Men
Chanel No 19 Poudre
Acordes principales
Descripción
Chanel No 19 Poudre is a musky floral woody fragrance for women. Launched in 2011, this composition was created by perfumer Jacques Polge. Its top notes of galbanum, neroli, and mandarin give way to a heart of iris and jasmine, while vetiver, musk, and tonka bean complete the olfactive pyramid with a warm, enveloping base.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
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Uso recomendado
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
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29 reseñas
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Jacques Polge’s formidable nose clearly demonstrates the status and stature of this creator and why he rules such an important house as Chanel. This version of Henri Robert’s classic No. 19 gives rise to this new inspiration where Polge adds the moniker: ‘Poudre’, that is, ‘powdery’ or ‘earthy’. It is exactly that. This feminine fragrance smells quite masculine; it is the most beautiful representation of the scent of earth after the rain. It smells of forest, but not of conifers, rather of a transition forest where the green, the vegetal and that rich, nutrient-dense black earth predominate, where flowers after the rain release their aroma, mixing with the former to give a greater earthy result. Chanel No. 19 Poudre is not a fleeting success fragrance. It is a fragrance made to exist, drawn from the ancient memory of man. This 19 alludes to a status beyond the elemental; it is not a fashion scent nor for unconscious consumption, but for people with their feet on the ground, with personality and quite mortal. It is an aroma to transcend within life itself, not in the ether. From my perspective, it is a women’s fragrance that would be effective on a man, and on a woman it might require something more than being feminine. Recommended? Not entirely, but tastes always break genres. It is not festive, it is sober and strong, perfect for executive environments.
Delicious, festive and beachy. Chanel 19 Poudre has won me over; it is a combination I was not used to in Chanel. There is a freshness of countryside, nature, sun and beach that I love. For me, it is perfect, considering that I live on a Caribbean island where summer embraces us every day. This little gem will be my next Chanel acquisition; I will tell you more about it.
Splendid. It conveys sobriety and timeless elegance, like the previous one, but with a powdery touch and more iris that give it lightness. Renewed, it reinvents itself and rises from its ashes; it is another classic that does not succumb to fads or tastes. What I like most is its complexity combined with simplicity; it is more ethereal than its older sister but retains that scent of a winter field with a mild sun. It is impossible to get tired of or find annoying; it comforts me and makes me feel good because of its bucolic setting of green, flowers and purity. Good hours and moderate trail.
They say the musks in this perfume react differently on each person. I smelled it for about seven hours, always clinging tightly to the skin, right against it; I suppose it would perform better if you bathed in it, though I only sprayed once on my wrist. The scent is not bad, but not glorious either. It is clean everyday aromas, like musk and neroli from ADP Essenza, with the difference that a faint iris is noticeable. The price seems astronomical, but of course, the brand comes at a cost. In the end, a very slight vetiver is perceived.
This perfume is like good art: always beautiful, timeless and elegant. A precious, ethereal aroma. It is the subtle spirit of No. 19, but less sharp; the Poudre version is tender and harmless. Iris and vetiver predominate, softened by tonka bean vanilla, with citrus notes that are not predictable fruits but a diffuse, mysterious spirit typical of Chanel. It is a subtle chypre with a perfect green note and a well-blended powdery finish. To me, it is a Chanel masterpiece: it has its DNA of elegance and status, but with its own personality: kind, warm, wonderful and tranquil. It is like aromatherapy, versatile for any season, adding class and distinction. It is distinctive and few people wear it; perhaps it is undervalued or only for connoisseurs. If you can get your hands on it, do so without hesitation; it is not everywhere and it is a masterpiece.
I put it aside a year ago due to its short longevity and lack of compliments. It’s meant to be worn close to the skin, leaving no trail, as if the scent were skin itself. It reminds me of a porcelain doll with talcum powder in a garden. Today I tried it again and, curiously, it has more density and lasts longer, though still soft. Less green than the EDP, more natural. It’s my favourite again.
