L’Interdit by Note33
Men Women 2017
Main accords
Description
L'Interdit by Note33 is an oriental floral fragrance, created for men and women. Launched in 2017, this composition features an olfactive pyramid that opens with a cardamom top note, unfolds into a heart of lily of the valley, and rests on a sandalwood base. The fragrance was designed by Note33's perfumer.
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When to wear it (votes)
- Winter 33%
- Spring 33%
- Summer 0%
- Autumn 33%
- Day 50%
- Night 50%
Key notes
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Top
cardamom
-
Heart
lily of the valley
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Base
sandalwood
Community
5 votes
- Positive 100%
- Negative 0%
- Neutral 0%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I want it
23 votes
What do you think?
Leading answer Like it
5 votes
Season
Choose severalTied for the lead Winter / Spring / Autumn
12 votes
Time of day
Choose severalTied for the lead Day / Night
8 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About L’Interdit
L’Interdit by Note33 is an oriental floral fragrance, created for men and women. Launched in 2017, this composition features an olfactive pyramid that opens with a cardamom top note, unfolds into a heart of lily of the valley, and rests on a sandalwood base. The fragrance was designed by Note33’s perfumer.
Spices Flowers Woods and mosses
It may remind you of
Ranked by what the community voted.
More from Note33
Related editions
How it wears
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Longevity
Leading answer Moderate
4 votes
Sillage
Leading answer Moderate
5 votes
Character
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0 votes
Value perception
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Community reviews
3 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Look, everyone smells what they want, but on my skin, this is a strange beast. Very raw green notes with a sandalwood that fails to tame the harshness; it grabs you and pulls you back to the 80s in a whirlwind of sensations that take your breath away. You can’t tell if it’s for a man, a woman, or both. The good thing is that it changes depending on the moment, shifting between flowers, herbs, and spices. Few houses manage that: a complex, uncommon fragrance that lasts well and leaves a trail. It’s difficult, so don’t buy it blindly. The pyramid is original and far from commercial; surely not everyone will like it. I found it interesting and uncommon, but it hasn’t made me jump for joy to buy it.
I discovered the brand NOTE 33 thanks to the samples my friend Darkbeat sent me. According to the brief, L’INTERDIT is an oriental floral, but I don’t see it that way; putting it in another family is a mess. It sounds more to me like a wild chypre, resinous and harsh. The opening is resinous cardamom and labdanum, as if it had grown among the dry gorse and scorched by the sun of northern Algeria’s coast, where lizards scuttle among herbs that turn the sun into essence. Every now and then, herbaceous and acidic flashes appear. The coriander gives that intense green, like parsley, with bitter and spicy tones. After a few minutes, an acidic and floral note emerges. It’s not just the lily of the valley; other briefs mention rose and rhubarb. The union of lily of the valley and rose gives a clean accord that clashes with the fruity acidity of the green leaves and the red stalks of the rhubarb. It never loses its harsh essence, but shares space with acidic-floral puffs that appear and disappear, as if in the dry mountain, masses of acidic flowers and fresh rhubarb had suddenly sprung up. The composition is curious; few perfumes smell like this. Perhaps BVLGARI II or DAYTONA 500 by ELIZABETH ARDEN, but these don’t have that peculiar floral acidity. I see it as unisex, though I don’t think many will like it. I liked the alternation between resinous gorse and acidic flower, but it’s hard to frame within the current era, or any other.
L’Interdit is one of those perfumes that, although I like it, I wouldn’t buy. Let me explain: it smells splendid, it’s an exquisite unisex, delicate and elegant, which would make the happiness of many on Fragrantica, but it leans a little towards the feminine. It’s not serious, but it bothers me, and that’s despite wearing unisex perfumes without problems; I don’t enjoy it enough to use it regularly. It’s a nonsense, but it conditions me. Upon spraying, there are a few seconds of floral, sweetish, and lovely freshness, but it passes quickly and reveals a very distinguished French dressing room aroma: powdery, elegant, and sober, a mix of rose and lily of the valley over spiced sandalwood that evokes luxury. Then, the floral dilutes, it becomes more spiced and spicy, and the base warms up with slight leathery nuances, more velvety suede than leather, quite nice. This dry-down is warm, dry, spicy, and ethereal, fresh and spicy in equal measure, with a good dose of ambroxan that, in my opinion, loads it and makes it a bit generic. More than oriental floral, I see it as a spiced floral and subtly woody. It’s unisex and wearable by men, although it tends towards the feminine. It reminds me of vintage feminine perfumes that are no longer so today, but if it came out today, it would be undeniably feminine. The performance is good, lasting 6 or 7 hours on skin with moderate trail; it’s not spectacular but for a niche it’s fine. I applied it from an échantillon without a spray; with a sprayer it could last longer. It’s a good option for fresh and temperate climates, day or night, versatile and elegant, ideal for the office. As I say, it hasn’t fully convinced me, although it’s beautiful olfactorily; perhaps because I feel it as vintage feminine and that conditions me. It’s rare, because I have enjoyed wearing Youth Dew, Tabu, Opium, and Shalimar. I cannot deny its beauty; on a woman it would be a spectacle, but I wouldn’t recommend it for men without trying it first.