Men
Oud Satin Mood
Acordes principales
Descripción
Oud Satin Mood by Maison Francis Kurkdjian is a woody oriental fragrance for men and women. Launched in 2015, the nose behind this creation is Francis Kurkdjian. The top notes are Bulgarian rose, violet and strawberry; the heart note is Turkish rose; and the base notes are oud wood, vanilla, amber, benzoin, caramel and cedar.
Resumen rápido
Cuándo llevarla (votos)
Notas clave
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Salida
Bulgarian rose (Bulgarian Damask rose)
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Corazón
Turkish rose
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Base
oud wood
Comunidad
9,453 votos
- Positivo 80%
- Negativo 12%
- Neutral 8.3%
Pirámide olfativa
Estructura completa de la fragancia: de la salida al fondo.
Comunidad
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Propiedad
¿La tienen, la tuvieron o la quieren?
Preferencia
Cómo valora la comunidad esta fragancia.
Uso recomendado
Estación y momento del día con más votos.
Dónde comprar
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Características
Resumen de votos sobre longevidad, estela, género y percepción de precio.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Reseñas
Experiencias reales de la comunidad sobre uso diario, rendimiento y estela.
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40 reseñas
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Review of the Extrait: it is worth 4 euros per millilitre, we go crazy, but it is a luxury, not a necessity. The official notes are violet, geranium, cinnamon, Damask rose, Tunisian rose, natural Laos oud, amber and vanilla. I sense something different. It is constant; you apply it and, with its nuances, it stays for hours with the same intensity. Stronger at first, perhaps fresh due to the geranium, and it slowly fades away (the phase I did not perceive because I was already asleep). I do not smell much cinnamon or violet; perhaps the first accompanies the sweet tone and the second adds a powdery touch. The oud, rose and vanilla stand out, with a little labdanum. Everything is very mixed. The oud does not smell like a stable; it adds a murky woody touch. The vanilla joins the rose for a soft balsamic scent. The rose is not soapy, also balsamic. The amber, which I think is labdanum, appears to prevent boredom. It is very good, but it is very expensive. I cannot compare it with the cheap EDP because I do not know it. I tried a cheap Al Haramain oil that at first smelled very similar, but when it dried down it ended up in generic white musk. This one stays the same for many hours.
I like it. Floral sweet opening, a vanilla rose with the base of the Oud. It is an Oud less medicinal than in other fragrances. The benzoin and amber give strength to the vanilla, with a slight powdery touch. For me it is more feminine than masculine. Quality and performance are magnificent, but it is linear and too sweet. None of the Kurkdjians hook me completely. Ideal for autumn and winter, more for night than for day. Longevity is very long-lasting and the trail is heavy.
I am in a transition phase. After a crazy season with Arabic scents and strong oud, I am getting a bit tired of them because I think: do they not have other ideas to mix rose, oud and vanilla? I tried this without many expectations, just to try something from Kurkdjian I had never tried before. I was pleasantly surprised! It is true that it is the typical vanilla-oud combo, but here the oud, vanilla and rose mix and make it special. It resembles what I already know, but at the same time it is different. It is worth trying. The performance is spectacular: I put it on at 10 am and I can still smell it at 9 pm. If the other perfumes from the brand are similar, they deserve more attention.
I ordered a sample set from MFK and chose this one. When sprayed it smells pleasant, but once it touches my skin everything changes. It is proof that rose and I are incompatible. That delicious scent transforms into a ripened fruit that starts to go bad. It is not rotten, but it has that note that makes you back away. Unfortunately, on my skin it turns into that.
I love the opening, but as the hours pass on my skin it becomes a bit sour, so I put it on again to cover it up. A pity. I am going to try the Extrait to see if it works better. I recommend it for autumn and winter; in summer it is too strong for me.
Another oud-rose combo. Oud Satin Mood is basically a vanilla base where the rose has a jam-like texture, accompanied by violet and a very weak woody oud. Very sweet, leaning towards unisex-feminine with great longevity. I loved the texture of the rose, but the perfume cloyed me. I sold it after 3-4 uses. The Extrait version is superior: less sweet, the oud more pronounced and better balanced. Before buying, smell both versions and take your time. It is worth trying, but do not buy it blindly.
I love it; it smells like strawberry jam with hints of rose and flowers like violet. The opening is feminine, but as it dries down it becomes seductive and more masculine thanks to the woods, oud and amber. If you are looking to make a move on a date, this is your perfume.