Chanel N.19 Poudrée, you are a dream, so you, so chic and ethereal. A fascinating flanker, even more so than the original creation. It is like walking through a cloud with a drizzle of sour orange, galbanum and fresh green notes; the leather is felt with restraint, but what impresses most is the iris, which takes you from a talc-filled bouquet to a creamy point evoking lipstick. What a perfume, pure elegance, subtle movements, caresses that delight. It is clean, soft, with character, so you and yet so mine. With it, I can be Sleeping Beauty or Maleficent, depending on my mood. It is worth it in every aspect and if you understand it, you will love all its facets. You are dreamy, sweet and tender. I hope to enjoy your petals for many years. Originality 8/10, Longevity 8/10, Sillage 7/10.
Simply wonderful. Worth trying and owning. On my skin, I get a truly wonderful iris. I love it.
I find it ideal for unisex. I bought it myself and it works brilliantly on both men and women, with very good results.
Without a doubt, I thought it was my favourite. A couple of years ago, I was gifted a decant that I keep like a treasure; I wore it at an important event in June and felt so comfortable, clean and fabulous that I thought I would one day have to own it. This year, I finally bought it after keeping it on my wishlist for two years. I thought the whole collection would be my signature… But a few days ago, on a hot March day, I tried it and I adore it. The opening is super powdery thanks to the iris and vetiver. The truth is, it does not last even an hour.
Fragrantica, please correct the name: it is not called ‘Poudre’, it is ‘Poudrée’, which is the past participle. Being dust is not the same as being dusted…
Soft, delicate, floral with woody touches from the vetiver and a hint of sweetness from the tonka bean on my skin. Very good longevity. I have a 100 ml bottle up for sale if anyone is interested. I’m from Chile.
It’s essentially the powdery version of the 19 EDP. It retains that complexity and its soft, green sweetness, but the leather and the wild character of the EDT are much more subdued. The direct kinship is noticeable: where the first had intense leather notes, here there are precious floral powders. Iris dominates the top and heart, though I believe it lingers in the background supporting the tonka bean. For my nose, the powder is more versatile, easier to wear and more appealing. It’s considerably more formal, office-appropriate, though I wouldn’t rule out a party. I tried it at a freeshop and adored it; when I can, I’ll buy it.
It’s a powdery version of the 19 EDP. It has the complexity and green sweetness of the EDP, but the leather and that rugged character of the EDT are much more tamed. You can sense the relationship: the leather notes are replaced by beautiful floral talcs. The iris stands out in the opening and dry down, supporting the powdery tonka bean. To my nose, it’s more versatile and easier to wear, slightly more formal and business-appropriate, though also suitable for parties. I loved it in a freeshop and I’ll be buying it.
Extremely feminine and tender, it smells of forest with flowers, water and trees; it makes me feel like a fairy. The scent is delicate, ideal for a sweet woman, but the longevity is poor and it needs frequent reapplication. I’m sorry that Chanel’s quality has declined so much.
Absolutely stunned… another disaster. I used this poudrée version since its launch and today, after buying it again, I was surprised to find it has been reformulated. It lacks that intense powder note; it seems they’ve added more galbanum and removed the earthy iris. Now it smells like a mix of the poudrée and the EDP. It can’t be; Chanel is cutting costs for their campaigns. In my opinion, they are losing quality.
It’s a dream that envelops me in a bohemian, romantic atmosphere, as if I were caught in the rain. It’s feminine and less classic than the original 19; on my skin it lasts about seven hours without needing a reapplication. It’s softer, more innocent and candid than the Chanel 19 EDT, and although the whole line is fantastic, this is my favourite.
Maria del mar Astorga, nice comparison. I’ve been wearing it all day and agree with everything. It would be my favourite perfume if it weren’t for the fact that on my skin it doesn’t last even 2 hours, and let’s not talk about the trail which is non-existent. Scent: 10, Longevity: 5, Trail: 3, Versatility: 2. I adore it, but I don’t think I’ll buy it again.
Nature everywhere! Wearing this is quite an experience. The saleswoman told me to ‘give it time’… and indeed, it starts with an earthy, green touch from which emerges a slightly sweet, talcum iris, which then evolves into wood. All stages pass with very smooth and rapid transitions (within two hours the little plant has already grown). The ‘natural’ effect is captivating. But once it has finished blooming, the scent fades… unfortunately, it doesn’t stand out for its longevity or sillage.
