Prada by Prada
Women 2004
Description
Prada by Prada is a woody oriental fragrance for women. Launched in 2004, this composition was created by Carlos Benaïm, Max Gavarry and Clément Gavarry. The top notes unfold with bergamot, bitter orange, mimosa and mandarin; the heart reveals patchouli, rose and pink pepper; while the base notes settle with benzoin, sandalwood, musk, labdanum and tonka bean. This perfume was…
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The olfactory pyramid
A guide to the opening, heart and lasting trail of the fragrance.
The community speaks
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In the collection
Leading answer I own it
9,957 votes
What do you think?
Leading answer Love it
4,462 votes
Season
Choose severalLeading answer Winter
3,033 votes
Time of day
Choose severalLeading answer Night
2,037 votes
Each question has its own vote count. You can choose several seasons.
Fragrance profile
About Prada
Prada by Prada is a woody oriental fragrance for women. Launched in 2004, this composition was created by Carlos Benaïm, Max Gavarry and Clément Gavarry. The top notes unfold with bergamot, bitter orange, mimosa and mandarin; the heart reveals patchouli, rose and pink pepper; while the base notes settle with benzoin, sandalwood, musk, labdanum and tonka bean. This perfume was awarded the FiFi Award Fragrance of the Year Women’s Luxe in 2005.
Flowers Woods and mosses Spices Resins and balsams
It may remind you of
Ranked by what the community voted.
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Related editions
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How it wears
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Longevity
Leading answer Long-lasting
1,250 votes
Sillage
Leading answer Moderate
1,425 votes
Character
Leading answer Traditionally feminine
636 votes
Value perception
Leading answer Fair price
516 votes
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Community reviews
16 reviews
Share what you noticed: opening, drydown, sillage and the moments when it works for you.
Perfect perfume for me. Elegant, enveloping, warm and sweet, just right and well-made. It anchors me to reality while lifting me up, like a protective cloak. It smells of the shadow of an ancient tree and a breeze in that cosy place where you always dream of returning.
The most tragic thing is falling in love with a dead man. I feel his warmth beneath my skin, his dark and suffocating embrace. It smells of damp earth and his aromatic bones. I hear his broken, burnt voice. If you hate me so much, why do you leave? You cannot show me paradise and then flee. But you do because you hate me. Even dead, your hate accompanies me. I will stay with it.
There is nothing more tragic, no crueler joke, nor more bitter nightmare than falling in love with a dead man. I feel his warmth upon my blue-veined skin beneath the dermis of cigarette paper. I feel his loving embrace, suffocatingly loving and dark. I feel the damp, nourishing earth where I now wallow lustfully among the aromatic bones of my beloved. I can hear his voice in the air. A burnt, broken, Iberian velvet voice. A voice of blazing candles in incinerated baroque cathedrals. If you love me with such hatred, why do you leave? You cannot show me paradise, take me to swim naked in fountains of drinkable honey and then run away with those old brown leather shoes. You cannot. But you do. Because you hate me. You hate me as much as I hate your non-existence. Even dead, your hatred remains by my side. If it’s not a bother, I’ll stay with it.
Ambered with subtle and elegant tonka bean. Discreet, pleasant and enveloping. It brings a naturally tempered warmth, sweet but not overpowering, like a cappuccino in winter. Now that tonka bean is in fashion, this Prada classic returns with force, with an ambered and medicinal-sweet profile.
A subtle and elegant amber with tonka bean. Discreet, highly pleasant and enveloping. It adds a transparent veil of naturally tempered warmth. A softly sweet warmth that never invades or saturates, a sensation similar to having a cappuccino in winter. Now that tonka bean perfumes are becoming fashionable, this Prada classic returns with force, with its markedly amber and medicinal-sweet presence.
I love it! It starts green, ambered, and with fresh patchouli. Then what I detect most is the benzoin, very pleasant and uncommon, with non-sweet honey notes and fresh woods. The only thing that doesn’t fascinate me is that I’d like it to last longer; on me it lasts about 4 hours. It’s a fresh oriental type, non-invasive, and although many say it’s not recommended for daily wear or the office, as it’s not sharp or beastly, it can be worn without major issues. An aroma outside the mainstream.
I love it! It starts green and ambered with a fresh patchouli. Then the benzoin stands out, very pleasant and uncommon, with non-sweet honey and fresh woods. The only downside is it lasts about four hours. It is a fresh oriental, non-invasive, ideal for everyday wear without being annoying. An aroma outside the ordinary.
