Voyage sur la route de Malaisie by La Sultane de Saba
Men Women 2014
Description
Voyage sur la route de Malaisie by La Sultane de Saba is a floral fragrance from the olfactive family, created by perfumer Olivier Cresp and launched in 2014. This composition, designed for both men and women, unfolds a fragrance pyramid that begins with top notes of bergamot, jasmine, and rose. The heart reveals a bouquet of sambac jasmine, Bulgarian rose,…
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When to wear it (votes)
- Winter 13%
- Spring 41%
- Summer 33%
- Autumn 14%
- Day 71%
- Night 29%
Key notes
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Notes
Champaca
Community
69 votes
- Positive 81%
- Negative 17%
- Neutral 1.4%
Notes
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I want it
205 votes
What do you think?
Leading answer Like it
69 votes
Season
Choose severalLeading answer Spring
64 votes
Time of day
Choose severalLeading answer Day
38 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Voyage sur la route de Malaisie
Voyage sur la route de Malaisie by La Sultane de Saba is a floral fragrance from the olfactive family, created by perfumer Olivier Cresp and launched in 2014. This composition, designed for both men and women, unfolds a fragrance pyramid that begins with top notes of bergamot, jasmine, and rose. The heart reveals a bouquet of sambac jasmine, Bulgarian rose, and lily of the valley, while the base rests on a foundation of sandalwood, patchouli, and vetiver.
Flowers
It may remind you of
Ranked by what the community voted.
More from La Sultane de Saba
How it wears
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Longevity
Leading answer Very long-lasting
44 votes
Sillage
Tied for the lead Moderate / Strong
49 votes
Character
Leading answer Traditionally feminine
19 votes
Value perception
Leading answer Good value
20 votes
Have you worn Voyage sur la route de Malaisie?
Tell us how it opens, how it settles on your skin, how long it lasts and when you wear it.
Magdalena Maria
Of course, here we have juicy florals and a classic indolic jasmine. It’s a generally classic profile, not just because of the jasmine. Though it is exuberant, it fits a diplomatic frame: it doesn’t bother anyone, and no one will ask what you’re wearing, but the wearer will know they are carrying solid flowers that save situations from being cloying or stifling. It has something revitalising, a restless lift, and a natural grace beyond a cologne. It’s not my favourite from the house; its camphorated vanilla with patchouli is a pearl, but it is a very faithful floral.