Flower’s Barrow by Lush
Men Women 2012
Main accords
Description
Flower's Barrow by Lush is an aromatic fragrance from the aromatic family, designed for men and women. Launched in 2012, this composition was created by perfumers Simon Constantine and Mark Constantine.
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When to wear it (votes)
- Winter 14%
- Spring 32%
- Summer 24%
- Autumn 30%
- Day 72%
- Night 28%
Key notes
-
Notes
geranium
Community
288 votes
- Positive 82%
- Negative 13%
- Neutral 5.9%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
Compare the results and tap an answer to add your vote.
In the collection
Leading answer I own it
728 votes
What do you think?
Leading answer Like it
288 votes
Season
Choose severalLeading answer Spring
206 votes
Time of day
Choose severalLeading answer Day
119 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Flower’s Barrow
Flower’s Barrow by Lush is an aromatic fragrance from the aromatic family, designed for men and women. Launched in 2012, this composition was created by perfumers Simon Constantine and Mark Constantine.
Flowers Green, herbal and fougère
It may remind you of
Ranked by what the community voted.
More from Lush
More from Mark Constantine
How it wears
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Longevity
Leading answer Moderate
109 votes
Sillage
Leading answer Moderate
126 votes
Character
Leading answer Balanced
55 votes
Value perception
Leading answer Fair price
50 votes
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Community reviews
1 review
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Smells of dried flowers, rotting vegetation and spectral flora; the name screams it, though I didn’t spot it at first: Tomb of Flowers, or rather, Flower of the Tomb. It’s the most gothic perfume I’ve tried and I use it, I confess, compulsively despite some base notes repelling me. Repulsions work like ugliness: some (very few) instead of repelling attract. It’s not pleasant to the nose, but it is highly sophisticated; it couldn’t be otherwise given it’s a conceptual fragrance. Called Flower of the Tomb and smelling of rose, geranium, sage, thyme and blackcurrants, yes, but dead. Jean-Baptiste Grenouille would praise what’s been achieved, though he’d undoubtedly synthesise it better, but he’d understand, without doubt, the intention of its creators. It’s decadent and vampiric, and though sinister it excites the senses. In its cheerful moments it smells a bit of potting soil (must be the geranium) and in its falls, of mouldy flowers. A delicacy for noses averted to conventional scents who enjoy polymorphic and amoral fragrances. Lestat would wear this perfume, and so would Felicity Blanc. Chapeau