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Flower’s Barrow by Lush

Men Women 2012

Brand
Lush

Description

Flower's Barrow by Lush is an aromatic fragrance from the aromatic family, designed for men and women. Launched in 2012, this composition was created by perfumers Simon Constantine and Mark Constantine.

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Quick summary

When to wear it (votes)

  • Winter 14%
  • Spring 32%
  • Summer 24%
  • Autumn 30%
  • Day 72%
  • Night 28%

Key notes

Community

288 votes

  • Positive 82%
  • Negative 13%
  • Neutral 5.9%
positive reviews 288 community votes
LongevityModerate SillageModerate Best momentDay CharacterUnisex

The olfactory pyramid

A guide to the opening, heart and lasting trail of the fragrance.

The community speaks

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In the collection

Leading answer I own it

728 votes

Season

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Leading answer Spring

206 votes

Time of day

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Leading answer Day

119 votes

Each question has its own vote count. You can choose several seasons.

Fragrance profile

About Flower’s Barrow

Main accord aromatic Year 2012 Gender Men · Women Perfumer Mark Constantine · Simon Constantine

Flower’s Barrow by Lush is an aromatic fragrance from the aromatic family, designed for men and women. Launched in 2012, this composition was created by perfumers Simon Constantine and Mark Constantine.

Flowers Green, herbal and fougère

How it wears

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Longevity

Leading answer Moderate

109 votes

Sillage

Leading answer Moderate

126 votes

Character

Leading answer Balanced

55 votes

Value perception

Leading answer Fair price

50 votes

Community reviews

1 review

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  1. WaterLula Von Hooligan

    Smells of dried flowers, rotting vegetation and spectral flora; the name screams it, though I didn’t spot it at first: Tomb of Flowers, or rather, Flower of the Tomb. It’s the most gothic perfume I’ve tried and I use it, I confess, compulsively despite some base notes repelling me. Repulsions work like ugliness: some (very few) instead of repelling attract. It’s not pleasant to the nose, but it is highly sophisticated; it couldn’t be otherwise given it’s a conceptual fragrance. Called Flower of the Tomb and smelling of rose, geranium, sage, thyme and blackcurrants, yes, but dead. Jean-Baptiste Grenouille would praise what’s been achieved, though he’d undoubtedly synthesise it better, but he’d understand, without doubt, the intention of its creators. It’s decadent and vampiric, and though sinister it excites the senses. In its cheerful moments it smells a bit of potting soil (must be the geranium) and in its falls, of mouldy flowers. A delicacy for noses averted to conventional scents who enjoy polymorphic and amoral fragrances. Lestat would wear this perfume, and so would Felicity Blanc. Chapeau

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