Men
Good Girl Gone Bad
Acordes principales
Descripción
Good Girl Gone Bad by Kilian is a fruity floral fragrance for women. Launched in 2012, the nose behind this composition is Alberto Morillas. The top notes reveal osmanthus, peach, neroli, bergamot, mandarin and cinnamon; the heart is composed of Indian neroli, jasmine, narcissus and May rose; while the base notes settle on amber, cedar, sandalwood, vetiver and patchouli.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
osmanthus
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Corazón
Indian Tuberose
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Base
amber
Comunidad
8,026 votos
- Positivo 66%
- Negativo 19%
- Neutral 15%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
Compara tiendas verificadas para Good Girl Gone Bad y elige según envío, precio o disponibilidad.
Amazon
Envío rápidoEntrega rápida y política de devoluciones conocida.
Ideal si priorizas velocidad y disponibilidad.
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eBay
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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17 reseñas
Mostrando las más recientes primero.
Category:
I like it because it’s different, and when I wear it, people ask what fragrance I’m using. It’s very exclusive; I recommend it if you’re looking for something sexy and unique.
Good Girl Gone Bad is one of the most innocent pieces in the ‘In the Garden of Good and Evil’ line, built on white flowers over a bed of oily osmanthus. Although the brand bases the collection on the parable of Eden with a modern twist, this fragrance is far from bad; on the contrary, it is friendly, accommodating, and very versatile. It’s a ‘whirlwind of flowers’ with an osmanthus dry-down featuring apricot, orange blossom, and rose; it vibrates half innocent, half voluptuous. It dries into three sirens: tuberose, jasmine, and narcissus (created by Alberto Morillas). It opens with realistic osmanthus, creamy jasmines, then nardos with a ‘buttery’ texture, almost gourmand. Finally, a touch of narcissus, resins, and a very gentle animal accord emerge. It settles on the skin, is comforting and suggestive without being overpowering. It is a tamed beast: perceptible but neither transgressive nor timid. Its longevity is average. The name doesn’t quite match the scent, but it doesn’t detract from its elegance. If you don’t like white flowers or oily textures, you won’t like it; if you adore creamy nardos, it is a proposal. Its main flaw is the price and difficulty of obtaining it (€205 for 50 ml). Thanks to user Cnidaria for letting me try it.
Not much of a standout; it smells of white flowers very similar to Loewe’s Solo Ella or Tommy Girl’s Dreaming, but with an osmanthus note that adds depth. To make it last, I have to apply quite a few sprays. I still think Kilian sells ordinary perfumes at a golden price.
It’s nothing extraordinary; it smells of white flowers very similar to Loewe’s Solo Ella or Tommy Girl’s Dreaming, but with that touch of osmanthus that gives it depth. If you want it to last, you have to apply it liberally. I still think Kilian sells ordinary perfumes at a golden price.
It’s a modernised white floral, pretty, delicate, and spring-like, where osmanthus is the main note. Nothing ‘bad’: it smells like a communion bouquet, all white without that strong indolic tone of white flowers. It has a very good trail and longevity, more than 14 hours. It tends to the feminine; it would be good for the day in warm seasons if you love florals. However, the scent is nothing special and seems excessively expensive. Pleasant: 7/10, Interesting: 4/10, Versatile: 6/10, Original: 1/10.
It’s a modernised white floral, pretty, delicate, and spring-like, where osmanthus is the main note. There’s nothing ‘bad’ here: it smells like a communion bouquet because everything is white, and I don’t feel that indolic tone of white flowers at their peak. It has good sillage and longevity, over 14 hours on my skin. It tends to the feminine and would be a good daytime perfume for heat if you like florals. However, the scent isn’t anything special and I think it’s excessively expensive for what it is. Pleasant: 7/10 Interesting: 4/10 Versatile: 6/10 Original: 1/10
There’s nothing wrong with this good girl, but I’m not sure she’s that good. 😏 That’s how it feels. Good Girl Gone Bad starts fruity and sweet, with a sparkling apricot typical of osmanthus. Then flowers dominate, especially jasmine and fresh nardos, not creamy ones. I don’t detect the rose or the musk, which I appreciate. I detect a slight animal and carnal touch just before drying, when cedar, vetiver, and amber enter, giving warmth. It’s very well balanced, spring-like, and delicate. It is sophisticated, playful, feminine, and nothing synthetic. Although it’s not original or special, it’s very pretty. I wouldn’t buy it, but I’ll enjoy my decant happily.
