J’adore L’Or (2023) by Dior
Women 2023
Main accords
Description
J'adore L'Or (2023) by Dior is a floral fragrance for women. Launched in 2023, this composition is signed by nose Francis Kurkdjian.
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When to wear it (votes)
- Winter 19%
- Spring 32%
- Summer 23%
- Autumn 26%
- Day 59%
- Night 41%
Key notes
-
Notes
jasmine
Community
1,919 votes
- Positive 75%
- Negative 12%
- Neutral 13%
The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
4,848 votes
What do you think?
Leading answer Love it
1,919 votes
Season
Choose severalLeading answer Spring
2,157 votes
Time of day
Choose severalLeading answer Day
1,148 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About J’adore L’Or (2023)
J’adore L’Or (2023) by Dior is a floral fragrance for women. Launched in 2023, this composition is signed by nose Francis Kurkdjian.
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How it wears
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Longevity
Leading answer Moderate
915 votes
Sillage
Leading answer Moderate
885 votes
Character
Leading answer Traditionally feminine
920 votes
Value perception
Leading answer A little expensive
853 votes
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Community reviews
38 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Smelling this is like wearing a luxury cream on the skin. The trail and longevity are on another level; I’ll definitely be buying the full bottle when I finish this decant.
Florals are my passion, but this smells like a poorly executed floral from the 1990s. It feels dated and slightly unfashionable.
Floral perfumes are my favourites. This is like making a bad floral from the past and adding thirty years to what you already have
I tried it straight out of the box and liked it, but it didn’t quite grab me. I came back to it a few days later and wow, the opening had improved tenfold. There are exquisite, super fleshy jasmine notes. The best part is the honey 🍯—a golden, gourmet honey that bathes the flowers, nothing like the one in Scandal. I don’t detect the rose or violet at first, but with more wear, I’m sure they’ll come through. It’s suitable for all seasons and any occasion; not for the supermarket, but perfect for a date with my husband or an elegant dinner. I find it very affordable and definitely want it.
It was love at first sniff, an instant spark. But I didn’t use it immediately; I let it rest. Not out of forgetfulness, but with the faith that desire matures in waiting. Some perfumes shout, while others, like this one, need to be unwrapped slowly, like a dangerous gift. J’adore L’Or (2023) doesn’t shout; it whispers. It envelops you in white flowers like freshly made sheets, but underneath there’s something more: a creamy, intimate, and buttery heartbeat. There’s a fruit not listed on the bottle, perhaps a banana, which appears on the skin like a wet confidant. It’s a perfume you don’t wear; it settles. It lets itself be felt like a brush against the nape of the neck. It is floral, yes, but also voluptuous, sunny yet shadowed, neat yet with desire. I used it, I fell in love, and I kept it. When I returned, it wasn’t the same, or perhaps it was me, ready to let myself be inhabited by its quiet power. I know the creator understood seduction: that kind that doesn’t need to be loud to stay and live.
I have the decant and it smells of jasmine at its peak splendour. It’s super floral with a creamy touch. To me, it smells very much like Mugler’s Alien, but without that woody note.
It’s a super feminine perfume; I use it regularly because I simply love the scent.
I’m writing this with a sample on my wrist. It has too much jasmine, which I personally can’t stand at such an intensity. To simplify, it’s the original Jadore but with much more jasmine, although I know it’s more complex. It’s not modern; it’s for daytime wear. Very intense with good projection, but as I don’t enjoy it, it becomes overwhelming. I washed my wrist and it’s still noticeable; now that the jasmine fades, the neroli comes through and it becomes more interesting and elegant, but I still don’t like it 🙁
It’s incredible. I like it more than the original. It’s sweeter than floral and lasts quite a while (from morning to night) even close to the skin. It’s perfect for shared spaces because it’s not invasive or scandalous. One of my all-time favourites.