The first time I encountered this house, I leaned towards Baccarat Rouge 540, wary of the oud in 2018. But when I returned to Saks Fifth Avenue, out of curiosity I tried Gentle Fluidity and these jewels: Oud Satin Mood Extrait and EDP. I was utterly amazed; on skin it is a velvety rose with a soft violet and talcum-powdered scent over a very light oud. It is so delicious that it makes me close my eyes and travel. There is no comparison; it is a balanced work of art. I prefer this a thousand times over BCR540. I never thought an oud could make me fall in love so much. The body oil is also a delight. Recommended 100% if you like rose, violet and oud. It is my most feminine scent, with longevity and projection of 10/10. I love it!
A vanilla rose with woody notes, very different from Oud Silk Mood. Here, the rose is less sharp, sweeter and creamier. It has much more depth and sensuality, though they share elegance. The vanilla is delicious and the oud is not animalic at all, barely perceptible. On my skin, it smells like dark violet, ideal for an evening afternoon. It suits perfectly with the texture of satin and its performance is extraordinary.
This fragrance is magic; I have never smelled anything so refined yet so sensual. If Baccarat Rouge 540 is one of my favourites, with Oud Satin Mood I realised Francis Kurkdjian is a genius and geniuses create MAGIC. The name says it all: for me, it is black satin sheets covered in almost burgundy red roses in a room with noble wood furniture. I am not an oud lover, but here I barely detect it, just a woody hint. As for sillage and longevity, it is beast mode.
Well, I think it’s time to admit it: it’s only a matter of time before I desire an OUD fragrance in my collection. I started with Arabic perfumes and learned to appreciate other interpretations of rose. I gradually understood how aromatic priorities differ from mine and began appreciating those small – yet huge – differences. I have smelled oud from several houses: Perris Monte Carlo, Nisane, Tom Ford… the latter alongside this Kurkdjian seem impressive. Crisp, polished and super shiny ouds, intense yet not overwhelming. They add, enhance and contribute, not cover up. The most precious oriental rose with the most elegant oud = this fragrance. One drop and the magic begins.
This is a perfume jewel; I wouldn’t know where to start. Every component is executed perfectly, a true work of art. On me, it feels like sugared roses, a very subtle oud, and talc and vanilla fused together, warm, fine and delicate. Spices are felt in the background, leaping in and out. It is absolute BEAUTY!!!!
I must confess it never appealed to me due to the price, as I already owned L’extase Rose Absolue, and many claimed they were identical. I found a cheap decant to test it. For the first half hour, they are indistinguishable; I couldn’t tell them apart. The rose screams ‘Here I am!’ with vanilla trailing behind to sweeten, both notes quite loud. I also catch a powdery nuance, likely from the violet. As time passes, the rose and vanilla stop shouting; their sweetness calms into a woody accord with a very subdued oud, enveloping and mysterious. It becomes definitively more unisex than the Nina Ricci version, sexier. From here, similarities diverge. Both share a similar structure. If you aren’t a demanding connoisseur, worry about quality, and prefer more feminine scents, don’t fork out a fortune for Oud Satin Mood; grab the Nina Ricci instead. Although discontinued, partials are available at a fraction of the price. Longevity and projection are excellent.
A work of art, one of the finest rose and oud fragrances available. I detect more violet than rose, with a pleasant sweet touch that isn’t heavy. It is very well balanced and rounded; not a strong or animalic oud, but soft, sensual and elegant with a mysterious hint. The projection and longevity are spectacular.
This perfume is a headache. Needless to say the quality of the ingredients is high but I get bored feeling rose and vanilla for 8 hours or more with little variation. Moreover it reminds me of super old houses vestiges before the hygiene era where incense poorly camouflaged the smell of micturition something like sweet woody pee… or oud pee hehe. I am ignorant in perfumery; I do not doubt there is quality but it feels unbearable to me. The only time I tolerated it better was in spacious areas. Edit: After a month I must say it has conquered me. It must be due to winter and controlling the sprays. I no longer feel dizzy; on the contrary I cannot stop smelling it. Today I started with Ylan in Gold by Micallef and applied OSM over it in the afternoon; the result was sublime… ☺️
This fragrance is bottled velvet. The oud is barely noticeable; it is also not the typical rose-vanilla combo. For me it is infinitely more refined. It gives a silky sensation warm softness very pleasant. Although it is unisex it is slightly feminine due to a spiced light dusty rose together with saffron (although not listed) which gives it that soft velvet and rose scent. An olfactory masterpiece that makes this perfume a work of art.
