldehydes then it settles into florals but the leather and patchouli kill any feminine edge. Decent longevity and performance. A must-buy for lovers of the old school. If you prefer scents like Invictus Y or One Million stay away.
A great perfume with a sparkling opening where hyssop and thyme lead supported by bergamot for light and acidity before yielding to exquisite leather with jasmine and patchouli. I bought it blind; the spiced citrus opening overwhelmed me at first but over time it won me over and today it’s one of the best in my collection. I don’t see much resemblance to Cabochard; the base is there but little else. To me Aramis seems more feminine and Cabochard more masculine although both are perfect unisexes.
Is Aramis Cabochard? Have you ever smelled Clinique’s Aromatics Elixir? I think Lauder uses the same formula with minimal changes. I don’t see the dark softness of Cabochard in Aramis but I do see the brutal edges of Aromatics Elixir. It seems like an American interpretation of a classic French animalic scent. The modern version is very wearable especially if you layer something more dimensional on top. Perfect for those who don’t want to smell like mainstream perfume. I imagine the original was more potent so if you want that use Clinique’s Aromatics.
The popular men’s Cabochard a woody chypre with guaranteed testosterone and no Energisil. From 1966 by Bernard Chant made in the USA with 19 notes and French reminiscences. A more classic perfume than Danone strawberry or any industrial product. It laid the foundations for 80s macho man fragrances like Bijan or the softer cinnamon-scented ones from Giorgio or Oscar. It’s an old-school aroma. A millennial might reject it but a man over 40 with character might like it and find it a good complement for winter and autumn. If you consider yourself knowledgeable about perfumery owning this is mandatory. It remains on the market thanks to Lauder and its faithful followers. Reformulated but it retains its hours of longevity and its macho trail. My wife likes it although she hates Bijan Bentley Creed Aventus Fahrenheit Dior Homme Ted Lapidus John Varvatos Encre Noir and many more.
The only thing to note is that the new formulations unfortunately don’t have the same potency this fragrance always had. Before you’d put on a little and it would last until the next day; the current ones don’t quite last as long and the fragrance has suffered some slight variation. Well that’s what happens with many perfumes these days.
This fragrance is as most comment a proper vintage with a very classic masculine aroma. I like it for being different from current trends. What disappoints me is the longevity and intensity: it’s not as long-lasting or intrusive as I’ve read. I think it’s quite soft and wearable; I would add more potency. I’m speaking of the current 2023 version. It’s available at a good price so I recommend its rich spiced and woody aroma classic with depth. It’s not heavy or just for older people. It can dress a young man well who wants to stand out. It has a nice dry-down and you can tell the quality because it’s not excessively alcoholic.
It definitely smells like a funeral so don’t buy it blind like I did. It has a similar aroma to English Leather.
A classic and quality scent. Scents like this so spiced and heavy don’t work for me but it’s just a matter of taste. However I can’t help but highlight its longevity and trail which surprise me and speak of a quality fragrance.
A great classic. Aramis now called Classic is a survivor of over half a century which makes it very respectable. I have two versions: a current EDT I bought three years ago and an EDC from the 80s or 90s. Obviously there was a reformulation; the change in concentration announces it and they did it well. The current version (EDT) is almost identical to the EDC so kudos to the house. I notice they’ve lowered the moss and increased the leather in the new one which fits IFRA restrictions. It’s a woody chypre a sibling to many perfumes from the 40s and 50s some directed at women; Bandit by RP comes to mind very wearable by men. From the opening you can tell the leather-moss accord used in perfumery of the past seasoned with aldehydes hyssop and herbs. Then cardamom and a touch of jasmine appear briefly to give an indolic twist. From there the main accord takes over. It’s tenacious and projects quite a bit so measure your sprays because it can be intrusive. It’s classic and anyone wanting to project a classic image can wear it not an old one. It doesn’t fit with current designer perfumery which is sweet or aquatic against hard leather accords. Regardless of taste any perfume lover should try it to know part of the history and open their nose and mind.
Boss of the chypres, damn it. No half-measures, it smells like an older person, like mothers. It’s not that it’s bad, but it’s truly vintage, timeless (even though my collection is vintage). What a personality, although it doesn’t project much, it’s a heavy and invasive scent. With so much personality, it requires a hell of a lot of trousers to wear it. To my taste, a Calandre or Cabochard for men, hell of aldehydes, aggressive herbal top notes. No rose, but a potent rose nuance, and a base of old leather with earth and classic moss of the era. Extraordinarily good.
