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Capucci de Capucci by Roberto Capucci

Women 1987

Description

Capucci de Capucci by Roberto Capucci is a floral chypre fragrance for women. Launched in 1987, this olfactive composition features aldehydes, peach, coriander, green notes, lemon and bergamot in its top notes. The heart of the fragrance unfolds with neroli, ylang-ylang, carnation, rose, jasmine and valley lily. Meanwhile, the base notes reveal oakmoss, leather, patchouli, labdanum, amber, cedar, coconut and…

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Quick summary

When to wear it (votes)

  • Winter 27%
  • Spring 23%
  • Summer 13%
  • Autumn 37%
  • Day 52%
  • Night 48%

Key notes

Community

270 votes

  • Positive 87%
  • Negative 10%
  • Neutral 2.6%
positive reviews 270 community votes
LongevityLong-lasting SillageModerate Best momentAutumn CharacterFeminine

The olfactory pyramid

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The community speaks

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In the collection

Leading answer I own it

773 votes

Season

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Leading answer Autumn

210 votes

Time of day

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Leading answer Day

126 votes

Each question has its own vote count. You can choose several seasons.

Fragrance profile

About Capucci de Capucci

Main accord white-floral Year 1987 Gender Women

Capucci de Capucci by Roberto Capucci is a floral chypre fragrance for women. Launched in 1987, this olfactive composition features aldehydes, peach, coriander, green notes, lemon and bergamot in its top notes. The heart of the fragrance unfolds with neroli, ylang-ylang, carnation, rose, jasmine and valley lily. Meanwhile, the base notes reveal oakmoss, leather, patchouli, labdanum, amber, cedar, coconut and vetiver.

Fruits, vegetables and nuts Green, herbal and fougère White flowers Flowers Woods and mosses Musk, amber and animalic

How it wears

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Longevity

Leading answer Long-lasting

89 votes

Sillage

Leading answer Moderate

109 votes

Character

Leading answer Traditionally feminine

44 votes

Value perception

Leading answer Excellent value

38 votes

Community reviews

2 reviews

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  1. jerry drake

    Time flies, and now this hurts more; sometimes I feel I don’t fit into a reality that changes at breakneck speed. Yet some fragrances are like a window that suddenly opens, returning you to a past that no longer exists. Pure taste of the 80s, of scooters, of house or basement parties full of friends, of the phone booths of my era to listen to first loves… I remember when I was a child, using them on long afternoons away from home. There were no mobiles, so only two options: go to a bar or use those booths, which then seemed a triumph of progress. We never imagined that years later they would become obsolete objects, yet you look at them with emotion. Material traces of the past always soothe, especially in an era of brutal change. I admit that sometimes I feel like a doorless phone booth: outdated, comfortable, and struggling at the same time, inside and outside the world, living on an uncertain frontier. But it’s fine; that’s how years pass, memories accumulate, and distant times, different rhythms, almost lost values, are recalled. And here comes the culprit of this digression. Capucci is a chypre, but not one that hits you straight in the face. It is light and silky, the trail delicate and close, but do not underestimate it. A sober, fine, elegant fragrance; for modern noses, something slightly old-fashioned but pleasantly powdery and very attractive, with just the right power to make me constantly sniff my wrist. The prelude can even scare noses not inclined to the vintage, seeming sharp. When the heart blooms, it reconciles you with the world. Beautiful, very fine and elegant, all the flowers combine brilliantly, none too striking, overlapping to decline into a base also floral, yet so wonderfully trapped in a velvet bed that it almost melts you. It could be a worthy alternative for all who seek to hunt down a Le Dix without spending a fortune, with the difference that while Le Dix unfolds in a green cream note, Capucci wraps you in a peach and apricot velvet coat. I would not go back in time; the rhetoric of the good old days is not mine. But I would like to spend a few brief holidays in the past: a weekend a year, just to recover the self of yesterday (what I was and will never be again) and relive atmospheres and fragrances definitively lost, dissolved by the passage of time.

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  2. The 80s were not just aromas à la Paloma Picasso, à la Animale, or à la Poison. There were also fragrances that were not so dramatic but had personality. For example: the first women’s perfume by Perri Ellis or Azzaro 9. Capucci for Women by Roberto Capucci fits into that same style; it is a floral scent with exceptional refinement, a spicy and sweet floral with animalistic touches, distinguished, which does not shout opulence or extravagance, preferring to stay on the line of being fine and versatile, beyond having a moderately complex composition. The perfume opens with a pronounced nard note, amberous, with sweet tones (from the peach) and as the liquid dissolves on the skin, we detect those marked animalistic touches, not too strident but very present. I would also add good-quality moss. The aldehydes are just and necessary, the coriander is felt slightly as the fragrance continues its course. The florals are exquisite; although nard dominates, we also feel in the passage tones of ylang-ylang, rose, and lily of the valley. I do not smell much leather; if it has it, it is minimal. The fixation is good, the trail moderate to soft, and the fragrance becomes powdery. The comparison with Ysatis is not entirely wrong; they share notes, but Ysatis is strong in clove, even more animalistic, with a prominent galbanum, more woody. The trail is much more strident, so they are not ‘that similar’, yet I do not rule out perceiving some connection. Elegant, fine, a floral with richness without being suffocating. For those who want an 80s floral without going for the dramatic, they will love it. My version is from the early 90s.

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