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Coco Mademoiselle L’Eau Privée
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Descripción
Coco Mademoiselle L'Eau Privée by Chanel is an oriental floral fragrance for women. Launched in 2020, this composition features the olfactory signature of Olivier Polge. The top note presents the freshness of mandarin, while the heart reveals the delicacy of rose and jasmine, closing with the warmth of white musk in the base.
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1,290 votos
- Positivo 77%
- Neutral 14%
- Negativo 9.1%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
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Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
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Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
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Reseñas
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12 reseñas
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A wonderful find. It’s a delicate fragrance with musky notes that make it incredibly sensual and elegant. It retains the essence of the traditional Coco Mademoiselle, but I’d say it also reminds me greatly of the Intense version. Plus, it has the wonderful ability to be applied to hair without drying it out. Although it’s marketed as an evening scent, I’ll be using it for everyday wear too, as it has excellent longevity on my skin. I consider it an outstanding purchase and I’m delighted!
This is a complete rip-off. This watery Coco Mademoiselle, seemingly engineered to keep sales up this Christmas during the pandemic so we don’t look foolish in our tracksuits while smelling like we’re heading to the ball of the year, would be perfect if it cost half as much as a hair mist. Within a minute of spraying, the scent vanishes; it’s identical to Mademoiselle but almost completely diluted, leaving only a faint hint of tangerine, even weaker than rubbing a segment on your wrist. Of course, there’s no trace of musk. It’s the worst I’ve tried this season, a massive joke and a disappointment bordering on anger.
I find this to be a complete rip-off. This watery Coco Mademoiselle, strategically designed not to lose sales this Christmas during the pandemic and to avoid looking foolish in a tracksuit while smelling as if you’re heading to the party of the year, would be perfect if it cost half as much as a hair mist. Within a minute of spraying, the scent vanishes, identical to Mademoiselle but almost completely diluted, leaving only a faint trace of tangerine, even lighter than rubbing a slice against your wrist. There’s no trace of musk, of course. It is the worst I’ve tried this season, a huge joke, a disappointment bordering on anger.
This one, alongside Olympéa Aqua by Paco Rabanne, strikes a perfect balance between fresh floral and sweet notes, lasting well and projecting nicely. It feels like a delightful fragrance for a woman.
Together with Olympéa Aqua by Paco Rabanne, these are well-balanced fragrances between fresh floral and sweet, lasting well and projecting nicely. I think it’s a delicious perfume for a woman.
Of course it carries more notes; I detect a potent patchouli alongside rose and a hint of licorice. A delight that initially seems very strong, reminiscent of scents like Miracle, but then transforms radically into something elegant and soft. A classic of the classics, with a citrusy opening that faintly recalls Cacharel’s Amor Amor—though I wouldn’t dare compare them directly, it certainly has a spark. I sense hints of coriander that come and go, yet it remains the same. Feminine and sweet, winter-appropriate and cosy. It’s not childish and doesn’t bother. It might seem generic, but it isn’t… It sits somewhere along the fresh winter line of Black Opium, yet they bear no resemblance. Ultimately, I can only say it will never go out of style; if you see it, don’t hesitate to try it. Unfortunately, I don’t have it yet, but it will soon be in my Coco Mademoiselle collection.
Obviously, it carries more notes. I detect a potent patchouli alongside the rose and a hint of licorice. A delight that at first seems very strong, reminiscent of Miracle, but then changes radically to become elegant and soft. A classic of classics, with a citrus that slightly recalls Amour de Cacharel (though I wouldn’t dare compare them), it has a spark. I sense touches of coriander that come and go, but it remains the same. Feminine, sweet, wintry, and cosy. Not childish, not oppressive. It might seem generic, but it isn’t. It follows the fresh wintry line of Black Opium, yet they bear no resemblance. Finally, I just say it will never go out of fashion; if you see it, don’t hesitate to try it. For now, I unfortunately don’t have it, but soon it will be in my collection.
Jo, Chanel, please, don’t fall into the trend of releasing flankers by the dozen with ‘Intense’ versions or derivatives. Not you, please. Coco Mademoiselle is already intense, wonderful, elegant, and of exquisite class with woods, roses, and exquisitely embellished patchouli, the house’s signature. Chance was born with Fraîche, Tendre, and Vive versions that adapt to diverse tastes. But this smells like pure economic strategy. You define your ability to create perfumes that go down in history; don’t do this. I feel this version adds nothing new, only shoots the messenger and discredits you.
What a disappointing fragrance. I bought a 50 ml bottle and it lasts nothing on the skin, even less on clothes; with luck, an hour, like cheap cologne.
What a disappointment. I bought a 50 ml bottle of Coco Mademoiselle and it lasts nothing on the skin; on clothes, perhaps an hour at best, it seems like cheap cologne.
It delivers what it promises: a fragrance for sleeping in and waking up fresh. The citrus notes are strident and overwhelm me; with one or two sprays, it doesn’t last, and by morning, there’s nothing left. It’s a Chanel flanker (which aren’t cheap) where I invested, and it was just ‘meh’. I’ll finish the bottle but won’t buy it again.
To be brief: it’s lovely, simple, and retains the DNA of the original, though I didn’t notice it at first. Later, it emerged—a shy base with roses, very subtle and delicate. Lasts a maximum of 3-5 hours. I think it’s a flanker that could have been better and isn’t worth the price.