Master Kurkdjian, he has exquisite taste and a privileged nose. I opened the packaging with great delicacy. Before applying it, I admired the bottle which lives up to its name ‘Love to Gold’. The cap emulates faceted gold to add more brilliance and elegance. Everything is finely cared for here: the packaging, the bottle, and the liquid. Oh, what a treasure, what splendid handling of the flowers! Here they dance to the same tune: orange blossom, neroli, jasmine, and violets; you can also detect an ylang-ylang (which isn’t declared) and the rose. The first phase is white flowers with ylang-ylang. Afterwards, the one truly conducting the orchestra is the rose. I feel a strong rose aroma, but they aren’t bud roses; they are mature, very fruity roses emitting a scent similar to raspberries. All these flowers dry with honey (also undeclared), but I do feel the just sweetness of a honey (citrus comb honey) that wraps this bouquet of fine flowers very well. Does it resemble the classic J’adore or the Infinissime? No, it has its own seal. To me, it is so unique, distinguished, and elegant. If you like proposals with white flowers and red roses, you have found what you are looking for in J’adore L’Or. The longevity and trail are magnificent; you don’t need to reapply for it to be noticeable for over eight hours. Furthermore, it is versatile because it wears very well throughout the year.
Incredible. I like it more than the original. It is sweeter than floral and lasts quite a while, from morning to night, even close to the skin. It is perfect for shared spaces because it is not invasive or overwhelming. One of my all-time favourites.
Kurkdjian, a scent genius. The packaging is exquisite; the bottle with its faceted gold cap shines just as its name suggests: L’Or. Every detail is meticulously cared for. What a floral splendour! Orange blossom, jasmine, violets, rose, and that ylang-ylang which is often overlooked. First, white florals with ylang-ylang; then, the orchestra is led by ripe, fruity, almost raspberry-like roses. All wrapped in a citrus honeycomb honey, sweet yet balanced. Is it like J’adore Infinissime? No, it has its own stamp. Unique, distinguished and elegant. If you love white florals and red roses, this is what you are looking for. It lasts over eight hours without reapplication and is versatile for all seasons.
It’s a perfume for going to work, having lunch, or attending a meeting. Its scent reminds one of the typical perfume for a young, elegant woman. I don’t see it as appropriate for more intense occasions like a party. When I spray it, it smells to me like an older lady with a handkerchief and elegant glasses. As time passes, it smells richer and more interesting to me. I wouldn’t recommend buying it blindly; it can result in being boring or too traditional for people who aren’t fans of the rose, as it stands out above the white flowers.
It is a fastidious and elegant perfume, ideal for well-dressed ladies. I have received many compliments from men.
It is a neat and elegant fragrance, perfect for well-dressed ladies. I have received many compliments from men.
I 💔 It is Red Door Intense; I had high expectations but it was a huge disappointment. I thought it would live up to its name, as if there is one thing I love about Dior, it smells of gold. It may not be my favourite, but when it is Dior, it smells like Dior, and this time, even with that title, it failed to deliver. My advice: before falling for this hype, try the original Red Door (which I adore) and it has a far superior quality to this flanker of J’adore which had everything to be loved like gold, but it wasn’t. The truth is, it is far from smelling of gold. In J’adore L’Or, you only notice the price 👎🏼. Scent: intense clove and jasmine. Occasion: nights out, but there are better options. Price: worth it, Dior smells low cost.
I 💔 It is a Red Door Intense, I went with high expectations and it was a great disappointment. I thought it would live up to its name, because if there is one thing I like about Dior, it is that it smells of gold. It may not be my favourite perfume, but when it is Dior, it smells like Dior and this time, even with that baptism, it did not deliver. My humble advice: before falling for this hype, try the Red Door (a perfume I love) and it has a much superior quality-to-price ratio than this J’adore classic that had everything, including its nose, to make you love it as gold, but I did not love it… and the truth is it is far from smelling of gold. J’adore L’Or is only noticeable in its price 👎🏼 Scent: intense carnation and jasmine. Occasion: outings, but I insist, there are better options. Price: worth it, Dior smells low cost.
I can link it to Acqua di Gio by Armani due to the white florals. It is beautiful, refined and elegant. Suitable for women over 40.