There’s nothing wrong with this good girl, but I’m not sure she’s that good. That’s how it feels. Good Girl Gone Bad has a fruity and sweet opening, a sparkling apricot typical of osmanthus. Then flowers dominate, especially jasmine and fresh neroli, not very creamy. I don’t notice the rose or musk, which I appreciate. I detect a slight animal and carnal touch just before the dry-down, which ends with cedar, vetiver, and amber dominating, giving warmth and depth. It’s very well balanced, spring-like, delicate, sophisticated, playful, and feminine. It’s not original or special, but very pretty. I wouldn’t buy it, but I’ll enjoy my decant happily.
As someone said, there’s nothing ‘bad’ in this ‘good girl’; it smells like a bouquet of flowers. I wouldn’t say it’s sexy; on the contrary, it feels mature. I’d give it to my grandmother; it’s nothing special and not worth the price. It’s not warm.
I love this perfume. It’s super delicate and I adore it. I like neroli but not in all perfumes; here it works. The neroli is very noticeable combined with the rose and little flowers, beautiful. It smells like soft cream with a fresh touch at the end. It’s an aroma you constantly smell on yourself; it doesn’t leave a big trail or abuse sprays, the soft neroli is exactly what I’m looking for. Ideal for moderate temperatures, autumn, spring, and for use during the day or evening.
It’s super delicate and I love it. I like nardos but not in all perfumes; in this one, yes. The nardo is very noticeable mixed with the rose and other little flowers; it looks beautiful. To me, it smells like soft cream with a fresh touch at the end. It’s something you put on yourself; it doesn’t leave a great trail, nor do I abuse with sprays because I prefer a soft nardo. Ideal for moderate temperatures, autumn, spring, and for wearing during the day or afternoon.
I really like this perfume. It’s super feminine, simple, with no complications or unexpected evolutions. On my skin, it smells like sweet peach mixed with moisturising cream. Very pleasant; every time I wear it, people ask about it.
It opens with a potent peach that soon settles down; the neroli is noticeable but not annoying. Dry-down is creamy and very pleasant, ideal for spring. It’s delicate and subtle, nothing ‘bad’. As a drawback: short longevity and trail. I like it, but at €255 for 50ml, not on my radar.
I agree it’s soft and delicate. It’s fine, beautiful, charming, elegant, and very feminine, especially delicate. The opening is one of my favourites: bergamot, peach, and neroli, I notice quite a bit of peach. As it evolves, I love the rose and jasmine; on my skin, the rose takes the lead. The cedar and vetiver base lasts for hours. I imagine a ballerina in a white or pink tutu taking small steps, a light dance. Perfect for the day or an evening occasion in spring. It resembles Lalique’s Satin, MFK’s À la rose, or Féminin Pluriel (gold version, more intense). If you like this type of aroma, you’ll love it. The price holds you back a bit, but if you can afford it, you’ll like it.
I’m glad to see so many positive reviews and that you’re enjoying this perfume, because for me, honestly, it hasn’t convinced me at all. It smells clean, but that’s all it offers. If I pay what a bottle costs just to smell freshly showered, I’ll sign up for balconing.
The opening caught me off guard: much sweeter than I expected. Then woody notes appear, making it greener. It’s fresh yet sweet, attention-grabbing without being heavy. It’s super feminine and elegant. On my dry skin, it smells clean and soapy, like peach shampoo. Personally, I don’t like spending much on this type of perfume, so I wouldn’t pay its price.
Beautiful rose and super fresh, nothing vintage. It’s light, clean, and on my skin the rose stands out with vetiver and a touch of fig leaf green. It leans towards clean and fresh with good longevity. If you’ve tried YSL Vestiaire’s Lavallière, this is its twin. A safe choice: nothing dark or mysterious, perfect for the office or everyday wear. Note: if you were looking for neroli or peach, this isn’t for you.