Book by Commodity
Men Women
Main accords
Description
Book by Commodity is a fragrance from the olfactive family for men and women. The nose behind this creation is Ketrin Leka. The top notes are Virginia cedar, eucalyptus, rosewood and bergamot; the heart notes, cypress, white cuaba flower (Amyris wood) and amber; and the base notes, sandalwood, musk and velvet.
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When to wear it (votes)
- Winter 27%
- Spring 24%
- Summer 12%
- Autumn 38%
- Day 62%
- Night 38%
Key notes
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Top
Virginia cedar
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Heart
Cypress
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Base
sandalwood
Community
1,030 votes
- Positive 56%
- Negative 23%
- Neutral 21%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I own it
2,477 votes
What do you think?
Leading answer Like it
1,030 votes
Season
Choose severalLeading answer Autumn
1,000 votes
Time of day
Choose severalLeading answer Day
503 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Book
Book by Commodity is a fragrance from the olfactive family for men and women. The nose behind this creation is Ketrin Leka. The top notes are Virginia cedar, eucalyptus, rosewood and bergamot; the heart notes, cypress, white cuaba flower (Amyris wood) and amber; and the base notes, sandalwood, musk and velvet.
Woods and mosses Musk, amber and animalic
It may remind you of
Ranked by what the community voted.
How it wears
Compare the results and tap an answer to add your vote.
Longevity
Leading answer Moderate
373 votes
Sillage
Leading answer Moderate
394 votes
Character
Leading answer Balanced
455 votes
Value perception
Leading answer Fair price
314 votes
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Community reviews
8 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
A woody, fresh and aromatic perfume but distant from most perfumes in this same family that I know. It has a vibrant, refreshing opening, with a very pleasant eucalyptus note. Subtly sweet from the start thanks to rosewood, but really slightly sweet throughout its entire development. The drydown is more velvety and musky but not excessively clean or soapy. It is slightly earthy, damp, with a very very natural scent. It is curious that, without being a warm scent at all, I find it comforting. Very original scent. Unisex. Delicate. Versatile. If you close your eyes it can indeed transport you to an old bookshop. Moderate projection, which drops after approx. 2 hours, with 5-6 hours longevity on skin. Even though I love the smell, personally it is not the type of scent I like to wear daily. I do think I could like it much more on my partner (male). However, I would LOVE this same scent made as a candle. I recommend you at least try it 100%.
This is a somewhat strange fragrance, as its scent is not very common. It has a somewhat dark, earthy and lightly spiced opening. The most notable notes are cucumber, vetiver, sandalwood and guaiac wood, which in combination give a kind of blend of The Beat by Burberry + Narciso Rodriguez for Him. From The Beat it has the green and spicy part, but in a “Noir” way, and from N.R. it has that earthy, damp and natural feeling. It is a somewhat strange, attractive, somewhat dark scent that feels very natural, but that does not evolve over time and that after a while or with continuous use can become tiring. Unfortunately like the others I have tried from this same brand its performance is very poor, during the first 2 hours it had a rather low to medium sillage, after that it became close to the skin for about 3 more hours and then disappeared. For the price of 100 ml, $105 USD, it is not a good purchase option, it would be preferable and cheaper to buy The Beat and the N.R. one to use them together, I think you could achieve the same type of scent but with much greater sillage and longevity, with the advantage of also being able to use them separately. In short, a somewhat dark, earthy fragrance with a somewhat natural feel, formal type, for ages around 25 or 30 and up and for use in cool or cold climates.
Vinegar pickles and camphor from start to finish, in the best possible way :)) The “review” could well end here, because I have nothing more to say. Just to avoid a misinterpretation of the above statement, I state the following: I love vinegar pickles, I eat them like sweets, I love the odour of pickles, I want to smell like pickles, I want people to notice that I smell like pickles and I insist on being told that I smell like pickles. Full stop. P.S.: As for the books, I think the name of the fragrance refers to the old newspapers that are on the pantry shelves, under the jars of pickles in vinegar.
It is a sandalwood scent mixed with a good dose of musk and a pinch of eucalyptus. To my nose it does not remind me of a book at all, but rather of a dry woody hiking fragrance. This is Santal 33 with half the performance. There is something in Commodity’s DNA where among Book, Gold and Paper, everything dries down to the same blend of vanilla, sandalwood and ISO E Super. All of it seems fine to me, neither better nor worse.
This was my first niche fragrance, and I still adore it. Those who say it smells like a real bookshop must visit cleaner, more pristine bookshops than I do. There’s no dust, no mustiness, nor the endearing strange stale smell of a real bookshop, a smell I love, but which isn’t reproduced here. Book is a sanitised, idealised version of that scent. It’s the fragrance of reading a Barnes&Noble book outdoors at a café while eating a hearty salad: there’s fresh air, faint musk and the fresh smell of cucumber and sprouts. It’s that fresh salad opening that sets it apart from the very similar Le Labo Santal 33 and Maison Louis Marie 04, which are both versions of the same flea-market chic profile. Ounce for ounce, Commodity is the most affordable without losing an ounce of charm. I’m glad Commodity is back.
I retract my harsh “don’t want to smell like a man” criticism, I think I was in a bad mood. The truth is it is a (natural woody, animalic) perfume that smells quite seductive, and subtle but strong. It reminds me of winter days with a lovely cardigan, a scented candle lit and a little jazz playing and feeling zen. It’s a subtle power.
A fresh, aromatic woody scent, yet distinctly different from its usual family. It opens vibrant and refreshing with a brilliant eucalyptus note, accented by a touch of rosewood that adds a subtle sweetness at first, though the sweetness becomes more pronounced as it evolves. Drying down, it turns velvety and musky without being soapy or excessively clean. The base is slightly earthy and damp, very natural. What’s intriguing is that, without being warm, it instils a great sense of peace. It smells original, unisex, delicate and versatile; close your eyes and it smells of an old bookshop. Projection is moderate to low after two hours, lasting five to six hours on the skin. Although I adore it, it’s not my everyday style, but I think my partner would love it more. I’d adore it in a candle. Recommended to try at 100%.
A rare fragrance with an uncommon scent. It begins dark, earthy and with a spicy touch. The key notes are cucumber, vetiver, sandalwood and guaiac, which blended together recall The Beat by Burberry and Narciso Rodriguez for Him. It takes the green and spicy aspects of The Beat but makes it more ‘Noir’, combined with the earthy, damp sensation of N.R. It smells strange, attractive, dark and very natural, yet it doesn’t evolve over time and can become tiring with continuous wear. Like other scents from this brand, it performs very poorly: a low trail in the first two hours, then skin-scent only for another three hours before disappearing. At a price of $105 for 100ml, it’s not worth it; buying The Beat and N.R. separately gives you the same scent with better longevity and versatility. In summary, it’s a dark, earthy and natural scent, formal, suited for people in their late twenties or early thirties, ideal for cool or cold climates.