I tried it in autumn on a crisp day. It has a powerful opening, smelling like the original and the D’Eau. But I don’t know what is going on; it does not last. After two hours, it is only on the skin, with the violet dominating, which I honestly cannot stand because it is very synthetic. It disappointed me. Between the price, the quantity, the poor longevity, and that awful violet.
When jasmine dresses in gold. J’adore L’Or is the first fragrance in the line signed by Francis Kurkdjian that has truly won me over. It dusts off previous formulas, removing those fruity and vanilla notes that sometimes overshadowed the jewel: the jasmine. Here, the jasmine shines with orange blossom, May rose and other flowers that give a velvety texture. It closes with a veil of warm amber, just right for the name L’Or. It is a classic and elegant floral, radiant and sweet jasmine, but without the cloying excess of other fragrances. It sits at the perfect boundary for white florals to be the protagonists. Some see it as niche, others as classic. Whatever it is, it is a distinct turn that renews sophistication. For me, it is as if J’adore found its soul: it smells of golden light, pure jasmine.
WHEN JASMINE DRESSES IN GOLD: J’adore L’Or is the first perfume from the iconic J’adore line signed by master Francis Kurkdjian, and the first to truly win me over. Kurkdjian masterfully revives previous formulas, stripping away fruity and vanilla notes—those beloved ones that often obscured the true jewel’s brilliance: jasmine. Here, jasmine unfolds in all its glory, discreetly accompanied by its loyal bridesmaids: orange blossom, May rose, and other flowers that add a velvet, refined texture. Closing the scene, a delicate veil of warm amber envelops the composition, giving full meaning to the name L’Or. The result is a classic, elegant floral with a radiant, ambered, and sweet jasmine, yet far from the cloying excess of other fragrances like Alien. It sits right on the edge of sweetness, allowing white flowers to keep centre stage. Some might see it as a further niche nod, others as classic or even old school. Whatever the perspective, this fresh twist within commercial florals is welcome—a breath of air that renews sophistication without losing its essence. For me, it feels as if J’adore has finally found its soul. And that soul smells of golden light, pure jasmine, of something that touches without needing to raise its voice. 🍀
The jasmine in Alien with the creaminess of the first Carolina Herrera perfume… my nose perceives it as a 2-in-1 layering of those two wonderful fragrances… a beauty for all lovers of the king of flowers.
What a sensational perfume and what brilliant work by Francis Kurkdjian 💖 I miss the fruity dimension of J’adore, but this is one of the best accessible (not cheap) florals on the market. Just yesterday I was given a couple of samples and here I am, thinking about the incredible projection of a single drop and whether I’ll buy it in February or March 😉
What a magnificent perfume and what fine work by Francis Kurkdjian. I miss the fruity aspect of the original J’adore, but this is one of the best accessible florals on the market. Yesterday I received some samples and I am already thinking about whether to buy it in February or March, with that incredible projection from a single drop.
