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Flower by Kenzo L’Absolue
Acordes principales
Descripción
Flower by Kenzo L'Absolue by Kenzo is an oriental floral fragrance for women. Flower by Kenzo L'Absolue was launched in 2022. The nose behind this fragrance is Alberto Morillas. The top note is saffron; the heart notes are Damask rose and orange blossom; the base notes are vanilla and white musk.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
saffron
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Corazón
Damascus rose
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Base
vanilla
Comunidad
638 votos
- Positivo 66%
- Neutral 18%
- Negativo 16%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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20 reseñas
Mostrando las más recientes primero.
Category:
Since I don’t see any reviews, I felt brave enough to leave mine for the first time. It smells very good, although it doesn’t have much in common with the original Flower (which I use as a signature in summer). To me, it reminds me of a cherry lollipop with a pleasant sensual touch and it doesn’t quite reach gourmand territory. It’s bright and pleasant for summer, the downside is that it’s very soft and doesn’t last long. I tried it at the beginning of summer, when it wasn’t infernally hot, and for an hour I could smell it quite a bit on my wrists, but then it disappeared sooner than I’d like. Today, with the heat on, I tried it again and on my skin I felt it diffused from the start, although bursts arrive from time to time. It’s more like a cloud that envelops you (this also happens with the original Flower). People say it smells like a very soft, sweet floral. After a while the lollipop scent disappears and it evokes a reddish-orange colour, becoming talcum-powdery and vanilla but very soft, close to the skin. I only come out for these pleasant bursts that arrive occasionally. It’s one of those perfumes that, if it weren’t for the price, I would really love to own, because I don’t like citrus or green and ‘fresh’ fragrances much, so for summer I appreciate this type of warmer and brighter perfumes.
Absolute hit! Very different from the original, which by the way I never really liked. I do like the Elixir and the Poppy, but this new one surpasses them. It’s juicier, more intense, sophisticated and feminine, something sensual. Lots of bitter orange and strong vanilla with an exotic touch. I haven’t tried it on skin yet; on paper it’s strong, interesting and uncommon. I liked it. If you like the Flowers, try this one first, it’s a fragrance that breaks away from the series.
Absolute smash! Nothing like its older brother, the king of talcum-powder scents. This one is more elegant, sexy, sweet, strong and intense. It’s one of those aromas you can’t stop smelling. Longevity: 8 to 12 hours, I fell in love at first sniff 💗. Would I buy it? Obviously, without a doubt. Reminds me a bit of Byzance by Rochas, with that elegant and sexy vibe I’ve found in others. I like Flower by Kenzo Elixir, Poppy Bouquet and Lumiere, but the last one broke my heart. This takes the top spot, the best of all the Flowers by Kenzo.
Absolute smash! Nothing like its older brother, the king of talcum-powder scents. This one is more elegant, sexy, sweet, strong and intense. It’s one of those aromas you can’t stop smelling, longevity of 8 to 12 hours, I fell in love at first sniff 💗. Would I buy it? Obviously, without a doubt. Reminds me a bit of Byzance by Rochas, with that elegant and sexy vibe I’ve found in the flowers I’ve tried: I like Flower by Kenzo, Le Lixire, Poppy Bouquet and Lumiere, but the last one broke my heart. This takes the top spot, the best of all the Flower by Kenzo.
I have samples I didn’t even want to try in the perfumerie. It has an air of the original Flower, the one I had years ago. It’s an air, a small slap of memory. But L’Absolue wants to be independent and can’t. From a distance it smells of vanilla, but you feel that musk and that disturbing rose from Flower. I insist, from a distance vanilla and saffron playing, but if you bring your nose closer, Flower hits you in the heart. I think L’Absolue is just another look at Flower plain and simple, and that’s why I don’t like it. I recommend smelling it before risking it.
I have some samples of this perfume that, thankfully, I didn’t even want to try in the perfumerie. It has an air of the original Kenzo Flower, that one I had once years ago. It’s an air, a small slap of memory. But L’Absolue has its own personality that wants to become independent from its older brother, but can’t do it. While from a distance you can smell the vanilla, you still feel that disturbing musk and that rose of the Flower. I insist, from a distance you feel vanilla and saffron playing friendly, but if you bring your nose close it hits you in the heart of Flower. I think L’Absolue is another look at Flower plain and simple, and for that reason I don’t like it. I recommend smelling it before risking it.
Kenzo perfumes are so tricky. They let me try it and then I loved it; it was an overdone sweet. Point in favour: on my skin I liked it more than on paper, although only the opening. Must try it for a while before buying. P.S.: I’m surprised by the comparison with Nina Soy; I’m a fan of red apples and it didn’t remind me of it at all.
