Mamluk by Xerjoff
Men Women 2012
Description
Mamluk by Xerjoff is an oriental woody fragrance for men and women. Launched in 2012, this composition features the olfactory signature of Chris Maurice.
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When to wear it (votes)
- Winter 39%
- Spring 15%
- Summer 7.8%
- Autumn 38%
- Day 39%
- Night 61%
Key notes
-
Notes
honey
Community
886 votes
- Positive 79%
- Negative 17%
- Neutral 4.4%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I want it
2,675 votes
What do you think?
Leading answer Love it
886 votes
Season
Choose severalLeading answer Winter
719 votes
Time of day
Choose severalLeading answer Night
423 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Mamluk
Mamluk by Xerjoff is an oriental woody fragrance for men and women. Launched in 2012, this composition features the olfactory signature of Chris Maurice.
Sweet and gourmand Woods and mosses Resins and balsams White flowers Musk, amber and animalic Spices Flowers
It may remind you of
Ranked by what the community voted.
More from Xerjoff
Related editions
More from Chris Maurice
How it wears
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Longevity
Leading answer Very long-lasting
367 votes
Sillage
Leading answer Room-filling
469 votes
Character
Leading answer Balanced
220 votes
Value perception
Leading answer Fair price
193 votes
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Community reviews
4 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
A perfume with a strong presence, embodying the style of a silent beast. It caught me off guard as I didn’t expect it to be so honeyed and masculine. If you enjoy honey, you must try this gem; I loved Naxos, but Mamluk has taken the crown. I’m utterly fascinated, though I admit honey can be divisive: for me, it’s divine and this fragrance truly shines. It features caramel, osmanthus, and a soft jasmine, with a resinous amber note in between. Then comes the Oud: masterful, balanced, precise, and elegant. It lasts around eight or nine hours and leaves a magnificent trail. If you think it’s gone, you’ll be surprised when people ask what you’re wearing hours later. It’s now one of my favourites in the collection. Unisex, perfect for cold weather and suitable for both day and night.
A fragrance with a strong presence, a silent beast style. It caught me off guard as I didn’t expect it to be so honeyed and masculine. If you enjoy honey, you must try this gem; I adored Naxos, but Mamluk has taken the crown. I’m fascinated by it, though I admit honey is divisive: for me it’s divine and it shines here. Notes of caramel, osmanthus and a soft jasmine emerge, followed by a resinous amber touch before the Oud arrives: masterful, balanced, precise and elegant. It lasts around eight to nine hours with an incredible trail. If you think it’s worn off, you’ll be surprised when people ask what you’re wearing hours later. Already one of my favourites. Unisex, perfect for cold weather and suitable for both day and night.
The ‘oud-miel’ combo delivers without many surprises. Mamluk is the quintessential Xerjoff fragrance, blending that signature sweet base of amber, vanilla and musk with a woody oud and honey. The sweetness is neither tiring nor cloying. The oud is approachable, neither resinous nor overpowering. It’s linear and offers good longevity. Unisex-leaning masculine, easy to wear. I like it, even if I don’t love it; it’s a solid choice for those seeking something different from the classic ‘oud-rose’. Pleasant, nothing more.
The ‘oud-miel’ combo is largely unremarkable. Mamluk is the quintessential Xerjoff fragrance, blending that signature sweet base of amber, vanilla, and musk with a woody, honeyed oud. The sweetness is neither tiring nor cloying. The oud is approachable, not resinous or overpowering. It’s linear and offers good longevity. A unisex-leaning masculine scent that’s easy to wear. I like it, though it doesn’t quite make me love it; a solid choice for those seeking something different from the classic ‘oud-rose’. Pleasant, nothing more.