Men
Imari 2015
Acordes principales
Descripción
Imari 2015 by Avon is an oriental floral fragrance for women. Launched in 2015, this composition was created by David Beach and Thomas DiGiacomo. The top notes reveal aldehydes, bergamot, and Italian lemon; the floral heart unfolds iris, rose, and jasmine, while the base notes complete the structure with patchouli, amber, and vanilla.
Resumen rápido
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
Qué dicen los usuarios sobre propiedad, preferencia y mejor momento de uso.
Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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21 reseñas
Mostrando las más recientes primero.
Category:
It opens with citrus, but as it dries down, the aldehydes and violet predominate. I don’t consider it exceptional, but it has a good scent with decent longevity and moderate projection despite being an eau de toilette. It has better longevity and projection than many perfumes.
It is a citrusy but mature and warm perfume, more for winter. It has a floral touch, but I definitely smell lemon at the beginning, quite strong. I wouldn’t recommend it for teenagers, rather for women over 35 who like harder and unisex scents.
It is quite unisex at first, strong, but dries down to powdery. I find it very similar to Chanel No. 5; it reminds me of Hinds’ pink cream. When dried, it smells of very rich powdery roses, nothing synthetic, and its longevity is impressive; on my skin it exceeds 12 hours.
It is quite unisex at first, strong, but then dries down powdery. I find it similar to Chanel No. 5; it reminds me of Hinds’ pink cream. When dried it leaves rich powdery roses, nothing synthetic, and its longevity is impressive: on my skin it exceeds 12 hours.
I only tried the cologne and it’s already very strong; I imagine the perfume is even more intense. I’m glad I didn’t buy it straight away, as with that potency, I wouldn’t use it. The scent is classic with a very subtle sweet touch, nothing gourmand. I don’t detect the vanilla initially, but as it dries down it becomes richer and more enjoyable, though at first it smells stronger than sweet. It’s powdery and formal. I believe everyone uses what they like, but there seems to be an age trend; I wouldn’t recommend it for teenagers or very young women, but rather for older ladies. I wouldn’t put it on a quinceañera or a twenty-something, though if they like it, that’s fine, it just doesn’t feel youthful or fresh. It’s not my favourite scent, but I don’t hate it either. I’ll wait until autumn-winter and won’t buy it again. I’m not convinced it’s fully feminine; it has a unisex edge. It’s not unpleasant, but it doesn’t define itself as a total women’s perfume; to be masculine it’s too feminine, and to be feminine it has a unisex touch that I don’t like, preferring well-defined feminine scents. I’d recommend it for women who love classics, perhaps woody, intense, with a unisex touch or even more masculine than feminine.
I only own the eau de toilette and it already seems intense; I imagine the perfume is even stronger. At least I didn’t buy the perfume directly, as if I had, I wouldn’t be able to wear it. The cologne is a classic scent with a very subtle sweet touch, nothing gourmand. I don’t smell much vanilla, but I assume it adds sweetness as it dries down; initially it’s stronger, but once dried it becomes richer and more enjoyable. It is powdery and quite formal. I think everyone should wear what they like, though there is a tendency based on age. In my case, I wouldn’t recommend it for teenagers or very young women, but rather for middle age and beyond. I wouldn’t recommend it for quinceañeras or twenties, although if it’s their taste, there’s no objection. I feel it’s not entirely feminine; it has a unisex hint that doesn’t convince me; I prefer well-feminine perfumes. I highly recommend it for women who love classics, perhaps a bit woody, intense, with a unisex touch or those who enjoy more masculine scents.
It is an economical perfume that surprises with its potency, moderate sillage, and good longevity, with excellent value for money. On my skin, the powdery notes stand out from the start; I don’t detect citrus, it’s like throwing oneself onto a mountain of talc, a bit excessive. But for me, a lover of powdery scents, it’s a wonderful bargain.
It’s a cheap perfume that surprises me with its potency and longevity, excellent value. On my skin, the talc note stands out from the start; I don’t detect any citrus. It’s like throwing oneself onto a mountain of talc, a bit excessive. But for me, who adores powdery notes, it’s a wonderful bargain.
I am a man and I love this fragrance: its rose and geranium are incredibly powdery, evoking a Victorian era that makes me feel elegant and clean, warming the atmosphere. The iris is dry and dusty, with a touch of vanilla at the base that rounds everything off. Only at the start do the citrus and aldehydes provide freshness, reminiscent of fluffy white cotton clothes ideal for cold nights. As it is not very sweet, it is a perfect unisex; I recommend trying it on skin. The first time it reminded me of Axe Musk, which I adore.