Nature everywhere! Perceiving this is a whole experience. The saleswoman warned that ‘you have to give it time’… and I found an earthy and green path from which a slightly sweet, talcum-dusted iris germinates, evolving into wood. All stages occur with smooth and rapid transitions (the little plant finishes growing in two hours). The ‘natural’ effect is captivating. But once it finishes germinating, the scent goes… unfortunately it doesn’t stand out for its longevity and trail.
I love it; it’s as fine and elegant as it gets, adding that sensation of cleanliness and freshness but with class. It’s my favourite Chanel.
I’m not a huge fan of Chanel, but the 19 line has my vote as the one I like most (perhaps because it’s the one that ‘Chanel-ifies’ the least). This version seems like an update of the classic EDT: it opens very green with vetiver and neroli, but quickly loses its astringency and iris, tonka, and musk take over. The dry-down is powdery, but not powder-room powdery, rather dry and musky, with a touch of sweetness. The longevity is lamentable for its price; after 5 hours I feel nothing even if I bury my nose. The projection is weak, so it’s perfect for the office or for enjoying in solitude. I think it shines on fresh spring or autumn days, especially with sun. It’s elegant unisex (not formal), pleasant but somewhat simple compared to its predecessors. Within the line, I prefer Prada Infusion d’Iris for its greater complexity. Pleasant: 7/10, Interesting: 6/10, Versatile: 8/10, Original: 5/10 (it’s a flanker, after all).
Chanel N19 is a window to a woody and forest world; the greenest and most elegant side of the house. Built on iris root (a precious note noticeable in Houbigant’s Jardin Secret), moss, and earthy notes. The flowers remain in the background; the protagonists are tree roots and a great green forest with lots of soft moss. It is timeless, with a talcum-dusted iris touch that will conquer lovers of vintage. An alternative to Chanel’s usual bouquets: the GREEN alternative that I want green.
As many discuss the similarity with Prada Infusion d’Iris, here is my opinion on both. By notes, they don’t seem very different. The Chanel comes out much greener and more astringent, while the Prada is tender, sweet, and creamy without as many edges. Galbanum gives that green character to the Chanel that endures, whereas the Prada has a ‘pastel green’ that is less intense. Iris is the star of both, overshadowing the other flowers. When dried, both have a wonderful vetiver; I notice it more in the Prada, while the Chanel finishes more soapy due to the musk. Both are sweet and wearable. Perhaps the Prada is a bit sweeter, but it’s not a sweet floral. In projection, the Chanel is more imposing at the start, but when dried they are very similar: excellent longevity (over 8 hours) but low projection, almost skin scent. Both evoke peace and are works of art. For lovers of green and bold scents, choose the Poudré; if you don’t like the green, choose the Infusion d’Iris. Both have a notable talcum character, so it is an indispensable condition that you like this type of aromas.
A delightful fine woody and herbaceous scent, with an old-world touch where a delicious rose, wet earth, and forest notes stand out. This 2011 version has a youthful air with reminiscences of the original, but with a delicious dusting of talcum powder that recalls grandma’s powder puffs. It smells of rice powder, very clean and sensual, with that Chanel seal that always distinguishes its perfumes.
Feminine, subtle, ethereal like a dream… a beautiful and delicate scent. However, its longevity and projection are very light. I applied five sprays to my wrists and enjoyed the opening and heart, but after two hours, it was almost gone. What a pity, because I love it.
It smells like my childhood, opening my grandmother’s drawer with her talcum powders and perfumes; it’s sublime, ethereal, green, and rich. I’ll buy it when I finish my refill.
It gives me the sensation of getting lost in a magical forest, similar to Bosco; perhaps I’m exaggerating, but it smells incredible.
It evokes a magical encounter in an enchanted forest, reminiscent of the surreal scenes in Bosco’s ‘Garden of Earthly Delights’. Perhaps I am exaggerating with the description, but it results in a very pleasant olfactory experience.