8 88 by Comme des Garcons
Men Women 2008
Main accords
Description
8 88 by Comme des Garçons is a spicy oriental fragrance for men and women. Launched in 2008, the nose behind this creation is Antoine Lie. The top notes are turmeric (Indian saffron), coriander and Egyptian papyrus; the heart notes, saffron, geranium and incense; and the base notes, amber and patchouli.
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When to wear it (votes)
- Winter 28%
- Spring 21%
- Summer 15%
- Autumn 36%
- Day 55%
- Night 45%
Key notes
-
Top
Turmeric (Indian Saffron)
-
Heart
saffron
-
Base
amber
Community
989 votes
- Positive 80%
- Negative 16%
- Neutral 4.0%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I own it
2,442 votes
What do you think?
Leading answer Like it
989 votes
Season
Choose severalLeading answer Autumn
587 votes
Time of day
Choose severalLeading answer Day
360 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About 8 88
8 88 by Comme des Garçons is a spicy oriental fragrance for men and women. Launched in 2008, the nose behind this creation is Antoine Lie. The top notes are turmeric (Indian saffron), coriander and Egyptian papyrus; the heart notes, saffron, geranium and incense; and the base notes, amber and patchouli.
Spices Green, herbal and fougère Woods and mosses Flowers Musk, amber and animalic
It may remind you of
Ranked by what the community voted.
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More from Antoine Lie
How it wears
Compare the results and tap an answer to add your vote.
Longevity
Leading answer Long-lasting
299 votes
Sillage
Tied for the lead Moderate / Strong
388 votes
Character
Leading answer Balanced
98 votes
Value perception
Leading answer Fair price
77 votes
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Community reviews
7 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
I own three fragrances from Rei Kawakubo, a house I adore, along with several garments, and I recognise that this is the most challenging of the trio. All three possess humour, life, and personality; they are scents that accompany you rather than designer products you simply wear. The first thing I notice is coriander, yet not the culinary kind: it seems treated in hydrated cotton, tested in a beaker, and cared for under cold light. Then there is Egyptian papyrus, a combination so rare it defies understanding. Once it settles, it is chameleonic, shifting according to your mood, much like watching a Banksy painting as a child: intriguing, you acknowledge it is art, yet you fail to grasp the message, which makes it unique. Finally, the amber notes caress the patchouli as if giving it little strokes of affection. I took three days to write this because I have smelled three distinct perfumes in this same bottle; I feel incapable of explaining this work of art. As my girlfriend said: they are not for a specific type of person, but for personal enjoyment and not to please others. It reminds me of Fight Bite’s ‘Never Let Go’: beautiful, incomprehensible, and full of emotion.
I own three Rei Kawakubo fragrances from the house, along with several garments, and I acknowledge that this is the most challenging of the trio. All three possess humour, life, and personality; they are scents that accompany you rather than designer perfumes you simply wear. The first note I detect is coriander, yet not the culinary kind: it seems treated with hydrated cotton, prepared in a test tube, and cared for under cold light. Then comes Egyptian papyrus, a combination so rare it is difficult to comprehend. Once it settles, it becomes chameleon-like, shifting according to your mood, much like watching a Banksy painting as a child: intriguing, you recognise its nature, yet you fail to grasp the message, which makes it unique. Finally, the amber notes caress the patchouli as if giving it little pats. I took three days to write this because I have perceived three distinct perfumes in this single creation; I feel incapable of explaining this work of art. As my girlfriend said: ‘They are not for a specific type of person, but for personal enjoyment and not to please others.’ It reminds me of ‘Never Let Go’ by Fight Bite: beautiful, incomprehensible, and full of emotion.
This is my third review of 888, and every time I try it, I feel something new. It is one of the strangest perfumes I have ever tested. Now it smells to me of boiled tiger balm, complete with the plastic bottle included… Also like an infected piercing, yet perfumed and beautiful. It reminds me of dressing room lockers full of sweaty clothes, as if they had extracted the suggestive side of recent sweat and locked it away in something sweet, spiced, and sexual. Occasionally, there is a burst of vegetables, and you swear at the artificial adobo of Avecrem and the delicious, coarse dust of Doritos. It still smells of super-worn, soft leather with floral spices and a mentholated ointment. Surprisingly, despite being an alien creation, it is incredibly easy to wear; it has something that transports you to the great perfumes of the past.
One must observe how things change according to various factors. Yesterday I tried this 888 (I have owned it for years but rarely use it), and although the base with its reminiscences of a dispensary persisted, it was neither sweet nor aseptic as the first time. What I felt was a balsamic, liqueur-like rose splending like a saffron-spiced devil, almost effervescent, with very evident orange and amber tones. It has an expectorant aftertaste, even camphorated, which reminded me of Narciso Roto or Alaia: those games of crushed flowers with touches of suede. I left it with my sister afterwards, and she went absolutely mad with joy; she loved it. She wears Coco Mademoiselle, Alien, and Aromatics, so this balsamic floral with a camphorated twist was exactly what she enjoyed.
Well, I had no idea that geranium was associated with rose in La Dame de Noir.
At first, it smells unpleasant and artificial, like penicillin mixed with Vicks VapoRub. But after ten minutes, it settles into a very subtle, cool, spiced cleanliness with a faint gourmand note that isn’t cloying. The base is expectorant, balsamic, and mentholated. It’s like a Tic-Tac mint caramel: sweet and spicy yet soft, creamy, and nowhere near too sweet. I was genuinely surprised by this 8 88 from Comme des Garçons; it’s very wearable and pleasant. I wouldn’t wear it myself, but it’s amusing how strange it is to categorise. Do you know the taste of low-calorie sweets? That’s what I get with the 8 88: a cool, light, laboratory-made balsamic sweet with medicinal afternotes. It doesn’t carry rose, yet I can’t stop associating it with a creamy, Martian rose. I’ve thought of Gres Cabaret, despite them having nothing in common, but something tells me they are related. It’s a pleasant surprise that makes me think of 1999 or 2001, not 2008. The bottle is poorly crafted; the gold and red combination is chaotic and dirty, leading to mistakes and failing to do justice to the warm, harmless fragrance inside. It would have been greatly improved by a polished stone bottle, in an almost white green tone, similar to hospital or school furniture. That is exactly what it reminds me of. A very pleasant surprise.
At first, it smells like penicillin mixed with Vicks VapoRub: unpleasant and artificial. However, after ten minutes it settles, revealing a subtle, cool, spiced cleanliness with a faint gourmand touch that is not cloying. A prominent expectorant, balsamic, mentholated base stands out. It is like a Tic-Tac mint caramel: sweet and spicy yet soft, creamy, and far from sickly. I was surprised by this 8 88 from Comme des Garçons; it is very wearable and pleasant. I would not wear it myself, but it amused me how strange it is to categorise it. Do you know the taste of low-calorie sweets? That is what I feel with the 8 88: a cool, light, laboratory balsamic sweet with medicinal afternotes. It does not carry rose, yet I cannot stop making the association of a creamy, Martian rose. I have thought of Gres’ Cabaret despite having nothing in common; something tells me they are related. It is a pleasant surprise that makes me think of 1999 or 2001, not 2008. The bottle is poorly crafted; the gold and red combination is chaotic and dirty, leading to error and failing to do justice to the warm, inoffensive fragrance within. It would have gained much from the polished stone of Comme des Garçons in an almost white green tone, reminiscent of hospital or school furniture. That is what it reminds me of. A very pleasant surprise.