The best perfume I have ever smelled. It represents me; I cannot stop smelling it: elegant chocolatey for cold days addictive I’m dying for it it hypnotises me. I want the full bottle to use it ALL the time. The problem is that I stop smelling it after two hours yet I want to smell it; it seems to make perfect chemistry with my skin but I suffer because I want to keep enjoying it. It faded very quickly on my sweater. No one complimented me; I think no one noticed it. It is worth checking the extrait as my skin eats up perfumes and I want to see if people notice the more potent version. But this is 120% in aroma surpassing any other winter summer whatever. DO NOT BUY IT IT IS MINE!! Only mine.
I understand this composition. It is a fragrance of superior quality to the common stuff justifying its price but not for everyone. In my case this decant will last me a long time. It is challenging; a single spray fills a large room. Rich for me but perhaps your circle won’t appreciate it. But I will always say: there are many noses that will not understand the matter of niche fragrances.
What an interesting perfume… this time I’ve moved from the poetic to the practical: pros and cons. Had I not read reviews beforehand I wouldn’t have rushed to buy this ‘difficult jewel’ just like with ‘Portrait of a Lady’; although I have no regrets I would have preferred a decant. CONS: The pH lottery is key here; in some the oud/rose/vanilla explodes while in others violet and baby wet towel notes dominate. I experienced it myself and indeed it leans towards a dusty mature floral nothing like modern ouds such as Initio’s Oud of Greatness (in my opinion the best current easy-to-wear one). This oud feels woody beneath its florals. It is too floral for work or daytime events; even if you don’t notice it others will. Be careful with application. When dry it has a clean halo but it is better suited for evening or cold cloudy days. Its opening and heart are very floral and balsamic lasting hours where that ‘baby wipe’ nuance enters. If you lived through the 80s/90s and 2000s the violet will remind you of fragrances from then that no longer sound modern; you won’t feel ‘rejuveniced’. PROS: For current perfumery it is totally unconventional. Although it seems feminine on men it grows into wood and vanilla; its mutation is surprising. As a woman I find it delicious on men and they feel the opposite hehe a real enigma. If you wear dry vanilla fresh roses or sandalwood by day and switch to OSM at night the result is notable. Mysterious and enigmatic wearing OSM is a statement of principles going against the grain. It smells of old money and is elegant. It must be dressed well; it is dark like a luxurious baby powder from Count Dracula’s Coppola version. It is not of its time commercially; I take my hat off to Kurkdjian. It is curious that so many call it seductive and sexy because it is not obvious not complacent nor easy. What joy to have this rarity! The dry-down is fabulous; it is worth the hours of mature flowers to reach that point; I would stay there forever. It is an aroma that is a pleasure to have close to remind us that perfumery is a deep and complex art without age or gender a dimension beyond the industry.
What an interesting perfume. This time I will be practical, listing pros and cons, so I do not regret investing in this ‘difficult jewel’. Like with ‘Portrait of a Lady’, I have no regrets, but I would have been happy with a decant. CONS: The pH lottery is key. In some it develops the oud/rose/vanilla, in others the violet/wet baby towel accords. I experienced it and it is true. It leans towards a feminine side, powdery floral and somewhat mature, nothing like modern ouds like the ‘Oud of Gratness’ by Initio (in my opinion, the best current one). This oud feels low on wood compared to the flowers. It is too floral for work or daytime events; even if you do not feel it, the people around you do. Be careful with applications. In the dry down there is cleanliness, but it is better at night and on cloudy, cold days. The opening and heart are very floral and balsamic and can last for hours, and that is where that ‘baby towel’ hint enters. If you lived through the 80s/90s and 2000, the violet will remind you of fragrances from then that today do not sound modern; you will not feel ‘rejuvenated’. PROS: For current perfumery, it is totally unconventional. Although it seems feminine, when used by men it grows into wood and vanilla; it is surprising its mutation. As a woman I find it delicious on men and they say the opposite, an enigma. If by day you use dry vanilla, fresh roses or sandalwood and switch to the night to OSM, the result is notable. Mysterious, enigmatic, wearing OSM is a statement of principles, going against the grain. It smells like old money and is elegant. One must know how to dress it; it is dark like a luxurious baby powder from Count Dracula’s Coppola version. It is not the child of its commercial time; I take off my hat to Kurkdjian. It is very interesting that thousands find it seductive and sexy. This scent is not obvious, not flattering nor easy. What joy to have this rarity! The dry down is fabulous; it is worth so many hours of mature flowers to get there; I would stay in that base note. It is one of those scents that is a pleasure to have close to remember that perfumery is a deep and complex art, without age or gender, when you enter a dimension beyond the industry.