Flower was groundbreaking; both Kenzo and Noa by Cacharel defined the turn of the millennium. They cut with the powdery vanillas and Parisian amber florals. Both were transparent, ethereal, capturing that liquid futurism and pearlescent metallic feel of 2000. I liked both, but Flower had more bite. Noa was pretty, transparent and pleasant, but Flower was something else. A talcum-powder scent, extremely talcum-powdery but modernised to the point where it doesn’t look vintage, but terribly modern. There was a lot of old school in its composition, the feat was working it so well, assembling ethereal and ozonic notes with others waxy and resinous, it was born a classic. I still get a bit excited smelling it today; for me it’s a masterpiece. It’s curious how years change tastes; many young girls today consider Flower to be for older ladies. I lived its launch and can testify that the users were young girls. All my friends were dying to have that transparent reed with the poppy, a scentless flower encapsulated in the cap. Balls, I’m sure my mother would have found it too modern. It’s normal that when commercial fashion perfume offers bombard you from birth, they eventually filter down to your soul. And that’s the key to why Flower, the original, today seems like a perfume for old ladies for twenty-year-olds. If they’ve spent fifteen years smelling nothing but nuclear bombs, fetid sweet bombs and gourmand to the extreme, anything that goes outside that smells like granny to them. It takes guts to be Flower, because it was born terribly modern. Whoever wants Flower should use it, whoever wants to avoid it shouldn’t give it a chance, we’re just talking about perfumes, not vitamins. That said, this flanker is the confirmation that fashions have changed. How trendy, how cheap. I tried it blind with no idea and the first thing I thought of upon spraying was one of those feminine perfumes from Mercadona that populate the streets of Spain. The same sticky, vulgar, shrill consistency. Look how well, Flower by Deliplus. When that unpleasant blast dissipated, waxy notes emerged, of majestic rose and musky with a certain old point that made my nose go ding. But nah, it’s an illusion. Running in again came that cheap shrillness that’s already the norm. Come on, another piece of shit to the bin. The point is I was keen to smell it again. It gave me a little disgust, but I was searching for something in the jaundiced mob. A very tasty note, an edible flavour that fills your mouth with saliva as if you hadn’t eaten in days, an intense, spicy and almost umami flavour that made me think of a good hot meat stew. And indeed, upon entering to check the sheet, saffron by the handful. Sincerely I think it suits it very well. Flower L’Absolue is an irrelevant perfume with the same texture as all today’s rubbish. But it has something. From the original it retains a certain tone of very light talcum-powder rose and vanilla; the whole is wrapped in more of the same 2022 stuff, but a tasty, impertinent, rough and tannic, phenolic note makes you want to smell it again. This is saved by the saffron, it takes it to quintals, androgynous, animal and very sexual, and why not, a certain blood orange tone I suppose will come from the bergamot. In the dry down the pink musk stands out. In short, a bad perfume that, seeing how terrible the others are, is even interesting, not because it’s the milk or discovers anything new, but it smells moderately well. At least if someone next to me has to choose between Black Opium with its brood of stepchildren and this, please, let them use this. I thank you.
Flower was groundbreaking, alongside Noa by Cacharel, defining the turn of the millennium. They cut away from boozy vanillas and amber florals. They were transparent, ethereal, futuristic. I liked both, but Flower had more oomph. Noa was pretty, Flower was something else: powdery but modernised until it didn’t look vintage. It had a lot of the old well-assembled, contrasting ethereal notes with waxy ones. I’m still moved to smell it today; it’s a masterpiece. It’s curious how years change tastes; nowadays young girls see Flower as a perfume for older ladies. I lived through its launch and the wearers were young girls. All my friends were dying to have that transparent reed with the poppy. Good grief, my mother would surely have found it too modern. When commercial perfume deals bombard you from birth, they eventually filter down into your soul. And that’s the key to why Flower now seems like a perfume for old ladies. If you’ve been smelling nuclear fireworks and gourmands to the extreme for years, everything else smells like grandma to you. It takes guts for Flower to exist because it was born so modern. Whoever wants Flower should use it, whoever wants to avoid it shouldn’t give it a chance. That said, this flanker confirms that fashions are different. What a trendy and cheap thing. I tried it blind and thought of a Mercadona women’s perfume: sticky, vulgar, shrill. Well done, Flower by Deliplus. When that unpleasant blast dissipated, waxy notes, a majestic rose, and musky accords made a pleasant sound. But nah, it’s an illusion. That shrill, tackiness returns again. Come on, another piece of rubbish. I was searching through the confused herd for something tasty, an edible flavour that fills your mouth with saliva, intense, spicy, almost umami, like a good hot stew. And indeed, upon entering, I saw a handful of saffron cards. Sincerely, I think it suits it very well. Flower L’Absolue is irrelevant with the texture of today’s rubbish. But it has something. From the original, it retains a certain tone of rose and very light talc vanilla in the third row, wrapped in more of the same 2022 stuff, but a tasty, impertinent, rough, tannic, phenolic note makes you want to smell it again. This is saved by the saffron, taking it to quintals, androgynous, animal, and sexual, with a certain blood orange tone from the orange blossom. In the dry down, pink musk stands out. In short, it’s a bad perfume that, given how terrible the others are, is actually interesting, not because it’s the best or reveals anything new, but it smells moderately well. At least if someone has to choose between Black Opium with its offspring and this, they should choose this. Thank you.
