La Belle de Russie by Новая Заря (The New Dawn)
Women 1980
Description
La Belle de Russie, a Vintage Powdery Floral From Новая Заря (The New Dawn), La Belle de Russie is a musky floral woody perfume for women dating from 1980. It is rated 4.04 out of 5 across 1,965 votes. The character is soft yet substantial, with dark fruit and old-fashioned blossoms settling into sandalwood, vanilla and amber. A nostalgic, enveloping…
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When to wear it (votes)
- Winter 36%
- Spring 18%
- Summer 10%
- Autumn 35%
- Day 61%
- Night 39%
Key notes
-
Top
blackcurrant
-
Heart
Apricot
-
Base
patchouli
Community
1,965 votes
- Positive 85%
- Negative 8.9%
- Neutral 5.9%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I own it
5,443 votes
What do you think?
Leading answer Like it
1,965 votes
Season
Choose severalLeading answer Winter
1,864 votes
Time of day
Choose severalLeading answer Day
1,025 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About La Belle de Russie
La Belle de Russie, a Vintage Powdery Floral
From Новая Заря (The New Dawn), La Belle de Russie is a musky floral woody perfume for women dating from 1980. It is rated 4.04 out of 5 across 1,965 votes.
The character is soft yet substantial, with dark fruit and old-fashioned blossoms settling into sandalwood, vanilla and amber. A nostalgic, enveloping wear rather than a sheer modern musk.
At the top are black currant, carnation and lotus flower. The currant lends depth, the carnation a clove-like warmth, the lotus a fresher aquatic touch.
Through the centre come apricot, iris, musk and jasmine. Powdery iris leads, apricot smooths with gentle sweetness, jasmine adds a familiar floral lift.
Underneath lie patchouli, sandalwood, vanilla, amber and Virginia cedar. The vanilla-amber pairing warms, patchouli contributes an earthy note, cedar and sandalwood lend dry support.
Accords listed include woody, fruity, powdery and patchouli, alongside warm spicy, floral, earthy, balsamic, vanilla and amber tones. Movement is gradual, from fruit towards powder and mellow wood.
Unmistakably of its 1980 era, it suits cooler days and occasions calling for a comforting, distinctive trail with classic feminine polish.
Likely to please devotees of classic powdery bouquets, musky iris and cosy amber-vanilla bases with lasting presence.
A charming period piece done well, balancing fruity brightness, powdery flowers and a warm woody-vanillic base with enduring appeal.
Flowers White flowers Woods and mosses Spices Musk, amber and animalic
It may remind you of
Ranked by what the community voted.
More from Новая Заря (The New Dawn)
How it wears
Compare the results and tap an answer to add your vote.
Longevity
Leading answer Moderate
820 votes
Sillage
Leading answer Moderate
925 votes
Character
Leading answer Traditionally feminine
495 votes
Value perception
Leading answer Excellent value
489 votes
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Community reviews
9 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
A splendid fragrance that I discovered long ago thanks to a Russian friend. Very refined, feminine, intensely delicate: I don’t smell carnation, nor musk, nor patchouli, which very often seem to me dark notes, heavy if not well calibrated. It is a breath of serenity. Its qualities are balanced to the millimetre, it has the transparency of crystal, but not its coldness. In the base it certainly has very passionate notes, but presented with delicacy: I would see these same qualities in a woman with a bright gaze, with a light step, fit to wear it. Unlike the previous review, I would not associate it at all with the oriental genre, or at least not with the genre we have in mind today (oud amber incense etc…). It is neither a floral nor a fruity, but a delicious encounter that escapes categories. I can say it reminds me more of the feeling of a favourite aromatic tea savoured in an elegant sitting room, in finely decorated teacups. A precious little jewel.
So great! I put it back together, after more time, I got one more face and… I’m delighted! Yes, it’s giving me my favourite Elle/Midnight Poison – make-up. Yes, it’s giving me the Coco Mademoiselle look and it’s giving me the Coco Mademoiselle look. Yes, it’s handsome – it’s handsome. It’s good, it’s good – BOTH! Man, it has something of masterful talc. A little bit of everything, or it’s not a little bit of a lot. On the contrary, it’s very balanced, very balanced, very balanced. It can be divided into parts, but again as synthesis and harmony it’s unique. The orchard is even better than I remembered, the patchouli is no longer gloomy, no longer gloomy, no longer gloomy but refreshing. The whole of peace is based on the cold-heat principle, and contracts for a lifetime. It smells of elegance. Enough has been done for the world I’m fond of, and for that it gets from me great respect and honesty for its authenticity. No matter how old the perfume is, after a long time, finally – wow!