Oh, I love it!!! I even bought the cream. Where do I start? I can only say it floods the train carriage with this amazing scent. My scarf has been smelling of it for months; it’s madness. I bought the 35ml from the official MFK website; the cream is incredibly hydrating, and if you add the perfume on top, it’s pure BEASTMODE! I must say it’s recommended for cold days, because in summer this gives you a headache due to its strength. I’m not usually a rose perfume person, but this is such an exquisite and luxurious rose that it has won me over. How wonderful it smells!!
A work of art crafted with one of the finest ouds in perfumery. That deep, moist, smoky wood, combined with roses, creates an aura that is always special and unique. As if you were burning palo santo and adding Turkish rose essence to the flame. In this case, it has a sweet, vanilla hint, but from a surprisingly fresh vanilla, as if natural yoghurt cream had been mixed with a vanilla pod. This complex refinement of the oud, serious, deep and distant, is represented here as tender and accessible, sweetly fresh and floral. A percussion masterpiece between roses, oud and creamy vanilla that forms a round and perfect perfume.
It’s very good; I love the scent, but I find it too feminine. I bought it blind and regret it a little. I still love it, but it’s more for my wife. The oud note is very subtle, while the violet is very prominent. That said, it’s a spectacular fragrance, but in my opinion, it leans heavily towards the feminine side.
@NaeLisa97 Does Bomi use this perfume? It surprises me and yet it doesn’t, haha. It makes me wonder what scents the other girls use, Eunji, Chorong, Hayoung. It suggests that for many, without financial worries, they lean towards niche or high-end fragrances. I don’t blame them; I think many would do the same. I certainly would, without hesitation. Anyway, the ‘feminine’ reference is very useful, as it’s a scent I’ve been eyeing for some time and hope to try, even if just as a decant. Leaving this comment for your future review.
I was searching for ‘Heaven, Sea and Earth’ because Bomi from Apink featured it in a video. Other celebrities mentioned that when the group arrived, the venue smelled feminine, and it was actually Bomi. In that video, she noted she wore it daily and the bottle was already quite worn. I hoped to try it before buying, but I ended up purchasing it blind. It smells very floral yet powdery, is potent and lasts on clothes for days. How wonderful that I’ve liked it; it’s the first time I’ve invested blindly in high-end perfumery.
The opening is strident and shrill. It lodges in your head and drills into your brain. To me, it screams violet from every angle. It’s floral with a slight amber dry-down. I don’t detect any oud whatsoever. Truthfully, I perceive no evolution; it’s rather static. That said, it’s not bad. What stands out here is the performance: a genuine unbeatable beast. Over 12 hours on skin with a projection that doesn’t scare. Your clothes soak it up and will smell of its essence for days. As you walk, people smell you from all directions. It’s for those who don’t want to go unnoticed. Little versatile, however. Verdict: Age 30+, unisex, cold/fresh weather (in heat it knocks you out). Scent: 7.5/10. Longevity: 10/10. Duration: 12h. Projection: 9.5/10. Versatility: 6/10. Price: $$$$ (€3.35/ml). Final score: 8.75/10.
It’s different from everything I thought I’d like. I tried it thanks to an order from MFK with samples. I love it. I’m enchanted, but above all, I wish every man in the universe smelled like this.
Reminds me very much of Black Aoud at first spray… a medicinal oud with roses… it’s good.
What a beautiful rose! At first, when I sprayed it, it wasn’t my favourite; I thought it was too strong, but once it dried down, ufff, what a beauty. It leaves a velvety, elegant, and refined rose scent. It’s not for everyday wear; it has a special place. The fragrance lingers on the skin for days. The trail is noticeable, as if a vampiress were walking with a rose in her hair. It reminds me of Carmina for the rose and Nuit Trésor Intense for that mysterious, sensual touch. I barely notice the oud. Although it is more feminine than unisex, it is an experience worth trying. Francis Kurkdjian has given us something that will be imitated endlessly but never surpassed (let’s say BR540).
It is not unisex; it is 100% feminine. A velvety rose with an exquisite woody base. That’s all. From start to finish, the trail is enormous and the longevity is bestial. If you love rose, this is a complete perfume.
I feel Oud Satin Mood EDP is the most mind-blowing rose and violet perfume I’ve ever smelled. This is like being in Arabia; it’s Eastern all over the place. It has a personality that takes over you like the most dangerous psychopath humanity has ever birthed. You either handle it well or you spend hours possessed. I think you need to know how to wear it, or the Oriental luxury will hallucinate you. I appreciate it quite a bit, but it leaves me KO, and I don’t know how to wear it… I suppose I don’t have the charisma for such an impressive Arab sensation. It’s a work of art. And with 2 sprays, you’re in its kingdom for hours. Nowadays, there are no longer perfumes this ‘strong’.