I love it! It seems original, with a bit of the first one, but I like this one much more; I can’t stand the other. It’s sweet but not overdone; you can smell the orange, but it’s an elegant orange, not citrusy, thanks to the orange blossom. I can’t distinguish the saffron as such, and the rose is very delicate, nothing synthetic. I’ve liked it immensely. It has good projection and lasts 7 or 8 hours on me, then on clothes until the next wash. The fixative works well.
I love it! To me it seems original, it has a bit of the first one but I like this one much more, I can’t stand the other. It’s sweet but without going overboard, you can feel the orange but it’s an elegant orange, not citrusy, thanks to the orange blossom that gives that sensation of sweet orange. I don’t distinguish the saffron as such and the rose is very delicate, nothing synthetic. I’ve really liked it. It has good projection and lasts me 7 to 8 hours, then close to the skin and on clothes until the next wash. The fixative works well.
The opening is unpleasant, but it settles down and becomes pleasant after ten minutes: orange, rose, and saffron coexist well. But it has nothing to do with the original Kenzo; it’s a tender scent that makes me feel comfortable.
This flanker diverges from the original, which is one of my favourites. It’s not powdery; it’s more floral. The saffron caught my attention, but it was sharp at first and doesn’t last long. On my skin, the rose and orange blossom stand out, leaving the vanilla in the background with a fresh, clean touch from the musk. It doesn’t fully convince me; I stick with the original.
I tried it months ago and don’t have much to say. It opens with a juicy, potent orange loaded with saffron, but that note fades quickly and turns floral, dominated by a vanilla rose that feels a bit musty. Projection and longevity are good. It’s feminine and mature, perfect for winter. It doesn’t resemble the original Flower, and although I liked it and received compliments, it wasn’t anything spectacular.
One of the few where I struggle to find a strong point. I was gifted 10ml and thought it would be identical to the original, but it wasn’t. The opening was unpleasant, a blast of sugary, chemical saffron that was quite sharp. It lasted nearly an hour before a timid rose emerged, eventually giving way to a soft, almost non-existent vanilla. After three hours, the projection is barely there. I haven’t noticed any fruity notes, yet in English it’s described as aquatic, which surprises me. Perhaps I got a bad bottle, but I didn’t like Flower L’Absolue much. One day I’ll go to a perfumerie to check if it’s true.
Well, of the few that I really find it hard to find something standout. They gave me a 10ml bottle for buying another product and, grateful, I thought it would resemble the original. Well no, it doesn’t resemble it and indeed the opening made me feel annoyed as another reviewer comments. Perhaps I shouldn’t have brought my nose so close to the skin, as a blast of saffron between sugary and chemical entered me that wasn’t powerful but very sharp. This phase lasted quite a while for my taste, almost an hour, in which a very shy rose gradually appeared and soon gave way to a soft, faded and almost testimonial vanilla. Three hours and the fragrance is left with almost no projection and threatening to disappear. I haven’t perceived the fruity notes and I see that in the English reviews they even find aquatic notes, which surprises me. I see there are people with a quite different perception to mine, so perhaps I received a bottle in bad condition. The point is I haven’t liked this Flower by Kenzo L’Absolue much. Anyway, one day I’ll go to a perfumerie and check if it’s really like that.
It’s delicious!
Delicious! You can tell they really enjoyed it.
Smells like an Arabic perfume, with that DNA that makes everyone smell the same. If I didn’t know it was Kenzo, I’d swear it’s Lattafa. Didn’t like it; in fact, it gives me the creeps. Where I live, for the past two years, all the young people have smelled identical, probably due to the saffron trend.
It smells like an Arabic fragrance, with that typical DNA that makes so many scent the same. If I didn’t know it was Kenzo, I’d swear it was Lattafa. It just doesn’t work for me; in fact, it’s a smell I find unpleasant. Plus, where I live, a couple of years ago, most young people wore something very similar, thanks to the rise of Arabic perfumes… I suppose it’s the saffron that gives it that distinctive feel.