A well-crafted and elegant oriental. It presents a powerful opening with a host of notes wandering on the skin; then they settle and leave a very natural, aromatic and medicinal patchouli scent, accompanied by a powerful ambered broom that gives it lots of warmth. Perfect to wear with cool temperatures, both day and night, on a woman or man (I note it’s unisex), elegant and stylish. It clashes completely with informal or sporty styles. Its scent is natural. I perceive a certain touch of honeyed pollen, but it’s very soft, giving it a sweet character as the hours pass. The perfume is well-made, natural, and has French-inspired reminiscences, which they love in their patchouli perfumes. Try before you buy. It doesn’t suit everyone; it does suit classic men and women with a certain liberal character. It’s a young and subtle oriental offering rejuvenated amber. For patchouli lovers.
Well-crafted and elegant oriental. It starts powerful, then settles on the skin leaving a natural and aromatic patchouli, accompanied by an ambered broom that provides great warmth. Perfect for fresh days, day or night, for men or women. It clashes with sporty styles. It smells natural, with a soft touch of honeyed pollen that makes it sweeter as it develops. Well-made, with French reminiscences. Try before buying, it doesn’t suit everyone. Ideal for classic and characterful profiles. A young and subtle oriental, with rejuvenated amber.
Prada Amber Ed.Luxe is gorgeous, elegant and original. From the first moment I notice its signature; Prada makes magnificent perfumes and this is one of them. Perhaps that is why it was perfume of the year. Its originality and different scent stand out in a repetitive market. Can you make an elegant perfume that smells of carrot? Yes, Prada did. I analysed the overall scent for weeks and the key is: it smells of carrot. Not everyone notices, but some do. The opening is green, fresh, juicy and slightly fruity. It is sweet, but due to the resins, the amber, some honey and fruits. I do not detect sandalwood, although I can smell it from miles away. Its patchouli, the star, on the skin is fine, addictive but light. Everything forms a delicious combination: a freshly peeled carrot with a dash of patchouli. It might repel others, so try before buying. Sometimes it gives a weak white chocolate tone on my skin. Compared to Coromandel, this is more masculine, with more chocolate and gourmand notes, whereas Sycomore is vetiver. They are very different; each skin accentuates the components. For me, Prada Amber is extremely feminine, disciplined and sparkly for smelling different. My best clean and sweet patchouli. The longevity is not bad and the trail is excellent, although sometimes it stays more blended; you always note its effluvia and I smell Prada from head to toe, which I love.
I chose this perfume because it is the iconic flagship of Prada’s beginnings. I want to inform on the forums that, as I cannot publish the news there, I am doing it here: it seems the signora Miuccia understood that more is less. The creative direction communicated that the contract with Puig, responsible for the formulation, ends in 2020. Prada is not renewing the licence, a hard blow for the Spanish company. It is the second time this year a major house has broken with Puig, after replacing Valentino with L’Oréal in May. Puig loses the prestige Prada-Valentino block and is left only with Carolina Herrera, Paco Rabanne, Nina Ricci and Jean Paul Gaultier. Sources say Coty is bidding alongside L’Oréal; the latter has the advantage for having Miu Miu. If Prada wants to return to its perfumery origins, I would stick with L’Oréal, which manufactures excellent scents like Armani and Lancome, compared with Coty, which has Calvin Klein or Marc Jacobs.
Strong and powerful aroma, very long-lasting. Patchouli and amber stand out with a touch of cocoa or chocolate. A very sweet fragrance that reminds me a lot of Flowerbomb and has an air of Angel.
I have worn it for many years and I still love it. I am not surprised they gave it an award, it is spectacular. The only thing is that many people wear it. I give it a 10.
It’s a perfume for a woman with character, capable of mastering it. It’s impetuous, imposing, the master of the stage. You need to know how to wear it. That’s probably what makes it so fascinating. I use it and recommend it.
Incredible fragrance. In the opening it reminds something of Angel by Thierry Mugler, but less sweet, with character and trail. It envelops you totally with its wonderful scent and leaves a warm and ambered halo as it dries on the skin. If you are a lover of characterful perfumes, you must have it in your collection.
To be honest, I tried to like this Prada; I read the notes and thought it would be fabulous, even testing it on my skin. I enjoy woody oriental scents. The opening is pleasing, lasts a few minutes and I like it, but once it dries on my skin the charm disappears, even though the base notes are good. It must be that blessed chemistry between my skin and the fragrance that didn’t click, leaving only something unpleasant on me. Anyway, for now, there it is; I’m not sure if I should give it another chance on colder days. The fragrance is good for those who like amber.