I must say I am a heterosexual man and yet I use this fragrance. It has an incredibly talc-like rose and geranium that I adore, giving me a Victorian sense of elegance, cleanliness, and an aura that warms the space. The iris feels dry and powdery, with a hint of vanilla at the base that rounds off the composition. Only at the start does it feel fresh due to the citrus and aldehydes, giving the sensation of wearing fluffy white cotton clothes ideal for cold, night-time climates. As it is not very sweet, it is perfectly unisex; I recommend men to try it on skin. The first time it reminded me a lot of Axe Musk, which I love.
A classic I needed in my daily collection. I recently received a deo with its scent and a sample that lasted a long time on my skin, perhaps because it is woody and not too sweet, which improves its fixation. I became a fan because it is a wildcard, like Avon’s classics. I like it: it is elegant, classic, powdery but very floral, and the aldehydes don’t bother. Very pleasant and worth it. For its economical price here it is an accessible luxury; as it doesn’t cost much, it is used without fear of seeming vulgar or overused. Highly recommended. Thank you Avon for these perfumed delights.
A classic that I should have had. I had not used it before, but recently I was sent a deo and a sample that lasted a long time on my skin, with great persistence and fixation, perhaps because it is woody and not too sweet. I became a fan because it is a chameleon, elegant and classic, talc-like but very floral despite the aldehydes which do not bother. Very pleasant and worth it. Given its affordable price, it is a luxury to own it without fear of being vulgar or overused. Highly recommended. Thank you Avon for these delights.
Imari Eau de Parfum by Avon, an extreme classic that evokes a distinguished, antique, talc-like but good and long-lasting scent. It begins with an aldehydic, intense, and precise talc note, ideal for cold climates, formal events, or work. Longevity of 3 to 6 hours and a medium trail. Recommended for people aged 30 and over.
The classic Imari is a floral woody, vintage fragrance that remains current thanks to its good performance and quality. It is sober and elegant; it lasts all day, though with less intensity, which I notice with movement and on washed clothes. The trail is wide. If you like classic, formal, creamy fragrances with white flowers and woods (not romantic or sweet) that go with you, this is a must. In my opinion, it is slightly unisex, tending towards the feminine due to the floral combination (I almost don’t perceive the vanilla). The main accord is woody, almost astringent, neutral white floral, creamy like body lotion, and powdery with a talc finish. Honestly, I love it; it suits any season and occasion, from work to special events. Who will like it: lovers of Chanel’s aldehydic canon.
It opens aldehydic and floral, with the wood slowly emerging. I do not think it is a youthful scent. Pleasant if you like classic perfumes.
It opens aldehydic and floral, with the wood gradually becoming apparent. I don’t think it is a youthful scent. Pleasant if you like classic perfumes.
I suppose I was expecting the original Imari, a vintage classic. Perhaps it was the weather or the moment, but it only left me with an excessively creamy, muddy sensation, with no distinct notes. My mum said it was very woody and for winter, and I will agree because I cannot stand it. The same happens with CK Obsession on hot days due to that creamy heaviness. I will see if it changes with winter.
In the Avon catalogue it is listed as oriental. I tried it and must let it macerate so the oxygen can do its work. Right now, I only smell a citrus top note heavy with aldehyde, smoke, powder, spicy notes that tickle my nose, and lots of mouldy wood. I will give it another edit once it is no longer dizzying. EDIT: I put it on a mouillette and it took a full day to please me. I think its dry-down is lovely, but the opening torments me. EDIT 2: It macerated but still didn’t convince me. I gifted it to my grandmother. It has good longevity but projects little; the jasmine and powdery patchouli with a slight creamy vanilla sweetness are most noticeable. My grandmother liked it more without that powdery part that made me dizzy.
I bought the wallet presentation (handbag size), 15ml. It is not overwhelming, but super wearable for everyday life. It dries down soft and talc-like, very much a ‘mum’ perfume, quite tender. It follows the style of fragrances from those years, more aldehydic than current notes. You might be tempted by this version, but sweet lovers of pastries should abstain.
I fell in love with fragrances again after five years without using them. Out of curiosity, I tried one of my sister’s Imari bottles and was utterly struck by that unique, peculiar scent. It created an addiction until I bought the bottle and finished it quickly. It doesn’t last on skin or clothes, but that woody touch and its boundary with masculinity make it irreplaceable. I already want to buy another just for its own sake.
Balmy and sweet, with iris taking centre stage in a perfectly balanced sweetness and excellent longevity. Citrus, talc-like, and floral; it is simply beautiful. It makes me feel comfortable; I use it to sleep in and it is spectacular.