Something Chekhovian. Bunin. From Kuprin. Stately brunettes. Anna Sergeyevna von Dideritz with a fine openwork shawl: cold shoulders, radiant eyes. Sitting in the Yalta dacha, quietly stirring with a silver spoon a cup of strong tea. Apricot jam. The whisper of an owl in a bed of lilies. Clusters of blackcurrants: you part them with your hands on the dacha fence and breathe in the odours of a summer afternoon, contemplating the haze of sunset. The dampness of night approaches and a light sadness.
If Midnight Poison were an EDT/body mist, it would be this one. On me it’s stronger in citrus than in patchouli, so it’s a bit lighter and fresher. A daytime version of MP. I’d say it could even be worn in warm weather where MP would be too heavy and dark. I like it. Longevity is good but it stays close to the skin after about 3 hours. For a closer imitation of MP, I now have Late Night Venom by DUA Fragrances. It’s the closest I’ve smelt so far. Side note: This perfume was created WAY before Midnight Poison, in 1980. So, if anything, MP copied this favourite beauty, not the other way round.
Wonderful fragrance. I finally stopped crying over Midnight Poison. Now I’ve discovered a new love. And the price, wow! I haven’t experienced the negative aspects others have written about on this review board. I don’t know if this is a niche product or not, and I don’t care. It smells great and I’ve received many compliments wearing it. It’s a substitute for MP, close enough. I put out a call on one of the forums for an MP substitute and this was one that was recommended to me. They were right. Thank you all so much. I love it.
An unexpectedly beautiful gem at an extremely cheap price. I guess Novaya Zarya didn’t intend La Belle de Russie to be a Midnight Poison clone, but they have a lot in common. The patchouli here sounds noble and soft, it interacts with other ingredients quite exquisitely. I recommend it to those who miss Midnight Poison, as these two are truly, if not twins, at least cousins. A lovely scent.
I kept hearing that this Belle was similar to Midnight Poison. It’s quite rare to find it on sale. By chance, I got hold of a 50 ml bottle of eau de parfum, from before 2020. What can I say: the box that contained the Poison had this scent. It seems to be the same Midnight, but diluted, transparent, powerless. It’s like a ghost of the same person, like a reflection in a cloudy mirror. Fruits, sandalwood, amber, patchouli. Longevity is three to four hours. Sillage is short. It seemed to me more suited for a warm spring. The scent is a memory, the perfume is a ghost.
‘Novaya Zarya’ cost next to nothing in its brand stores in Moscow, and ‘La Belle de Russie’ was written about as a clone of Chanel’s ‘Coco Mademoiselle’ or Dior’s ‘Midnight.’ It would have been a sin not to try it. My bottle ended up becoming a deodoriser for my handbag, and I didn’t dare spray it on myself. If the perfume were for girls, it would be a kind of sharp, dry, factory accounting clerk, always dissatisfied with life, far from a beauty.
In 1997, I found this fragrance by chance. It caught my attention only because of the bottle. Such a beautiful bottle, almost crystal, with a faceted little stopper, about 50 mg in volume. It’s not small… When I smelled it, I was stunned! In the middle of winter (and this was right after N.G.), it was as if I plunged into an August afternoon. I was overwhelmed by the smells of the late hay harvest, picked currants, the scent of pears and apples laid out on the porch, herbs scorched by the last heat and the first honey harvest…. Immediately there appeared the image of a big girl with red cheeks, happy, with a thick wheat braid thrown over her high and firm chest, in a summer dress, with round bare knees, sitting on the warm porch, amongst the fruits and biting with delight, with a crunch, into a cinnamon apple, transparent with ripeness. And the juice splashes and runs down her chin, and she laughs with joy and wipes herself with the hem. And somewhere plum jam is being made, and a warm gentle breeze carries its delicate smell. I also thought the name is very fitting and evocative. At that time we lived poorly, and the perfume cost 130 roubles, but I still bought it and hid it in the wardrobe, so as not to bother the family. I had it for a very long time. Long and happy beauty and harmony. What we have now is not even a pathetic semblance! What do they put in there that everything becomes so unpleasant and gets spoilt beyond repair? Why can’t we preserve the beautiful and unique flavour?!