J’Adore L’Or was also a gift from my partner, this time for my last birthday. As a curiosity, I’ll tell you that, wanting to surprise me at all costs, he went to the perfumery where a friend of his works and told her he wanted something that was a very, very recent novelty. She showed him several options, and he chose this perfume, of which they had actually not sold a single unit yet and had to register in the system to sell it to him. When I saw it, I didn’t even know it existed, and I was completely blown away. This perfume is a powerful floral that will delight those who enjoy this type of aroma. It smells of indolic jasmine and yellow flowers; to my nose, with a great predominance of an unlisted ylang-ylang, with that characteristic smell reminiscent of banana, which we have seen in other facets of J’Adore, although never so imposing as here. I also seem to detect some neroli in its composition, also not mentioned among its notes. In the later dry-down, it has a reminiscence of classic J’Adore but never gets very close to it. It is, in short, a sweet and overwhelming floral bouquet with a slightly amber dry-down. Out of curiosity, I have been comparing it side by side with J’Adore L’Absolu, but both are perfumes that, to my nose, have little in common. J’Adore L’Absolu is closer in aroma to classic J’Adore, whereas L’Or is a more powerful and also sweeter perfume. As for its resemblance to Alien, it is true that it is there, but to my nose only in the late dry-down. It has a moderate-to-notable trail and a longevity on my skin that exceeds 10 hours. For me, it is elegant and beautiful, although I am aware it will not suit every nose. Given the very high price at which it hit the market, I think it is mandatory to try it before buying. Fortunately for me, I love it. Although many people say it is a perfume for mature women, it makes me feel beautiful and feminine… how lovely maturity is! Scent 8/10 Longevity 10/10 Sillage 7.5/10 Value for money 6.5/10 Versatility 8/10 Packaging 9/10 Would I buy it again? Yes
Finally got my hands on it, tried it out, and my head is blown away. It’s nothing groundbreaking, but I’m a jasmine lover and this Grandiflorum Jasmine is extraordinary. It sits at a point where J’adore L’Absolu meets Alien—a wonderful thing that is further sublimated by the bergamot, with an undisclosed amber note giving it a vibe reminiscent of Mugler, not so much in shape but in essence, especially the base. From the first spray, it was love at first sight: jasmine at its peak with fruity nuances of ripe banana with yellow skin and sweet white flesh, alongside bergamot and amber, plus a note that confuses me; I’m not sure if it’s the powdery violet or a pinch of myrrh creating a beautiful golden hue. I don’t feel the rose as evident, perhaps its essence is there to add body and carnality. The bottle is a beauty; Dior has always understood luxury: a heavy, high-quality box, thick glass, and the drop that caps the same glass lid make you forget they swapped their iconic necklace neck for a solid, heavy metal that embraces the spiky cap, representing that ‘gold’ of the line very well. Luckily, I wasn’t expecting much after reading negative reviews, so my surprise was even more delightful. I thought Francis Kurkdjian hadn’t understood Dior, but he’s done it perfectly. If Demachy gave us iconic compositions, we can’t expect less from this perfumer. I’m eagerly awaiting his next launch for Dior, far from any flankers and the ridiculously expensive private line.
What a stunning perfume! I’ve just picked up a bottle, and the packaging is so lovely for a commercial fragrance. They don’t list neroli, yet I can definitely detect it, although the jasmine overpowers almost every other note; I also identify the ylang-ylang. It is truly a well-crafted scent, ideal for a daytime outdoor event like a wedding, projecting cleanliness and power, so in reasonable doses it works well in the office. I recommend waiting before buying it due to the price; perhaps as time passes since its launch, the prices will become more reasonable. I absolutely love it! I suppose if something works, why risk it? Maybe it’s because the master behind the house, if he didn’t dare to create this flagship Dior perfume, certainly knew how to update it brilliantly.
The classic worked for me but didn’t quite convince me; this smells of full-on jasmine and attacks too hard, very sharp. I don’t like perfumes with so much jasmine, but if you do, this is yours. It’s not innovative, very classic.
Golden Flower Honey. Francis Kurkdjian has taken the reins at Dior, and here is his first contribution. His musky and luminous imprint forms the base of this J’adore variant. He adds hundreds of flowers to that rich base of light and coats the blend with the sweet juices of all their nectars. It is a super-floral with a classic appearance (thanks to the neroli and jasmine) yet at the same time modern and contemporary due to the construction of the ingredients. The best thing about the formula is that it carries Kurkdjian’s personal signature; as an artist, he turns everything he touches into gold. It is a J’adore that sublimates and strengthens its classic, elegant, and florally sensual identity.
It had been on my wishlist for ages until I tried it on skin twice… it’s pure potent, invasive bergamot flower with sweet fruity touches, almost without jasmine, with a scent of a mature person, great longevity and a moderate trail that doesn’t evolve when dried… a disappointment, as although it keeps the floral aspect of J’adore and is olfactively high quality, the note mix didn’t suit me and gave me a headache… smelling it made me miss François Demachy’s creations and remember how beautiful his works were.