It smells like an old wig shop; I’d gift it to my grandmother because it would suit her very well and appropriately, but at 20 years old, I have no way of using this. In a nursing home, this would be sensational; it’s a rich aroma anyway, but the oud + roses combination gives a mature sensation.
The sensation this fragrance gives me is curious. It’s a love-hate, or rather, hate-love. It comes right over me, but for those of us who dye our hair… it smells like when you dye it and don’t rinse it properly. It has a clear rose orientation, which makes me fall in love and makes me bury my nose in my wrist over and over… but that ammonia-like afternote I perceive (perhaps due to the oud)… irritates me and makes me hate it. I can’t give a neutral opinion… you have to smell it to judge it. Good luck!
Aroma loaded with geraniol and ionones to mimic rose and violet. I don’t see it as unisex or masculine. This treatment of the rose, so floral and accentuated, is very feminine and mature. I doubt a young girl would wear it. It’s elegant and dense, nothing for mild or hot days. It’s for the night. Rose Satin would have been a better name, because the oud is hardly noticeable, which disappointed me. Let whoever wants use it, but to me, with my years, it reminds me of an older lady from the seventies. I think Kurkdjian has ventured into territory he doesn’t dominate, like with Dior Homme Parfum 2025.
Powerful; at first it hits the nostrils, but once it settles, it becomes noble. The opening has lots of rose and violet, intense, sweet and powdery. The strawberry is subtle, almost imperceptible, only if you close your eyes. As it dries, it leaves a talc-dusted rose, sweet, like the makeup powder aristocrats used in Versailles. I don’t detect vanilla, benzoin, cedar or caramel; probably all are blended to give that sweetness and depth. It feels very feminine, old-fashioned, like a rose I smelled 30 years ago in my grandmother’s dressing room. It’s not novel, it’s pleasant, but only the first 10 minutes are special due to its potency. I don’t find oud, but rather a woody note accompanying the rose; the violet is very prominent at the start. Only a confident man could wear it, because it’s very feminine. It looks better at night with fresh or cold weather, it envelops you and invites people to come closer. It attracts attention, and since the protagonist is the rose, few men would have the courage. As for age, I don’t see 18-20 year olds wearing it; it’s aimed at an older audience, 45 and up. In summary, it’s a lovely fragrance, but I’ve smelled it for over 30 years, so I don’t feel it’s new or disruptive.
As always with Francis Kurkdjian, French perfumery at its finest. Spectacular, but very intense, almost saturating. I still like More than Words more, although this is technically better, because it’s less invasive and has that fruity touch.
Arg, what a wonderful thing. A divine rose with an oud that is not ‘in your face’, but very elegant. When you think it’s a super serious fragrance, it gives you a caramel punch to balance everything. It’s an absolute delight. I sprayed it discreetly in case it was too invasive, but I think I held back: humanity deserves to smell this.
I approached it because of Delina’s from Marly, which they say is for princesses, whereas Satin is for sexy, rock-and-roll girls. It sounds clichéd, but Satin has more exuberance. It’s not for everyone or for hot weather, because it floods you and leaves you KO. The toasted wood and oud can be off-putting. It’s curious that it’s unisex; in men, the oud and violet stand out more, very exotic for someone with a bold personality who wants to stand out with refinement. Perfect with the cold and for seduction. In me, the roses and sweet spices dominate; I mix it with amber and sandalwood body milk and it lasts a long time, lingering on clothes. It’s not for the shy, don’t buy blindly. A perfect complement for a black dress or silk shirt, very regal, for divas. Be careful not to overapply, because excesses are vulgar.
What an incredible fragrance? It’s sweet and super intoxicating (in a good way) thanks to those roses and oud that make it a complex composition. The opening is intense, but then it becomes a beauty when walking; I’ve received compliments everywhere. I used a decant and every time I wear it, people ask about it. It lasts for ages, it’s incredible, one of my favourites. 10/10.
I’ve never dared to try it, but the moment I sprayed it, the scent took my breath away. It’s spectacular, dark and velvety, as if I were wrapped in black velvet. I feel embraced by the night. It reminds me a bit of Tom Ford Noir due to the rose and violet, but here it is rounder and more balanced. That blend creates an incredible mystery. Totally recommended.