I don’t understand why a fragrance that doesn’t fit in that boring pile of vanilla-citrus blends everyone uses has to be marked as ‘old’. I agree with my colleagues: the opening is a bit much, but the magic lies in the dry-down, where it calms down and smells like luxury soaps. I love it because it brings back old olfactory memories and has a unique concept. It’s elegant and performs better in the cold. For me, another gem in my collection. Greetings! If you like my reviews, follow me on TikTok: Chuliá Parfum Reviews @chulia.my13parfums
It’s a reformulated fragrance that no longer has the same punch, yet remains unmistakably Chanel Antheus. It smells of an older man, almost like mummy talc. It has a unique, ancient personality, elegant, and older women find it attractive. Don’t wear it in your thirties; you need grey hair for this. It has that green spiciness of rosemary, forgotten leather in a corner where dust is part of the scent… the sandalwood isn’t quite as sharp, nor the cardamom, with lily and musk in the base. The dry-down is soft and pleasant, the opening repels many noses but it can be worn in heat. Perhaps the most famous chypre of all time. It reminds us of older men, and women will say you smell like your father or your uncles; today’s girls will say you smell like a Sugar Daddy.
Excellent aroma, perhaps for the office. It has little projection, but it smells of a man. Longevity is nothing spectacular and the scent is very, very faint; it’s perceived but little. Those with sensitive noses notice it more; normal people only feel it up close, at 20-50 cm, barely. It’s for smelling something, not for being loud, not annoying. If you want a scent without being invasive, this is it.
It’s one of those vintage fragrances that reminds you of someone from when you were young; perhaps that gives it partiality. I like it very much, it’s strong, with personality, but it smells of decades ago. I like it and I’ll keep using it as long as they make it. As it’s strong, not recommended in heat. Its scent is unmistakable, very gentlemanly.
I loved it. The opening is animalic, old school à la Kouros, but as it dries down it becomes a soapy, elegant, and clean wonder. It doesn’t project much, although it lasts about 8 hours on the skin. I use it in any season that isn’t stiflingly hot, always adjusting the amount to the climate.
The first time I tried it left me speechless due to its originality, although I know it’s an old fragrance. In this 2021 version I don’t notice the clear notes; upon application it smells of leather, wet earth, or herbs. For me, it’s difficult to use and I don’t know what occasion to put it on, but it’s a bottled surprise. I used it once without receiving compliments. It lasts 6 hours on skin and 8 on clothes. The price is very good, I found it for 950 pesos. It’s not bad, it’s good and versatile, but it’s not a current scent for young people. I’ll keep testing it.
A scent of power. It’s from another era, both for the good and the bad, in intensity, presence, and longevity. The myrrh gives it an exotic and sweet touch. As it evolves, it’s a treat: intense and possessive. In summer it’s excessive. Imagine a musketeer in a leather chair, fighting over moss or in a port with ships full of myrrh and patchouli. The price is unbeatable. I wouldn’t buy it for that strong reminiscence of the past, but if you like leather and masculinity without complexes, it’s a scent to wear and try.
Yesterday I tried Aramis out of curiosity and, to summarise, it’s Cabochard. Since I sprayed it on my arm it hasn’t stopped reminding me of that other one; for me, they are the same. I would even say that Aramis, for men, seems more feminine to me than Cabochard, which, being for women, being drier and sterner leans more towards the masculine. Aramis seemed sweeter and cloying to me. It’s curious that being so similar, one pleases me and the other not so much. Perhaps the day wasn’t the best because it was hot and it bothered me a bit. On Fragrantica there are 282 votes for similarity against 100 for difference, and those 100 people who don’t see the connection seem like a lot. Then I saw that the perfumer is the same, Bernard Chant, and I imagined a comic scene: Bernard’s wife asking him how he’s going to wear the new perfume for Monday on a Friday, and him scratching his belly. Damn perfume, he puts on the recipe, adds a bit of tarragon, removes this and puts that, smells good and has it. Very well, and how are you going to name it? Eehhh, well, as I can name it right now… Aramis. Aramis!!
I wore it in my late twenties and it suited my personality well, although it drew attention for its air of an older man. Its woody and leather tones make it perfect for formal situations and cold environments, but never for sports or dances.